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Faster Miles an Hour
By August March [ Fri Jul 4 2014 12:00 PM ]
Get about as oiled as a diesel train tomorrow night at Launchpad (618 Central SW) with a rumbling, roaring night of metal made from molecular materials similar to those used in locomotives—but much heavier, bro. Move past antimony and thallium on the periodic table, and think instead about lead and uranium when Roadrunner Records presents stoner rock from The Horned God (a band whose Celtic influences touch directly on the same metal mythologies explored by the likes of Slough Feg and Kyuss).
Burque tech death metal champions Vale of Miscreation, featuring the brutally precise rhythm section of Justin Andrus and Kenny Cappadona will be in full effect, as will Santa Fe prog-thrashers Carrion Kind. Local Southern metal heroes The Ground Beneath are loaded on this train, too; the chance to hear Steve Beneath’s electrified six-string wizardry is alone worth the price of admission, and things will keep rolling as native metalheads Left to Rot fill out the bill. This 21-plus show is only five bones, and doors are at 8pm. Do yourself a favor leavened with musical gravity and check this one out. After all, Saturday night’s the night you like. Launchpad • Sat Jul 5 • 9pm • $5 • View on Alibi calendar
Now Hear This: Sam Miller CD Release Party
By Captain America [ Fri Jun 27 2014 11:30 AM ]
Ex-Albuquerqueño Sam Miller—who's actually from the Northwest—returns from Seattle for his first solo release, You Need To Hear It, which was ably mastered by Sean McCullough of Sad Baby Wolf. When last we saw him, Miller was fronting the pleasantly uncategorizable Jenny Invert, a band that spun off from the somewhat categorizable (ersatz-Americana?) Grand Canyon. If this sounds somewhat equivocal, it’s not intentional.
While listening, I jotted down some notes: pseudo-Slavic mariachi country and Western piano party-pop wrapped in a game show-theme with Sam as dashing host—“Come on down!”—but deadly earnest. It’s a shame this description comes off so damn messy. Although his sound comes from incredibly disparate sources, Miller makes it blend like a chef adding just the right dash of thickener to a sauce that could otherwise be a lumpy mess. Rather than the pedestrian cornstarch an amateur might use, Miller employs a grand beurre manié, which is really just butter and flour but oh so elegant. Much of this album shouldn’t mesh, but it does. You Need To Hear It is a heroic dish anchored by compelling piano work, handsome voice and clever—never stupid—songwriting with sweeping but tasteful Queen-like production. Hear it at Burt's Tiki Lounge (313 Gold SW) tomorrow night at 9pm. $5 gets you in. Burt's Tiki Lounge • Sat Jun 28 • 9pm • $5 • 21+ • View on Alibi calendar
Bad Moon Revisited
By August March [ Thu Jun 12 2014 9:00 AM ]
A band called Creedence Clearwater Revisited plays Route 66 Casino tomorrow night. Their repertoire includes a heap of tunes by seminal Americana band Creedence Clearwater Revival, but don’t get the two confused. There will be nary a mention of anyone named Fogerty at this upcoming concert, though I'm sure the latter folks are partially responsible for writing the tuneage being explored on this and subsequent tours. Don’t get confused; it’s a familiar story in rocanrol: Founding members leave a once-mighty band. Sometimes, those remaining still wanna rock out for silver and other treasure. They want to use a name that listeners will be familiar with, buy tickets for and, when called upon, remember favorite songs by …
But courtroom hijinks usually ensue. In this case, Stu Cook and Doug Clifford, the rhythm section of Southern rock giant CCR, eventually won the right to use part of the name of a band fronted by John Fogerty and his brother Tom. The whole CCR debacle has been one of the most acrimonious adventures in the history of electrified guitar music, but the current lineup continues to rely on John’s output and Tom’s memory for the meaty parts of its performances. In other words, they’re a great cover band. Creedence Clearwater Revisited plays Legends Theater (14500 Central SW) tomorrow starting at 8pm. Tickets for this all-ages gig range from $25 and $40. Legends Theater @ Route 66 Casino • Fri Jun 13 • 8pm • $25-$40 • View on Alibi calendar
By August March [ Tue Jun 10 2014 1:00 PM ]
