Judging from Ocho, the new album from Felix y los Gatos, Felix Peralta (guitar, vocals) has been knee-deep in some hard times lately: relationship problems, too much partying, trying not to party, homesickness (living in the Heights and aching for the South Valley), car trouble and so on.
You’re invited to the Alibi’s Pre-Pride Glam Dance Party
By Jessica Cassyle Carr
In the ’70s, rock and roll flew an intergalactic cruise ship to the planet Glitter and mined its three moons—Pleasure, Androgyny and Polyester. Its captains were the likes of Ziggy Stardust, The Sweet, Slade, Queen, Elton John, the New York Dolls, T. Rex and the cast of The Rocky Horror Picture Show. Incorporating outrageous costumes and highly conceptual theatricality, this jubilant yet heavy sound that we know as glam was not just about amazing guitar parts (though there were plenty of them).
Guitarist and vocalist Felix Peralta is releasing a new album—Ocho—with his band, Felix y los Gatos. We asked the multigenre-influenced musician to give his catalog of songs a spin. Here are the random results.
A skilled application of kelly green and robin’s egg blue with muted brown. Asymmetrical lines add an appealing graphic touch. A happy photographic depiction of man’s best friend inspires feelings of tenderness in the viewer ... that dog is a good boy. On Saturday, June 23, Gecko’s in the heights (5801 Academy NE) is throwing a patio party for pooches wherein 20 percent of sales between noon and 4 p.m. will be donated to Animal Humane. (JCC)
Crystal Castles • electropunk, synth pop, witch house
By August March
Remember the thing called Witch House? How about darkwave? The constant bifurcation of artistic paths in the field of electronic music can be damnably confusing and irritating, as well as rewarding and helluva lot of fun too—as long as you pick the right band. When adherents of these sorts of genres aren't busy sorting their rainbow-colored toe socks and looking for tubes of Vick's Vaporub to snatch up at the local Walmart, then it's a pretty fair bet that they are listening to the likes of Crystal Castles, a duo of Canuck electro-arhats who've made their mark in the music world with a febrile and spooky glitchiness that has outlasted any names critics might apply in favor of an honestly, intimidatingly pure exploration of sounds that make humans dance and rejoice as they swirl around the very noisy and icy maelstrom of life and death. Ethan Kath and Edith Frances, AKA Crystal Castles, perform live in Burque on Thursday, Oct. 19. Viewed as an opportunity to joyfully and ferociously embrace the void, this ought to be a damn good show, but don't blame me if you can't remember your name afterwards.
Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. With a retinue of classic, upbeat jams like “Monkey Murders,” “Spar Wid Me” and “Save It for Later,” the band's touring the states again, impressing OG ska lovers as well as the next generation of horn-crazy youth with their combination of crazy stage antics and terrific tuneage. You can catch the outfit live here at the Duke City on Sunday, Oct. 22, at the Historic El Rey Theatre, but don't worry you don't need checkerboard pants or a smart little hat to enjoy this gig—just make sure those great big feet of yours are rested and ready to dance.