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Ayéré Yéré With Oumar Konaté, Afro-pop guitarist
By August March [ Wed May 14 2014 8:30 AM ]
Guitar virtuoso Oumar Konaté puts on two concerts in Burque this week. Tomorrow, May 15, Konaté performs a high-noon gig at Ernie Pyle Library (900 Girard SE) and an evening show at The Cooperage (7220 Lomas NE), a swanky steakhouse at the edge of the Northeast Heights. Konaté is from Goa, Mali, and he represents a new generation of phenomenal instrumentalists and performers rising up out of Africa with a sound that renders world music a postmodern force driven by passion and intensity matched with awesome chops and classically educated sophistication, too.
Addoh, the guitarist’s first international release, explores the tenuous political situation in his homeland, and his searing guitar lends evocative, narrative weight to the struggle for peace and justice this man has witnessed. Besides gigging as a totally awesome solo performer, Konaté has worked with legendary African artists Roberto Magic and Siddi Toure as well as serving a stint as guitarist and arranger for the prestigious orchestra of Mali’s National Institute of Arts. His first US solo tour in 2012 featured a performance at Lincoln Center. Duke City is honored to have the likes of Konaté perform anywhere in town. The all-ages library concert is free, but tickets for the 21-plus concert at The Cooperage are 17 clams in advance and $22 on day of show. Tickets are available via AMP Concerts and Hold My Ticket. Doors swing wide at 6pm, and the concert begins at 7:30pm. The Cooperage • Thu May 15 • 7:30pm • $17-$22 • ALL-AGES! • View on Alibi calendar
Photo credit: Lisa Lou
Crazy Like a Fox: Lady Uranium album release
By Captain America [ Fri May 2 2014 12:00 PM ]
Think for a moment about the word “entrance,” as both a verb and a noun: to captivate or fill with wonder, and a place of entering. In the case of Lady Uranium aka Mauro Woody, her self-released CD Vulpes Vulpes serves as an entrance into her charming synth-pop realm. Okay, that sounds a bit cheesy. No, she isn’t some Belladonna-like enchantress, just a very talented individual who has lent her distinctive stamp to other local outfits like Animals In The Dark, The Glass Menageries and 5 Star Motelles.
But there is a feeling here of being escorted to a private place, not dark or brooding—which has been in vogue for too long now—but sweetly contemplative, inviting you to have conversations with the self. This is no surprise since there are echoes of Cocteau Twins and Kate Bush beneath quietly impassioned vocals, simultaneously robust and fragile. And yes, there are some great pop hooks, too. Vulpes Vulpes is a strong first solo release. As an EP, these five songs feel way too short, but it bears repeated listening; and you will be doing quite a bit of that while awaiting her next release. Perhaps she’s first luring us in with this teaser CD. A cunning strategy. Get captivated tomorrow night at 9pm at Sister (407 Central NW) when Lady U looses her hounds of love. Show is $3. Sister • Sat May 3 • 9pm • $3 • View on Alibi calendar
Circle in the Trees
By August March [ Wed Apr 23 2014 2:00 PM ]
Tomorrow YOU will play Sister (407 Central NW). Not necessarily the person reading this preview—although that's certainly possible—YOU is actually a chunky, four-piece outfit from Albuquerque that combines psych influences with blues-inflected rock stylings that are guaranteed to have you alternatively grooving along, reflecting dreamily or yearning for release.
This show at Sister is an album release party, celebrating the outfit’s latest, Ambivalence. This new work is infused with a sound that effectively transits the uncanny valley. The fourth track on Ambivalence, “Young Witch Eternal Gliss,” is a potent psychedelic anodyne, while tunes like “Saturday Night” prove the group can handle bluesy rock with serious aplomb. Baton Rouge, La.-based band Moon Honey—recently produced by Deerhoof—are touring with YOU; As In We and DJ Caterwaul start the evening off with their own brands of sonic intensity. Tickets for this 21-and-up cosmic exhibition are only five silver talents, and the metaphorical curtain rises around 9pm. You should be there. Or be square. Sister • Thu Apr 24 • 9pm • $5 • 21+ • View on Alibi calendar
By August March [ Fri Apr 18 2014 2:00 PM ]
UPDATE 4/18/14, 4:35pm - According to OM's Facebook page, this performance is unfortunately CANCELED.
