Alibi V.20 No.48 • Dec 1-7, 2011 

Aural Fixation

NiX!

“NiX Comics Quarterly,” that is

I met “NiX” publisher and Columbus, Ohio, resident Ken Eppstein after getting an update from his page on garagepunk.com. Eppstein is a member of the GaragePunk Podcast Network, an assemblage of dozens of rock and roll shows spanning psychedelia, punk, soul, surf and lo-fi. He was soliciting support for the first issue of his comic by selling vinyl leftovers from his shuttered store, Evil Empire Records. When I hear about a guy selling records to fund—of all things—the publishing of a comic book, I pay attention.
SuperSax New Mexico, saxing superbly
Victoria Rogers

Jazzed

SuperSax New Mexico Expands on Charlie Parker

Group revives historic charts from the ’70s and '80s

A group of New Mexican jazz musicians reinterpreting Supersax—a Los Angeles group who reinterpreted Charlie Parker.

[click to enlarge]

Flyer on the Wall

An eclectic evening of jazz, noise and beatboxing at the Small Engine
Courtesy of the Artist

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Their Kindness is Charade

Crystal Castles • electropunk, synth pop, witch house

Remember the thing called Witch House? How about darkwave? The constant bifurcation of artistic paths in the field of electronic music can be damnably confusing and irritating, as well as rewarding and helluva lot of fun too—as long as you pick the right band. When adherents of these sorts of genres aren't busy sorting their rainbow-colored toe socks and looking for tubes of Vick's Vaporub to snatch up at the local Walmart, then it's a pretty fair bet that they are listening to the likes of Crystal Castles, a duo of Canuck electro-arhats …
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Courtesy of the Artist

EVENT HORIZON ()

Special Beat Service

The English Beat • ska

Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. …
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