When music and puppies are used for evil
By Fête Holiday
After my last article expounding the joys of an Elvis Christmas, I received dozens of responses (mostly from my cousin Dana) asking for more holiday recommendations. I don’t actually know of much Christmas music that is bearable, so I looked to the Internet for help. My fingers hovered over the keys as I dreamed of the perfect search criteria, until I was struck with a terrible impulse. The cynic in me was already screaming no and railing against the idea as I clicked out “dogs sing Christmas music.” Google yielded more than 20 million results—I found the best one. I’m going to spend the next three weeks holed up in my tiny apartment, ordering pizza and watching “Jingle Pet Song” on YouTube over and over until my eyes swell shut.
By Michael Henningsen
Opeth rules. This is not a matter of opinion. Metal fan or not, you have to give it up for any band that has covered as much ground, with as much bold artistry and attention to detail, as this Swedish quintet without coming out the other end sounding like Sun Ra or Throbbing Gristle (no offense to either and props to both, by the way). Considering that Opeth has continually pushed the proverbial envelope despite ongoing major roster changes commands even deeper reverence.
Scientific Absurdities and Orphaned Songs
Le Chat Lunatique’s Jared Putnam releases Brontosaurus on Pluto
By Mel Minter
When it was suggested to Jared Putnam that his new recording, Brontosaurus on Pluto, indicates a wonderfully imaginative and possibly quite sick mind at work, he responded, “I prefer to think of my mind as possibly imaginative and wonderfully quite sick.”
Last week in my article “Vinyl X-Mas,” which overviewed good places to buy records in Albuquerque, I wrote that “ ... I don’t like that Charley’s shrink-wraps used vinyl, preventing pre-purchase inspection (and previewing the music) ... .” The comment drew fire from the owner, employees and loyal customers of Charley’s 33s & CDs (7602 Menaul NE, 296-3685). This was my experience at Charley’s—about two years ago, I bought a used copy of Prince’s Purple Rain, but I wasn’t permitted to cut through the shrink-wrap and check out the condition of the vinyl before my purchase. I brought it home to find that “When Doves Cry” skipped. After speaking with Charley’s co-owner Colleen Corrie last week, she assured me that my case is totally unusual. She says the store will open and play any record for a customer, and that the shrink-wrapping measure is taken to preserve the quality of the vinyl. The store also carries thousands of $1 records that aren’t wrapped. So, I hope that clears things up, and that no reader hesitates to check out Charley’s. (Jessica Cassyle Carr)
Flyer on the Wall
Cut and Paste
Never, ever underestimate the power of scissors and glue sticks. This geometrically exciting flyer announces a rock performance by ROO—which is getting back together—along with Ahniwake, Then Eats Them and Music is the Enemy. The all-ages show happens of Wednesday, Dec. 22, from 7 to 10 p.m. Admission is $5, or whatever you can pay, and it all takes place at Winning Coffee Co. (111 Harvard SE). (Jessica Cassyle Carr)
By Jessica Cassyle Carr
Jared Putnam is the bassist and a vocalist for Albuquerque’s filthiest jazz act, Le Chat Lunatique. This week he releases a solo album—read all about it after the link below this article. We asked Putnam to put his iPod on shuffle, and below are the first five songs that appeared, along with some intentionally undesirable grammar construction.
Mikel Cee Karlsson
José González • indie, folk • Riothorse Royale
By Megan Reneau
Heads up—an angel named José González drops down from heaven and lands at Sunshine Theater on Monday, Oct. 12. González's voice is heavenly and when combined with his soothing classical guitar melodies, causes elation of the senses…
courtesy of the artist
Myra Melford’s Snowy Egret • piano, jazz, composer
By August March
Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
Suicidal Tendencies • thrash • Retox • Suspended • Rock Jong Il at Sunshine Theater
Mystic Vic Blues Band at Stone Face Tavern
Severo y Grupo Fuego • Latin, Spanish at San Felipe Casino HollywoodMore Recommended Events ››