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 V.19 No.47 | November 25 - December 1, 2010 
It’s Elvis Time

Aural Fixation

It’s Elvis Time

How The King’s Christmas album saves my sanity

Say what you like about Elvis—culture thief; sad, boozy drug addict; cheese sandwich—but the man had a voice that could soothe volcanoes, particularly the volcano that is my head during the 29 days between Thanksgiving and Christmas. This is a time when every single store in the country, from Nordstrom to 7-Eleven, feels obligated to play Christmas music. And it’s not even the good stuff. As far as I can tell, no one except little kids enjoys hearing syrupy, cutesy “Jingle Bell Rock” played ad nauseam. Last year I made an obnoxious and totally doomed pledge to not shop anywhere Christmas music was playing. I should have stocked up on groceries in October.

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Coffin Break

Autopsy "The Tomb Within" (Peaceville, 2010)

Old-skool in tha house! When it comes to classic grind, no one did a more Fangora-worthy job back in the day than Autopsy. There were equals, forebearers and even bands like Napalm Death, Carcass, Cannibal Corpse and Suffocation that eclipsed the California trio both technically and stylistically, but in terms of unabashed bloody gore fests, no one pulled it off time and time again with Autopsy’s sublime dedication to good old-fashioned splatter.

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Ravi Coltrane studies the ways opposites coalesce.
Michael Weintrob


A Spiritual Wallop

Ravi Coltrane’s quartet ascends to improvisational heaven

The title of saxophonist Ravi Coltrane’s most recent album, Blending Times (Savoy Jazz), released in 2009, works on two levels. First, harking back to a track of the same title on his previous album, In Flux (Savoy Jazz), it refers to the simultaneous blending of time signatures in a composition. Second, it refers to two distinct time periods in both Coltrane’s personal life and the recording of Blending Times. Those periods are divided by a cataclysmic event: the death of his mother, Alice Coltrane, musician, composer and spiritual leader, on Jan. 12, 2007.

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Flyer on the Wall

Uncle Che

Taking a break from the T-shirts of marijuana-steeped college students, socialist icon Ernesto “Che” Guevara calls on New Mexico denizens to do their duty in service to rock music on Saturday, Nov. 27, at Hallenbrick Brewery (3817 Hawkins NE). The Dregz plays from 7 to 10 p.m. and the show is free. (Jessica Cassyle Carr)

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Song Roulette

Michael Henningsen phucking hates Phish

Michael Henningsen has played in many a band—Bad Touch Uncle, The Strawberry Zots, Young Edward. He now plays in the David Kurtz Band, and will soon reunite with the Ant Farmers for a reunion show at Low Spirits on Dec. 4. Henningsen was also the Alibi’s editor-in-chief and music editor for a million years. As of this month, he’s back writing about scary black metal in a column called Coffin Break (see the second edition in this week’s issue). Below are random selections from his music collection.

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Melanie Martinez
Courtesy of Melanie Martinez's Facebook

EVENT HORIZON (Monday, Oct 24)

Don't Cry About it, Be About it

Melanie Martinez • indie, pop • Handsome Ghost

“Round and round like a horse on a carousel, we go, / Will I catch up to love? I could never tell, I know, / Chasing after you is like a fairytale, but I, / Feel like I'm glued on tight to this carousel” Just like this cry baby, once you hear Melanie Martinez's sweet voice and haunting lyrics you'll be glued to your spot…
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Courtesy of She Wants Revenge's Facebook

EVENT HORIZON (Saturday, Oct 29)

They Want to Hold you Close

She Wants Revenge • gothic revival, dark wave, post punk • The Dig

The perfect music for a break-ups and dark nights comes from California-based rock band She Wants Revenge. They were recently featured in "American Horror Story: Hotel" in a tantalizing scene with Lady Gaga. Don't break your own heart by not seeing their 10 year anniversary show at the El Rey Theater on Oct. 29. The band's dark hypnotic sound can be heard for only $20 starting at 7pm for all ages.
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