Beirut’s Zach Condon Distills Himself
By Mel Minter
Trumpeter/ukulelist/singer Zach Condon, native Santa Fean and frontman for Beirut, has garnered a world of attention for music that draws heavily on his serial “flirtations,” as he calls them, with various genres. French chanson, Balkan brass, Mexican church bands, electronica—each has provided the inspiration and stylistic setting for a Beirut album.
The constants in those recordings, though, are Condon’s love affair with melody and his ear for the right sound in the right place. For the latest Beirut release, The Rip Tide, Condon focused on those elements, hoping to distill his own sound from the multigenre cocktail. He’s succeeded in creating his most personal and arguably his most beautiful and mature work to date.
Photo courtesy of Le Chat Lunatique
Coca Leaves, Vinyl and Confiscated Mustache Scissors ...
Le Chat Lunatique goes to Colombia
By Mel Minter
The mountains are to the east, and there’s a tram to the top of them. Spanish is spoken, tamales are eaten, potholes are plentiful. Albuquerque’s Le Chat Lunatique felt right at home in Bogotá. The gypsy jazz band made its first, but likely not its last, visit to Colombia in early September to take part in the 23rd Festival Internacional de Jazz del Teatro Libre.
Fest spotlights new wave of Native musicians
By Samantha Anne Scott
Brad Charles wants you to know there's more to rez music than metal. Charles and his partner, Hansen Ashley, make up the Navajo Nation-based post-punk duo Discotays. Dissatisfied with performance opportunities on the reservation for indie and electronic music, Charles organized a showcase to coincide with the 100th annual Northern Navajo Nation Fair.
Flyer on the Wall
Blitzen Trapper, Dawes and the Smoke Fairies in Santa Fe
courtesy of the artist
Myra Melford’s Snowy Egret • piano, jazz, composer
By August March
Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
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