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The Cathedral in downtown Santa Fe
Matt Wright

Arts

Saddle Up: Moving Forward, Looking Back travels the Old Spanish Trail

Janire Nájera apparently likes her road trips 19th-century-style. The Spanish photojournalist and curator is taking a cue from Antonio Armijo—who laid the groundwork for successful trade along what's now known as the Old Spanish Trail when he successfully hoofed it from New Mexico to California and back (and managed to make a profit in the process)—with a voyage through northern New Mexico, parts of Utah and Arizona, and into Southern California. For the journey, Nájera's own pack animal of choice is an RV from 1984, a bit of an upgrade from the 100 mules of Armijo's trip in 1829-1830. Her goals are social and artistic in nature as she explores, according to the description on her website, how “the traditions of the first settlers [of European descent] ... have merged with domestic cultures, influencing the creation and identity of today's pueblos and modern cities.”

Nájera's journey began in Santa Fe on March 10, and she's already building a fascinating portrait of modern-day descendants of our region's Spanish heritage. See Nájera's video below featuring Julia Gómez talking about the famous Colcha stitch, and her latest blog entry has another great one with Santa Fe hairdresser Faustino Herrera de Vargas, entirely in Spanish, speaking about his storied life.

Follow Janire Nájera's travels along the Old Spanish Trail at her blog Looking Forward, Moving Back, and keep a weather eye out for the book and photography exhibit that will be the eventual result.

Upcycle your denim at Hip Stitch with the Albuquerque Modern Quilt Guild
courtesy of Linda Hamlin

Arts

Quilt While You’re Still Ahead

Who will reign supreme when vicious rivals the Heritage Farm Quilters and the Albuquerque Modern Quilt Guild—armed with titanium shears and topstitch needles—clash in their upcoming battle to the death?
Savory Fare sandwich
Eric Williams ericwphoto.com

Restaurant Review

Beyond the Pastry Case

Savory Fare offers an indoor picnic’s worth of food

A Heights shop with indoor-picnic appeal.
Zendo double exposure
Photos by Manan Tevosyan

Arts

A Question of Scale

Laila Weeks closing reception at Zendo

Laila Weeks’ current collection uses only one color—an eyeball-scorching shade of red acrylic—and a bit of ink and acid-etched metal. And yet it's impossible not to stare.
Marcia Sednek knows whimsy.
photos courtesy of Mariposa Gallery

Arts

All the Pretty Dresses

Artist Marcia Sednek twists and bends each forgotten and worn object into a wonderful piece of sartorial art.
“Our Lady of Sorrows” retablo by Salvador Carriaga Lambert

Arts

Art and Devotion

El Chante hosts a community art show highlighting culture and faith

The Art of Devotion promises a Saturday night filled with culture, tradition and faith.
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Oh, Banksy, you so crazy ...
[click to enlarge]

Arts

Better Out Than In: Britain’s Banksy Hops Across the Pond

Banksy has hit Broadway.

Today marks the tenth day of British street artist Banksy’s “residency on the streets of New York.” The artist’s website proudly declares that his famous—some might say infamous—work will be surfacing on the streets of the city that never sleeps for the month of October. The exhibit is titled Better Out Than In.

So far, there has been a new piece on a wall or vehicle every day—with the exception of the day when Banksy posted an ambiguous but clearly opinionated YouTube video on the Syrian War to his site. Among the street art is an intricately detailed rainforest scene in the back of an old delivery truck, the addition of the words “The Musical” to random graffiti around the city (ex. “Occupy! The Musical”) and the popular “THIS IS MY NEW YORK ACCENT … normally I write like this” spray-painting (below) on the Westside. All pieces are viewable on the street artist’s website and are now accompanied by a numbered tag, and a tongue-in-cheek audio component accessible by Banksy’s 800 number, 1-800-656-4271.