Local heavy metal legend Al Cisneros brings his dark, droning psych-rock collaboration with Emil Amos, an eldritch thing called OM, to the stage at Sister (407 Central NW) tomorrow night. Cisneros, of influential doom band Sleep, and Amos—who also drums in PDX post-rock outfit Grails and conjures soundscapes with Alex Hall in Lilacs & Champagne—are well known in both these parts and the metal universe for generating sounds that are massive, entrancing and louder than goddamned hell.
OM takes its moniker from the Hindu concept for the sound the universe makes; if that descriptor is anywhere near the ensemble’s musical truth, then this world’s vast emptiness is a triumphantly noisy affair that careens between chaos and transcendence. Robert Lowe's contributions to the band’s latest release, Advaitic Songs, and touring efforts add a shimmery crunch to OM’s cosmically unpronounceable, sonically arcane journey. But why read words that attempt to describe something all-at-once too simple and complicated to make words out of ... when you can take the trip yourself for 10 bucks. Opening act Watter—featuring Britt Walford of Slint and Grails' Zak Riles—takes the stage at 10pm, and this show is 21-plus. Sister • Sat Apr 19 • 10pm • $10 • 21+ • View on Alibi calendar
Prep Your Mountaintops
By Michael Henningsen [ Wed Apr 16 2014 12:00 PM ]
For many the lo-fi, folk-rock “movement” of the late-'90s begins and ends with Neutral Milk Hotel. Originally formed in Ruston, La. by singer/guitarist Jeff Mangum as a recording project, it wasn’t until the 1996 release of On Avery Island that Neutral Milk Hotel became a full-fledged band. The budding foursome relocated to New York, where they would finish their short-lived career with an exhaustive tour for sophomore release In the Aeroplane Over the Sea way back in 1998. Think Sebadoh-meets-Guided by Voices. Critically acclaimed yet largely ignored by the mainstream record-buying public, the album eventually became something of a legend in its own time.
Fast-forward 16 years, and NMH has become the progenitor of such roundly lauded bands as Arcade Fire, Bon Iver and Franz Ferdinand, and their music has been covered by Brand New, The Dresden Dolls and The Mountain Goats. After a lengthy hiatus, Neutral Milk Hotel has finally reunited to embark on a reunion tour featuring the lineup from their seminal release, In the Aeroplane. This show is for old and new fans alike—yes, even indie-folk has made a strong comeback in recent years—and In the Aeroplane is, for many, still the defining release of the genre’s first wave, seamlessly blending folk, rock, psychedelic and shoegaze into one succinct package. Neutral Milk Hotel's all-ages concert at Kiva Auditorium (401 Second Street NW) tomorrow night is a must-see. The show happens at 7:30pm; tickets start at $36, and lo-fi indie-pop group Elf Power opens. Kiva Auditorium, Albuquerque Convention Center • Thu Apr 17 • 7:30pm • $36-$51 • ALL-AGES! • View on Alibi calendar
Following in Giant Steps
By August March [ Fri Apr 4 2014 2:00 PM ]
The alt music scene here in the 1990s was a diverse and fertile workshop for sounds that varied from sludgy proto-grunge and pure punk-rock to melodic, danceable and jazzy reggae and ska. Perhaps the local band that best personified the latter description in this burg's old-school narrative was Giant Steps.
