When the folks who book the Music in Corrales series approached Grammy-nominated, world-traveling jazz trumpeter Bobby Shewto open their 25th anniversary season, Shew was happy to accept. First of all, no flying: He can practically walk from his house to Old San Ysidro Church in Corrales, where the concerts are held. Second, he could work with Grammy-winning L.A. pianist/vocalist/composer John Proulx(rhymes with Shew) again. The two of them established a good rapport when they fronted a tribute to Chet Baker for the series a couple of years back, and they could team up once more with bassist Michael Glynn and drummer Cal Haines. But what to play?
Carla Bozulich has crooned, screamed and keened her way across the musical spectrum, right to its noisiest end. Her name might ring a bell to fans of the vintage-inspired alt.country band The Geraldine Fibbers. Or perhaps she pops into mind for remaking Willie Nelson’s Red Headed Stranger in its entirety. Way back in the early ’90s she was part of the cheeky, sexualized rock group Ethyl Meatplow. Today she’s the linchpin of Evangelista, a group that braids strange, moody threads of sound. The Alibi called Bozulich at home to talk about the creation process, emotional yin and yang, and positivity within the noise.