Alibi V.21 No.30 • July 26-Aug 1, 2012 ››
The Rock Space
In his classic 1979 tome Distinction: A Social Critique of the Judgment of Taste, French thinker Pierre Bourdieu created a diagram of foods as they relate to class and education. For example, by Bourdieu’s calculation, those with cultural wealth enjoyed recherché and the exotic while those with less of it preferred apéritifs and pâtisserie. He argued that taste itself, as related to consumer preferences, is a form of social positioning.
Music to Your Ears
Here are the four guitars given as examples on The Rock Space graph: An early ’50s Gibson Les Paul (created by Lester William Polsfuss, inventor to the solid-body electric guitar), a Paul Reed Smith (created in the ’70s, first played for an audience by a Ted Nugent band guitarist), an Ibanez (made by a Japanese company that first started producing guitars in the late ’30s), and a Danelectro (budget guitars produced between the mid-’50s and late ’90s—a handful are still made each year). Can you guess which is which?
Patrik FK is the lead vocalist and guitarist for venerable L.A. death rock band Kommunity FK. He also heads up local hexabilly punk band Texylvania. That act—which, full disclosure, includes the husband of yours truly—will be performing on Saturday in observance of Sanctuary Above the Crypt’s Better Off Than Dead Graveyard Bash. The one-year anniversary party for the monthly convening of goths also involves live music by industrial/coldwave band Diverje, suspension and dark arts performances, and a bevy of DJs. Black-and-white attire and creative makeup are requested ... so, you know, leave your tie-dye at home.
Courtesy of the Artist
Crystal Castles • electropunk, synth pop, witch house
Remember the thing called Witch House? How about darkwave? The constant bifurcation of artistic paths in the field of electronic music can be damnably confusing and irritating, as well as rewarding and helluva lot of fun too—as long as you pick the right band. When adherents of these sorts of genres aren't busy sorting their rainbow-colored toe socks and looking for tubes of Vick's Vaporub to snatch up at the local Walmart, then it's a pretty fair bet that they are listening to the likes of Crystal Castles, a duo of Canuck electro-arhats who've made their mark in the music world with a febrile and spooky glitchiness that has outlasted any names critics might apply in favor of an honestly, intimidatingly pure exploration of sounds that make humans dance and rejoice as they swirl around the very noisy and icy maelstrom of life and death. Ethan Kath and Edith Frances, AKA Crystal Castles, perform live in Burque on Thursday, Oct. 19. Viewed as an opportunity to joyfully and ferociously embrace the void, this ought to be a damn good show, but don't blame me if you can't remember your name afterwards.
Courtesy of the Artist
The English Beat • ska
Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. With a retinue of classic, upbeat jams like “Monkey Murders,” “Spar Wid Me” and “Save It for Later,” the band's touring the states again, impressing OG ska lovers as well as the next generation of horn-crazy youth with their combination of crazy stage antics and terrific tuneage. You can catch the outfit live here at the Duke City on Sunday, Oct. 22, at the Historic El Rey Theatre, but don't worry you don't need checkerboard pants or a smart little hat to enjoy this gig—just make sure those great big feet of yours are rested and ready to dance.