A ska band active in Burque from 1993 to 1999, Otto Barthel, Rob Kerley, Tom Siegel and company have made it a matter of habit to regularly schedule reunion shows here in town, much to the delight of lingering fans and plain old folks who just wanna dance the night away. The eight-piece Giant Steps return with their “in your face” horn section and their “rude” rhythm section for their latest reunion concert tomorrow at Launchpad (618 Central SW). CrazyFool and The Reagan Motels open the show. Doors for this 21-plus show open at 8pm, and tickets are available through holdmyticket.com. Launchpad • Sat Apr 5 • 9:30pm • View on Alibi calendar
Gypsy vs. Dixie
By August March [ Thu Mar 13 2014 3:30 PM ]
A Friday afternoon concert is just the thing to psych you up for a weekend of jamming out and rocking on. Complete this motivational sonic ritual with The Appleseed Collective, which plays VSA North Fourth Art Center (4904 Fourth Street NW) on Friday, March 14, at 12:30pm. Part of an essential concert series aimed at bringing musical experience to the developmentally disabled artists who work and create at N4th, this recital is an excellent opportunity to catch Americana folk ensemble The Appleseed Collective.
The quintet plays a form of American music that has roots in Dixieland, bluegrass and European folk traditions, but remains original and postmodern in its execution; the Collective is thoroughly listenable and full of melodic, rhythmic surprises. Tight chops and the group's youthful, hip performative style make this free, all-ages gig a shouldn't-miss. With merely 60 seats available, reserve your spot today at Amp Concerts website at bit.ly/applesamp. After the show, don’t forget to check out the amazing work of N4th artists and staff. N4th Theater • Fri Mar 14 • 12:30pm • FREE • View on Alibi calendar
Gong Gong Gullie and Co.
By August March [ Sat Feb 15 2014 12:00 PM ]
Reggae legend Derrick “Duckie” Simpson brings the latest incarnation of Black Uhuru to the Duke City tomorrow. The band, featuring Duckie, Andrew Bees and Kay Starr, will wrap up their tour of the western US when they drop a million pounds of groovy, luscious, high-grade reggae goodness on the Sunshine Theater (120 Central SW) tomorrow night.
In one configuration or another, the band has purveyed a defining sound in reggae since the early '70s. With collaborators like Keith Richards and a few Grammy nominations under his belt, Simpson remains a contender. This Black Uhuru tour also showcases the artist’s willingness to joyfully acknowledge the next generation.
Opening the show on a highly transformative set of notes, rootstronica (an eclectic mix of roots reggae, dancehall, prog-rock and electronica) act Indubious features brothers Evton B and Skip Wicked Burton. This could very likely be one hell of a smokin’ concert … I'm just sayin'. Tickets to this all-ages affair are $20. The music starts at 8pm. Sunshine Theater • Sun Feb 16 • 8pm • $20 • View on Alibi calendar
Bluegrass in the Shade With the Adobe Brothers
By August March [ Sat Nov 30 2013 9:00 AM ]
A most excellent thing to do this weekend would be visiting with and having a listen to the Adobe Brothers, one of Burque’s most listenable combos. This goal can be readily accomplished by trucking on over to Shade Tree Custom Cycles and Café (3411 Central NE) tonight. The freewheeling Nob Hill grub-and-tire joint hosts a performance by Jacoby, Moby, Pierogi and Toby Adobe, starting 'round 7pm. The Brothers describe their music as “international bluegrass” in Americana form. While that's certainly a decent description of their output, the chops on these four gentlemen relatives—plus the awesome musical cred they carry around in their gig bags—are well worth the attention of local music aficionados. With over 200 numbers in their repertoire, you're bound to find some twangy tunes to get you onto the dance floor. Shade Tree is just up the road a ways from the Guild and across the street from some joint called Flying Star. Jump on in, 'cause the bluegrass is just fine. Shade Tree Custom Cycles and Cafe • Sat Nov 30 • 7pm • FREE • ALL-AGES! • View on Alibi calendar
A Giant Reunion: They Might Be Giants
By August March [ Thu Oct 24 2013 1:00 PM ]
I saw They Might be Giants perform at a small, crowded college bar in Tempe, Arizona in 1992. Before it began, it had already been a long night; two of the grad students I was with were vomiting uncontrollably before we even got to the venue. That was back when the two Johns had a canned band supporting them and Dial-A-Song was at the forefront of electronic music sharing technology. While my primos drifted in and out of a tequila-troubled consciousness, I sat back with a pack of Camel squares and an iced tea and listened. Despite technical limitations, multi-
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