Head on over to Burt’s Tiki Lounge (313 Gold SW) tomorrow night at 9pm for a wide-ranging gig showcasing a number of touring bands from Cali along with local stalwarts. Headliner Modern Pantheist, a psychedelic outfit, hails from LA. The trio features singer/songwriter Chris Anderson, drummer Dave Ferrara and multi-
On the other hand, Cuddle Formation is a bit more esoteric with a spacious sound that has its basis in electronic vocals and choral experimentation. Contrariwise, Emily Reo composes and performs music that takes a more traditional approach to instrumentation and vocalization, although her recent Auto-Tuned version of Fleetwood Mac classic “Dreams” is notable for its syncopated percussion track and ennui-generating, plaintive vocal style. With local dream-makers Ballets and Holy Glories starting things off, this show promises to make the generally dreamy summer nights in these parts specifically space-oriented. There is no cover for this concert, except the vault of stars above. Burt's Tiki Lounge • Wed Jun 11 • 9pm • FREE • 21+ • View on Alibi calendar
Ayéré Yéré With Oumar Konaté, Afro-pop guitarist
By August March [ Wed May 14 2014 8:30 AM ]
Guitar virtuoso Oumar Konaté puts on two concerts in Burque this week. Tomorrow, May 15, Konaté performs a high-noon gig at Ernie Pyle Library (900 Girard SE) and an evening show at The Cooperage (7220 Lomas NE), a swanky steakhouse at the edge of the Northeast Heights. Konaté is from Goa, Mali, and he represents a new generation of phenomenal instrumentalists and performers rising up out of Africa with a sound that renders world music a postmodern force driven by passion and intensity matched with awesome chops and classically educated sophistication, too.
Addoh, the guitarist’s first international release, explores the tenuous political situation in his homeland, and his searing guitar lends evocative, narrative weight to the struggle for peace and justice this man has witnessed. Besides gigging as a totally awesome solo performer, Konaté has worked with legendary African artists Roberto Magic and Siddi Toure as well as serving a stint as guitarist and arranger for the prestigious orchestra of Mali’s National Institute of Arts. His first US solo tour in 2012 featured a performance at Lincoln Center. Duke City is honored to have the likes of Konaté perform anywhere in town. The all-ages library concert is free, but tickets for the 21-plus concert at The Cooperage are 17 clams in advance and $22 on day of show. Tickets are available via AMP Concerts and Hold My Ticket. Doors swing wide at 6pm, and the concert begins at 7:30pm. The Cooperage • Thu May 15 • 7:30pm • $17-$22 • ALL-AGES! • View on Alibi calendar
Photo credit: Lisa Lou
Crazy Like a Fox: Lady Uranium album release
By Captain America [ Fri May 2 2014 12:00 PM ]
Think for a moment about the word “entrance,” as both a verb and a noun: to captivate or fill with wonder, and a place of entering. In the case of Lady Uranium aka Mauro Woody, her self-released CD Vulpes Vulpes serves as an entrance into her charming synth-pop realm. Okay, that sounds a bit cheesy. No, she isn’t some Belladonna-like enchantress, just a very talented individual who has lent her distinctive stamp to other local outfits like Animals In The Dark, The Glass Menageries and 5 Star Motelles.
But there is a feeling here of being escorted to a private place, not dark or brooding—which has been in vogue for too long now—but sweetly contemplative, inviting you to have conversations with the self. This is no surprise since there are echoes of Cocteau Twins and Kate Bush beneath quietly impassioned vocals, simultaneously robust and fragile. And yes, there are some great pop hooks, too. Vulpes Vulpes is a strong first solo release. As an EP, these five songs feel way too short, but it bears repeated listening; and you will be doing quite a bit of that while awaiting her next release. Perhaps she’s first luring us in with this teaser CD. A cunning strategy. Get captivated tomorrow night at 9pm at Sister (407 Central NW) when Lady U looses her hounds of love. Show is $3. Sister • Sat May 3 • 9pm • $3 • View on Alibi calendar
Circle in the Trees
By August March [ Wed Apr 23 2014 2:00 PM ]
Tomorrow YOU will play Sister (407 Central NW). Not necessarily the person reading this preview—although that's certainly possible—YOU is actually a chunky, four-piece outfit from Albuquerque that combines psych influences with blues-inflected rock stylings that are guaranteed to have you alternatively grooving along, reflecting dreamily or yearning for release.
