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 V.21 No.16 | April 19 - 25, 2012 
Sage Words

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Sage Words

Indiegrass songstress Sage Harrington

Americana is the new punk rock. Like the early ’80s when any yob with a snarl and electric guitar called themselves punk, anyone today that has a thrift store banjo and name drops the Carter Family thinks they are folk musicians, deserving of serious listening and dollar-per-song downloads. Wrong.

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Multi-instrumentalist Peter Feldmann
Francine Feldmann

Spotlight

Talkin’ Semantic Rhetorical Terminological Blues

The roots of bluegrass

At a concert this Friday evening at the South Broadway Cultural Center, Blaine Sprouse, Peter Feldmann and Wayne Shrubsall will explore the origins of bluegrass, a genre that hasn’t been around that long, but that’s deeply linked to the ancient, weird, anonymous music sometimes called folk. The idea behind the show is to explore how old-time traditional music from Appalachia, along with elements from gospel and jazz, evolved into the musical form pioneered by Bill Monroe and his Bluegrass Boys in the mid-’40s.

Music to Your Ears

Going Green

When she started working on her new album, Green, vocalist and activist Barbara Bentree just wanted to do an album of songs she loves. Then, while considering the purchase of a hybrid auto, she began to ruminate on the effort required to go green—from separating your trash to retrofitting a house with solar panels. Suddenly, Kermit’s song “Bein’ Green” took on new meaning, and Bentree decided to “look at traditional songs through an environmental lens.” With a lovely, clear, well-pitched voice that has a charming girlishness in the upper registers and a pleasing touch of sweetness throughout, Bentree walks a line between wonder and warning. With pop, jazz, Brazilian and new age touches in sterling arrangements by John Rangel, who appears on piano and synth, the nine tracks feature fine work by Marcos Cavalcante (guitar) and Joel Fadness (drums). Drummer Dave Libman guests on “The Planet Song,” an intriguing anthem by Wen Mull that’s full of synth magic. The album—nominated for six New Mexico Music Awards—entertains while raising awareness, with all revenues from CD sales going to the Natural Resources Defense Council, PETA, GreenPeace, the Sierra Club and Bioneers. The album release concert, appropriately scheduled for Earth Day, will feature Rangel, Cavalcante and Fadness, along with the Rio Grande School choir.

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Flyer on the Wall

ZoneFest 2012

Acid King, SuperGiant, Anesthesia, Shadow and Ash, Torture Victim, Skulldron, The Conjuring, and Jah Branch converge at the Launchpad (618 Central SW) on Saturday, April 21. The all-ages, metal-heavy fest—hosted by Burque smoke shop / tattoo and piercing salon / gift emporium The Zone—starts at 6 p.m. Tenderizor joins in for a 21-and-over after-show. Tickets are $10. (Jessica Cassyle Carr)

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Franks and Deans
Courtesy of the Artist

EVENT HORIZON (Thursday, Feb 23)

Buoyant and Rambling

Franks & Deans • punk rock, rock 'n' roll • Shrewd • Punctured Muffler • Silent Crush • metal

At some point during the progression of meta-ultra-postmodernism, it was only natural that a band covering Rat Pack tunes revisioned as rambling ska paeans or blisteringly buoyant punk anthems based on the imbibing and love-making habits of dudes like Frank Sinatra and Dean Martin would rise from the rocanrol cauldron. Well it's 2017 and such has indeed come to pass. The name of the band is Franks & Deans. They've succeeded by inflecting the sweepingly romantic, sometimes melancholy and nearly always self-referential ditties of these post-war, pre-rock vocal heroes with good-natured rhythms and danceable guitar leads—as well as an updated fashion sense that seems to borrow more from ZZ Top's summer style guide than from Robin and the 7 Hoods—that adds affable nuance to legendary, mid-century American popular music. Band members Rob DeTie, Mike "Pip" Ullemeyer, Hoss and Sampson await your indulgence at Low Spirits on Thursday, Feb. 23, and the admission price of $5 sure as heck beats dropping “Three Coins in the Fountain.”
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