Is That Surf Music?
The fearless fun of Benjamin Herman’s Dutch jazz
By Mel Minter
Don’t let the suit and tie fool you. Alto saxophonist Benjamin Herman, voted the Best Dressed Dutchman of 2008 by Esquire magazine, may favor the buttoned-up look of fashionably tailored threads, but he’s one of the most unbuttoned players on the jazz scene today. Herman seems ready to play anything, anytime—as long as everyone involved is having a good time and ready to dance.
Le Serpent Rouge Slithers Onto Stage
By Summer Olsson
“Vaudeville” traditionally refers to mixed entertainment on the same bill, and Le Serpent Rouge is just that. A trio of belly dancers, The Indigo, weaves its act between two live musical groups, each old-timey in its own way—the Crow Quill Night Owls and the Gallus Brothers. The show is touted as “vintage cabaret with ragged edges,” implying a touch of disorder or a bit of bawdiness. Or both.
Flyer on the Wall
GDP and Pistol bring hip-hop from New Jersey; Obelisk will contribute Santa Fe heavy metal; Albuquerque’s Stabbed in Back provide the punk rock. This eclectic evening of music happens on Thursday, Nov. 18, at REVLIS (712 Central SE) beginning at 7 p.m. A fiver gets you in. (Jessica Cassyle Carr)
The Debutante Hour The Birth and Death of Meaning · Typhoon Hunger and Thirst · The Silent Comedy Common Faults
By Summer Olsson
Three fine ladies draped in vintage glam sing vaudevillian songs to accordion and tuba. A smoky-voiced vixen croons torch songs about the devil over moody piano. Susan Hwang, Mia Pixley and Maria Sonevytsky are the Debutante Hour—and it’s quite a smart and sexy 60 minutes. With great voices and bluesy harmonies, the band questions world views, religion and self-identity. “Miracle Birth”—which includes hilarious synopses of the Immaculate Conception and Athena bursting from Zeus’ head, among others—is exemplary of The Debutante Hour’s aplomb. It manages to raise intelligent issues and treat them cheekily, all in the guise of sultry cabaret tunes.
courtesy of the artist
Vampires Everywhere! • rock • Consider Me Dead • Set to Stun
By August March
Metalcore masters Vampires Everywhere! will be rising from their decrepit coffins…
Tacocat • post post punk pop • Red Light Cameras
By Robin Babb
Everything about Tacocat is candy-coated. Technicolor-dyed hair, surfy guitar vibes and unabashed riot grrl revivalism combine in this energetic quartet from Seattle to make some of the best pop-punk tunes you’ve heard since you became okay with listening to pop-punk again. It’s good music for gleefully burning pictures of your ex. With punchy but sweet vocals and catchy choruses that you’ll be humming for days, their latest album NVM is worthy of heavy rotation. Their second LP (and first on the Hardly Art label), NVM features beefed-up production but the same garage-y, DIY sound from their earlier EPs, Woman’s Day and Take Me to Your Dealer. Stand-out tracks are “Crimson Wave” (which is about exactly what you think it’s about) and “Psychedelic Quinceñera,” a ballad about a girl who would rather forego the regular quinceñera formalities on her 15th birthday and get hella blitzed with her amigas instead. After exhausting the basement venues of Washington, Tacocat is heading inland on their winter tour with Sallie Ford. Red Light Cameras open. Pay your 10 bucks and get ready for the most colorful 21+ mosh pit of your life!
Acoustic Open Mic • Steve Kinabrew at Molly's Bar
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