Beirut’s Zach Condon Distills Himself
By Mel Minter
Trumpeter/ukulelist/singer Zach Condon, native Santa Fean and frontman for Beirut, has garnered a world of attention for music that draws heavily on his serial “flirtations,” as he calls them, with various genres. French chanson, Balkan brass, Mexican church bands, electronica—each has provided the inspiration and stylistic setting for a Beirut album.
The constants in those recordings, though, are Condon’s love affair with melody and his ear for the right sound in the right place. For the latest Beirut release, The Rip Tide, Condon focused on those elements, hoping to distill his own sound from the multigenre cocktail. He’s succeeded in creating his most personal and arguably his most beautiful and mature work to date.
Photo courtesy of Le Chat Lunatique
Coca Leaves, Vinyl and Confiscated Mustache Scissors ...
Le Chat Lunatique goes to Colombia
By Mel Minter
The mountains are to the east, and there’s a tram to the top of them. Spanish is spoken, tamales are eaten, potholes are plentiful. Albuquerque’s Le Chat Lunatique felt right at home in Bogotá. The gypsy jazz band made its first, but likely not its last, visit to Colombia in early September to take part in the 23rd Festival Internacional de Jazz del Teatro Libre.
Fest spotlights new wave of Native musicians
By Samantha Anne Scott
Brad Charles wants you to know there's more to rez music than metal. Charles and his partner, Hansen Ashley, make up the Navajo Nation-based post-punk duo Discotays. Dissatisfied with performance opportunities on the reservation for indie and electronic music, Charles organized a showcase to coincide with the 100th annual Northern Navajo Nation Fair.
Flyer on the Wall
Blitzen Trapper, Dawes and the Smoke Fairies in Santa Fe
Courtesy of the Artist
Franks & Deans • punk rock, rock 'n' roll • Shrewd • Punctured Muffler • Silent Crush • metal
By August March
At some point during the progression of meta-ultra-postmodernism, it was only natural that a band covering Rat Pack Tunes revisioned as rambling ska paeans or blisteringly buoyant punk anthems based on the imbibing and love-making habits of dudes like Frank Sinatra and Dean Martin would rise from the rocanrol cauldron. We'll it's 2017 and such has indeed come to pass. The name of the band is Franks and Deans. They've succeeded by inflecting the sweepingly romantic, sometimes melancholy and nearly always self-referential ditties of these post-war, pre-rock vocal heroes with with good-natured rhythms and danceable guitar leads—as well as an updated fashion sense that seems to borrow more from ZZ Top's summer style guide than from Robin and the Seven Hoods—that adds affable nuance to legendary, mid-century American popular music. Band members Rob DeTie, Pip Ullemeyer, Hoss and Arpee Sampson III await your indulgence at Low Spirits on Thursday, Feb. 23, and the admission price of $5 sure as heck beats dropping “Three Coins in the Fountain.”
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