Alibi V.19 No.31 • Aug 5-11, 2010 
Raven Chacon with the antler cello

Aural Fixation

The Albuquerque Sound

Raven Chacon curates the city’s underground

In life there are certain truths: What goes up must come down, all's fair in love and war, a stitch in time saves nine and one who makes a synthesizer out of a cougar pelt is wicked awesome. Musician, teacher and installation artist Raven Chacon is familiar with the latter, having made just that as part of a Winnipeg-based project by his interdisciplinary American Indian arts collective, Postcommodity. When the piece is pet, the pelt synth purrs, and when it’s twisted it raars. The group also fashioned an antler cello and antler harp, and made a drum from a boar bladder and a coffee can. The instruments, says Chacon, are meant to be played by a futuristic tribe representing the last of its culture.

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Available in shirt-form at dirtycoast.com

Music to Your Ears

Bayou Ball

Long before the BP oil spill disaster, and even before Hurricane Katrina and that skank Rita ripped through the Gulf Coast five years ago, the Louisiana shores were already suffering. “Since 1900,” says the Coalition to Restore Coastal Louisiana, “Louisiana has lost more than 1 million acres of wetlands and barrier shoreline as a result of natural processes and human activity.” Louisiana’s land loss not only compromises habitat for fish and wildlife, but it removes a natural buffer against storms. With oil smeared all over the problem, the situation is truly horrifying.

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Birds, Batteries and some band wearing glasses

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Birds & Batteries lands at Low Spirits

Imagine you’re in one of those centrifuge rides at the state fair and the blaring theme music is some sort of ’70s rock. The cylinder spins faster and faster, pressing you against the wall and lifting your feet off the floor. On every rotation, as you whip past the speakers, your ears catch a blur of electric guitars. The centrifuge is also next to the funhouse, so high-pitched synth melodies, drum machine hits, and other electronic bleeps and blips swirl past you. Suspended next to you on the ride, your friend, who happens to have a lovely voice, is telling you loudly about a dream he had last night. Floating in space, enveloped in this musical blend, is what it’s like to listen to Birds & Batteries.

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Flyer on the Wall

Dead and Alive

The head of an Old Testament villainess depicted in ’80s religious workbook style wears the body of a runway model and the pants of a David Bowie and proves that, yes, mixing silvers with golds is often a good idea. This figure represents Post Burial, a monthly psych / glam / post-punk / goth / new wave night taking place at Blackbird Buvette (509 Central NW) on Saturday, Aug. 7, at 9 p.m. DJ Evan and others provide the music, and it’s free. (Jessica Cassyle Carr)

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Sonic Reducer

The Suite Unraveling "Music For Robots 1" · Miracle Condition Miracle Condition · La Bestia Rosa "Manera Nueva"

The latest incarnation of The Suite Unraveling—Lily Maase (guitar), Michael Kammers (sax), Greg Heffernan (cello), Alex Mallett (bass), Nico Dann (drums), with guest vocalist Sunny Kim—takes a prog-rock approach but rejects the genre’s tendency toward precious self-consciousness. Of course, the band plays Maase’s remarkable, fearless compositions, which are anything but precious or self-conscious. With an exceptional ear for timbral values, especially the sonic interplay between sax and cello, she orchestrates expressive textures alive with rhythmic impulse. Prog-rock it may be, but it rests on a strong jazz foundation and an unselfish approach from every participant. Turn it up. (MM)

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The Cat's in the Cradle

Miss May I • Ice Nine Kills • metal • Capsize • alternative, melodic hardcore • Lorna Shore • emocore • Westwind

If you still haven't had your fill of melodic hardcore, emocore and/or emo with no chaser—and lord knows who hasn't; I still dream of Hawthorne Heights every night before jumping up from my La-Z-Boy recliner and toddling off to bed—then do yourself a solid and visit Albuquerque's home for rock…
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Courtesy of the artist

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Are You Ready Kids?

TOKiMONSTA • electronic, hip-hop

Electronic experimentalist and heady hip-hop instrumentalist Jennifer Lee, better known as TOKiMONSTA, makes an appearance at the Historic El Rey Theater on Thursday, Sept. 28. An astral entity whose work with Project Blowed and Flying Lotus landed her squarely within the realm of El Lay’s underground hip-hop movement, Lee also happens to be a classically trained pianist. She is well known for deconstructing the work of luminaries like Justin Timberlake and Yacht through remixes that absolutely come apart in your head as the beat drops—sometimes delicately, sometimes like thunder, but always with a focus that speaks volumes about her musical prowess and wonky tendency to digress upon subtle rhythms and beatific bits of melody. $15 is all it will cost the average 18+ listener to engage in the elusive what-comes-next nature of West-Coast grooviness. The curtain rises on TokiMonsta at 9pm.
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Sorry, Not Sorry

Sorry Guero! • American death groove • Moonshine Blind • rock, country • The Lords of Wilmoore • punk rock • Cobra Vs. Mongoose

Hard rock is a thing that occasionally raises it's grizzled, drug-addled head in this dusty desert. It's a damn good thing the dude can play the guitar like ringing a bell. It also helps that the thing can sing. If not for these two crowd-pleasing aspects, Dirty City denizens would have booted Hard rock and his ilk outta this town ages ago. If you still haven't been exposed to this phenomena, may I suggest you haul your hipster ass down to Launchpad on Saturday, Sept. 30, for the album release party hosted by Burque groove-metal stalwarts Sorry Guero! The entirety of the diamond tough, blue-jean-clad, head-banging subculture who worship hard rock will be there, solidly represented by bands like hillbilly-heshers Moonshine Blind and pure punk provocateurs such the Lords of Wilmoore (eh, I lived on that street too, as an undergrad) and Cobra vs. Mongoose. So be there or be obtuse; it's only ten bones, okay?
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