This show at Sister is an album release party, celebrating the outfit’s latest, Ambivalence. This new work is infused with a sound that effectively transits the uncanny valley. The fourth track on Ambivalence, “Young Witch Eternal Gliss,” is a potent psychedelic anodyne, while tunes like “Saturday Night” prove the group can handle bluesy rock with serious aplomb. Baton Rouge, La.-based band Moon Honey—recently produced by Deerhoof—are touring with YOU; As In We and DJ Caterwaul start the evening off with their own brands of sonic intensity. Tickets for this 21-and-up cosmic exhibition are only five silver talents, and the metaphorical curtain rises around 9pm. You should be there. Or be square. Sister • Thu Apr 24 • 9pm • $5 • 21+ • View on Alibi calendar
By August March [ Fri Apr 18 2014 2:00 PM ]
UPDATE 4/18/14, 4:35pm - According to OM's Facebook page, this performance is unfortunately CANCELED.
Local heavy metal legend Al Cisneros brings his dark, droning psych-rock collaboration with Emil Amos, an eldritch thing called OM, to the stage at Sister (407 Central NW) tomorrow night. Cisneros, of influential doom band Sleep, and Amos—who also drums in PDX post-rock outfit Grails and conjures soundscapes with Alex Hall in Lilacs & Champagne—are well known in both these parts and the metal universe for generating sounds that are massive, entrancing and louder than goddamned hell.
OM takes its moniker from the Hindu concept for the sound the universe makes; if that descriptor is anywhere near the ensemble’s musical truth, then this world’s vast emptiness is a triumphantly noisy affair that careens between chaos and transcendence. Robert Lowe's contributions to the band’s latest release, Advaitic Songs, and touring efforts add a shimmery crunch to OM’s cosmically unpronounceable, sonically arcane journey. But why read words that attempt to describe something all-at-once too simple and complicated to make words out of ... when you can take the trip yourself for 10 bucks. Opening act Watter—featuring Britt Walford of Slint and Grails' Zak Riles—takes the stage at 10pm, and this show is 21-plus. Sister • Sat Apr 19 • 10pm • $10 • 21+ • View on Alibi calendar
Prep Your Mountaintops
By Michael Henningsen [ Wed Apr 16 2014 12:00 PM ]
For many the lo-fi, folk-rock “movement” of the late-'90s begins and ends with Neutral Milk Hotel. Originally formed in Ruston, La. by singer/guitarist Jeff Mangum as a recording project, it wasn’t until the 1996 release of On Avery Island that Neutral Milk Hotel became a full-fledged band. The budding foursome relocated to New York, where they would finish their short-lived career with an exhaustive tour for sophomore release In the Aeroplane Over the Sea way back in 1998. Think Sebadoh-meets-Guided by Voices. Critically acclaimed yet largely ignored by the mainstream record-buying public, the album eventually became something of a legend in its own time.
Fast-forward 16 years, and NMH has become the progenitor of such roundly lauded bands as Arcade Fire, Bon Iver and Franz Ferdinand, and their music has been covered by Brand New, The Dresden Dolls and The Mountain Goats. After a lengthy hiatus, Neutral Milk Hotel has finally reunited to embark on a reunion tour featuring the lineup from their seminal release, In the Aeroplane. This show is for old and new fans alike—yes, even indie-folk has made a strong comeback in recent years—and In the Aeroplane is, for many, still the defining release of the genre’s first wave, seamlessly blending folk, rock, psychedelic and shoegaze into one succinct package. Neutral Milk Hotel's all-ages concert at Kiva Auditorium (401 Second Street NW) tomorrow night is a must-see. The show happens at 7:30pm; tickets start at $36, and lo-fi indie-pop group Elf Power opens. Kiva Auditorium, Albuquerque Convention Center • Thu Apr 17 • 7:30pm • $36-$51 • ALL-AGES! • View on Alibi calendar
Following in Giant Steps
By August March [ Fri Apr 4 2014 2:00 PM ]
The alt music scene here in the 1990s was a diverse and fertile workshop for sounds that varied from sludgy proto-grunge and pure punk-rock to melodic, danceable and jazzy reggae and ska. Perhaps the local band that best personified the latter description in this burg's old-school narrative was Giant Steps.
A ska band active in Burque from 1993 to 1999, Otto Barthel, Rob Kerley, Tom Siegel and company have made it a matter of habit to regularly schedule reunion shows here in town, much to the delight of lingering fans and plain old folks who just wanna dance the night away. The eight-piece Giant Steps return with their “in your face” horn section and their “rude” rhythm section for their latest reunion concert tomorrow at Launchpad (618 Central SW). CrazyFool and The Reagan Motels open the show. Doors for this 21-plus show open at 8pm, and tickets are available through holdmyticket.com. Launchpad • Sat Apr 5 • 9:30pm • View on Alibi calendar
Odd Dog • classic rock at Molly's Bar
Free Texas Hold 'Em Poker Tournaments at The Barley Room
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