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 Jun 30 - Jul 6, 2011 

Spotlight

Rockabilly Blowout

The Alibi’s Group Hug greases up

By Jessica Cassyle Carr
This month, Alibi Group Hug is celebrating that rebellious marriage of early rhythm and blues with country and Western music. Despite being a nascent form of rock and roll, rockabilly, and its wild, raw, reverberating energy, has endured for six decades. On Saturday, an assembly of New Mexico’s most rockabilly-est citizens will provide their sonic services at the Launchpad.
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Aural Fixation

Where Are My Friends?

Le Tigre and feminism

By Marisa Demarco
The nihilistic party of pop and subpop culture rages on. Someone knocked over the lamp, and it sure is dark in here. The embers of lit cigarettes wink in the black. One such ember, Le Tigre, wants to make sure you don't forget. About them. About feminism. About gender-fucking. You know, but with, like, beats and shit.
Kid Cudi performs at the Hard Rock Pavilion

Scene and Heard

His Mojo’s So Dope

By Sam Adams
Cleveland rapper Scott Mescudi (aka Kid Cudi) has been pioneering a style of emotionally raw, singsongy hip-hop ever since the release of his 2008 mix tape, A Kid Named Cudi. His songs are club-friendly, life-celebratory anthems just as often as they are meditative stoner jams. On Saturday, June 25, the man who moonlights as "Mr. Rager" played a show for more than 6,500 folks at Hard Rock Pavilion. The Alibi was there to photograph the event.
RAWRR!

Music to Your Ears

By Jessica Cassyle Carr
Shows worth attending this week are many, but space and time prevents me from giving them all the attention they deserve. Music editor Jessica Cassyle Carr tips her newspaper hat to some personally appealing selections.

Sonic Reducer

Reatards Teenage Hate + F*ck Elvis · Aaron Shragge & Ben Monder The Key Is in the Window · John Maus We Must Become the Pitiless Censors of Ourselves

Reviews of new music releases. Now with MP3 previews!

Flyer on the Wall

Fire Season

In light of the fact that parts of the state are on fire, consider not celebrating America with explosives this year. "It just takes that one bottle rocket, that one match, to take out an entire community," Bernalillo County Fire Chief John Garcia told KRQE. Support the boycott here: on.fb.me/fireworksnm. (Jessica Cassyle Carr)

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Their Kindness is Charade

Crystal Castles • electropunk, synth pop, witch house

By August March
Remember the thing called Witch House? How about darkwave? The constant bifurcation of artistic paths in the field of electronic music can be damnably confusing and irritating, as well as rewarding and helluva lot of fun too—as long as you pick the right band. When adherents of these sorts of genres aren't busy sorting their rainbow-colored toe socks and looking for tubes of Vick's Vaporub to snatch up at the local Walmart, then it's a pretty fair bet that they are listening to the likes of Crystal Castles, a duo of Canuck electro-arhats who've made their mark in the music world with a febrile and spooky glitchiness that has outlasted any names critics might apply in favor of an honestly, intimidatingly pure exploration of sounds that make humans dance and rejoice as they swirl around the very noisy and icy maelstrom of life and death. Ethan Kath and Edith Frances, AKA Crystal Castles, perform live in Burque on Thursday, Oct. 19. Viewed as an opportunity to joyfully and ferociously embrace the void, this ought to be a damn good show, but don't blame me if you can't remember your name afterwards.
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Courtesy of the Artist

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Special Beat Service

The English Beat • ska

By August March
Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. With a retinue of classic, upbeat jams like “Monkey Murders,” “Spar Wid Me” and “Save It for Later,” the band's touring the states again, impressing OG ska lovers as well as the next generation of horn-crazy youth with their combination of crazy stage antics and terrific tuneage. You can catch the outfit live here at the Duke City on Sunday, Oct. 22, at the Historic El Rey Theatre, but don't worry you don't need checkerboard pants or a smart little hat to enjoy this gig—just make sure those great big feet of yours are rested and ready to dance.
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