The Exploding Plastic Inevitable
By Jessica Cassyle Carr
Andy Warhol was among the most iconic and prolific visual artists of the 20th century, a highbrow and low class culture cultivator of profound influence. The pop artist is just as recognized for his soup cans or Marilyn Monroes as he is for the silver New York "Factory" where those works were produced (while his Superstars and other celebrities milled about, glamorously bored). But Warhol was also an avant-garde filmmaker, publisher, producer and dabbler in performance art. One facet of this multidimensional career was The Exploding Plastic Inevitable, a series of traveling multimedia shows that occurred between 1966 and 1967. The shows featured Warhol's films, dancing and performances by Factory regulars and house band The Velvet Underground.
The Man With the Tattooed Past
Atmosphere’s Slug on life after death
By Sam Adams
Minneapolis rapper Slug (aka Sean Daley) has been at the forefront of underground rap so long it's hard for hip-hop heads to remember when Atmosphere wasn't a household name. Backed by DJ and producer Ant, Slug created a revolution of emotionally raw lyricism wherein his unbridled ego—and the defense mechanisms and underpinnings that created it—were ever-present. More than 20 years down the road, his discography is as much the soundtrack of a generation and subculture as it is a catalogue of desperate but defiant barstool poetry. In advance of a show at the Albuquerque Convention Center, Slug spoke with the Alibi.
Flyer on the Wall
In tribute to Norwegian deathpunk band Turbonegro, local five-piece Ass Cobra will play its first and only show at Burt’s Tiki Lounge on Friday, Aug. 26. K.C. Strangle and Skulldron open the free festivities, which begin at 10 p.m. (Jessica Cassyle Carr)
Courtesy Epic Records
Chevelle • alternative • Black Map • Dinosaur Pile-Up • rock
By August March
Chevelle, an indie band from the Midwest, portrays their hard sound—expressed with exasperated vocals, a muscular rhythms and chunky guitar riffs that repeatedly drift off into tangential melodies—as an artful thing, comparable to '90s peers like Tool…
Courtesy of Mono/Poly Facebook Page
Mono/Poly • electronic, experimental, alternative hip hop, glitch • Tsuruda • trap, grime, dubstep • 1960sfe • chill wave
By Megan Reneau
Charles E. Dickerson, aka, Mono/Poly will be breaking down beats hard at Sister Bar on Thursday, Jan. 26. Mono/Poly is known for adroit techniques playing everything from ambient break beats to glitch hop. He's has worked with Flying Lotus, Kendrick Lamar and Thundercat, and has tracks set to be released with Erykah Badu, Kali Uchis and Kamasi Washington—just by that short, significant list, you can tell he's fucking superb at what he does. Joining Mono/Poly will be Tsuruda, who excellently blends trap, hip-hop and house sounds, as well as local heavyweight DJ, 1960sfe (formerly known as 1960 Sci Fi Era), who creates beautiful chill wave beats. The 21+ show begins at 9pm and is $8.
Photo by Wes Naman
Silver String Band • Americana, blues • Squash Blossom Boys • bluegrass, folk
By August March
The Albuquerque Folk Festival has ebbed and flowed over the years, presumably in a fashion similar to the mythically winding rivers often rhapsodized about in American folklore, literature and music. The ascension of the late, great Gary Libman to the presidency of the festival's board of directors provided structure and growth that has practically guaranteed the source of all the good ol' music will never run dry. Still, given the economic realities in our great nation and the costs of producing such a successful regional music fest, a benefit concert is often in order, to keep things flowing, as it were. With that metaphor in mind, check out the concert featuring two of Burque's authentic Americana units, the Silver String Band and The Squash Blossom Boys when they perform on Friday, Jan. 27. A portion of the proceeds from this 21+ holy hootenanny beginning at 9pm will benefit the festival before its 2017 iteration comes around on June 3, 2017. Tickets are $5.
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