There’s a Ph.D. in the Mosh Pit
Bad Religion celebrates 30 years of intellect
By Captain America
The early punks and pre-punks openly pursued starry-eyed deals with major record labels. The majors, however, felt burned by commercial failure and unprofessionalism (New York Dolls: “They’re junkies!” The Sex Pistols: “Loudmouth yobs!”) and wanted little to do with bands that followed. Smelling further disaster, the majors backed off until “safe” acts tagged as new wave appeared.
Faun Fables’ animated music
By Summer Olsson
Dawn McCarthy is an adventurer. When the musician behind Faun Fables answers the phone for this interview, the rushing wind and frequent connection breaks make it clear she’s on the road, in some rural area without good reception. A baby’s constant fussing and car noises increase the ambient fuzz, but through it all, McCarthy’s voice is calm and focused. The Bay Area-based musician has done plenty of touring—solo, as a duo, with a band and now with a new kind of group. “We have our kids with us. We have a really young one—4 months old—and we have a 2-year-old,” she says. “So it’s kind of an experiment.” Since McCarthy and the other half of Faun Fables, husband Nils Frykdahl, have already been on tour for a month and a half, it appears the experiment is working.
By Michael Henningsen
Behemoth Evangelion (Metal Blade)
One thing Gdańsk-based black metal master Behemoth has never suffered from is a lack of vision. Evangelion, the latest in a masterful BM triumvirate that began in 2004 with Demigod and continued with 2007’s The Apostasy, underscores the difference between real conviction and the poorly hewn philosophical drivel that plagues too many of the genre’s releases from a lyrical standpoint. On the contrary, Adam “Nergal” Darski and co. don’t dish out anything they haven’t thoroughly chewed. Rather than trade in dime-store Satanism and eye-rolling ritual, Behemoth takes gnosticism and hammers it into a cohesive lyrical fabric that glistens like fine tinwork. It all sits atop angular riffage rivaling just about everything available in a genre that continues to expand exponentially.
Flyer on the Wall
From The Rolling Stones to Rocky Horror, lip imagery is a constant in music art. Seen here, four hip-hop acts— ECID, Jordan Miché (Minneapolis), Noah 23 (Ontario) and K-the-i? (L.A.)—employ lip art for a trip around the West titled the “Attack of the Vampire Mermaid Tour.” Along with locals Omen 20012 and Sapience Christ, the performers appear at The Spot (504 Yale SE) at 7 p.m. on Wednesday, Nov. 17. Admission is $5. (Jessica Cassyle Carr)
Duke City Music
Obscure tracks from Derek Caterwaul
By Jessica Cassyle Carr
Derek Caterwaul is a promoter of local DIY music and arts events, as well as a DJ—most notably he’s a long-time host on KUNM’s “Music to Soothe the Savage Beast” on Tuesday nights. Appropriately, his contribution of random tracks may be the most obscure this column has seen since its inception a year ago.
Courtesy Epic Records
Chevelle • alternative • Black Map • Dinosaur Pile-Up • rock
By August March
Chevelle, an indie band from the Midwest, portrays their hard sound—expressed with exasperated vocals, a muscular rhythms and chunky guitar riffs that repeatedly drift off into tangential melodies—as an artful thing, comparable to '90s peers like Tool…
Courtesy of Mono/Poly Facebook Page
Mono/Poly • electronic, experimental, alternative hip hop, glitch • Tsuruda • trap, grime, dubstep • 1960sfe • chill wave
By Megan Reneau
Charles E. Dickerson, aka, Mono/Poly will be breaking down beats hard at Sister Bar on Thursday, Jan. 26. Mono/Poly is known for adroit techniques playing everything from ambient break beats to glitch hop. He's has worked with Flying Lotus, Kendrick Lamar and Thundercat, and has tracks set to be released with Erykah Badu, Kali Uchis and Kamasi Washington—just by that short, significant list, you can tell he's fucking superb at what he does. Joining Mono/Poly will be Tsuruda, who excellently blends trap, hip-hop and house sounds, as well as local heavyweight DJ, 1960sfe (formerly known as 1960 Sci Fi Era), who creates beautiful chill wave beats. The 21+ show begins at 9pm and is $8.
Photo by Wes Naman
Silver String Band • Americana, blues • Squash Blossom Boys • bluegrass, folk
By August March
The Albuquerque Folk Festival has ebbed and flowed over the years, presumably in a fashion similar to the mythically winding rivers often rhapsodized about in American folklore, literature and music. The ascension of the late, great Gary Libman to the presidency of the festival's board of directors provided structure and growth that has practically guaranteed the source of all the good ol' music will never run dry. Still, given the economic realities in our great nation and the costs of producing such a successful regional music fest, a benefit concert is often in order, to keep things flowing, as it were. With that metaphor in mind, check out the concert featuring two of Burque's authentic Americana units, the Silver String Band and The Squash Blossom Boys when they perform on Friday, Jan. 27. A portion of the proceeds from this 21+ holy hootenanny beginning at 9pm will benefit the festival before its 2017 iteration comes around on June 3, 2017. Tickets are $5.
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Chevelle • alternative • Black Map • Dinosaur Pile-Up • rock at El Rey Theater
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