More than a week in, and it seems as if the city of New York hasn't yet decided how to respond to Banksy’s pieces. While the first was painted over within 24 hours—as the satirical American voice at the other end of the 800 number predicted—others are rapidly being removed from their original locations to auction. This presents an interesting dilemma; some wonder if—in such a cultured city—removing the murals is preservation of art or its destruction. According to The Guardian, Bristol's City Council polled citizens a few years ago about Banksy's art, and 97 percent voted that when a Banksy image appeared in public domain, it should remain.

While this conundrum is certainly one to mull over, this may be a good time to recognize some of Albuquerque’s own great street art, sanctioned and otherwise. Albuquerque, another city rich in art and culture, has long integrated street art into the urban landscape. Three years ago, 516 Arts hosted an event called STREET ART: A Celebration of Hip-Hop Culture and Free Expression, which left street murals around downtown Albuquerque. Participating artists included Chris Stain, who left a large painting of a solemn, silhouetted working man at Second and Central. Native Burqueño Ernest Doty was charged as the controversial, anonymous Rainbow Warrior, a street artist who spilled smile-inducing spectrums over buildings across the city. At least one of these rainbows remain untouched; whether that's due to cultural appreciation or inability to cover them up, I couldn’t say.

For more street works around the Duke City, check out the Street Art Albuquerque Facebook Page, which includes photos of acrylic and spray-painted works and the streets where they’re located. And to keep up with Banksy’s exhibit from the Duke City, visit the site or check out the #banskyny tag on Instagram.(Disclaimer: This blog is not intended to motivate all artistic adolescents to begin scribbling property that is not your own; some things are best left to the, er, more experienced.)

“Goddess Gula” by Patricia Halloran
Ed Goodman

Arts

Bowling for Canines

Back in May, Alibi told you about Edward Goodman, the attorney and animal rescuer seeking artists to transform some humble wooden bowling pins into knockout pieces of art for a worthy cause. Happily, Goodman’s work has paid off. On Saturday, Oct. 5, Corrales will be home to Bowled and Beautiful, an art show to benefit homeless dogs. Twenty-five quirky, humorous and beautiful sculptural objects made from those vintage bowling pins—everything from toucans to saints to cat Picassos—are being sold by silent auction, with all proceeds benefiting Second Chance Animal Rescue and NMDog.

Goodman says he’s “most impressed that, with a budget of ‘zero,’ we have been able to put together a fantastic one-of-a-kind art show and fundraiser.” Indeed, judging by all the swag the event’s managed to round up, Bowled and Beautiful seems to have struck a chord with the community.

Vegetarian and vegan hors d’oeuvres are being donated by Perea’s Tijuana Bar and Restaurant, the Bistro Brewery and the Oasis Desert Bistro, while the Corrales venue, St. Gabriel’s Episcopal Church (4908B Corrales Road) has also been offered up at no charge. Even the jazz is donated, thanks to Corrales ensemble Mood Swing. Along with the artworks, products and services contributed by local businesses are up for bid in the silent auction.

With so many thousands of animals in New Mexico shelters, Bowled and Beautiful creatively tackles a serious cause. Put your bid in on a one-of-a-kind artwork to help some one-of-a-kind critters.

View in Alibi calendar calendar
Poncili Creacion

Arts

Frontiers in Puppet Theater

Grownup puppetry comes to Albuquerque for one night

A strange new breed of puppet makes its way to Barelas tonight. Hailing from Puerto Rico, Poncili Creacion is the latest experimental oddity debuting at the Tannex.
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You'll need to stand in the middle of Gold St. west of 4th to see this one
plant

arts

House of CONSPIRACY!

Third Albuquerque Toynbee Tile Found

It was a Wednesday afternoon like any other. Business took my comrade and I to the intersection of 4th and Gold streets in downtown Albuquerque. Parking on the north side of Gold, across from the historic Simms Building, I ran across the street to deliver Alibis to a certain donut shop that operates out of the fifties-vintage steel/glass enclosure currently best known as the DEA offices on "Breaking Bad." On my return dash across the street I was keeping my eyes peeled for found money on the ground when lo and behold my psyche was confronted with the unmistakable color, shape and message of a third Albuquerque Toynbee Tile.

Cleverly deployed for decades onto streets around North America and the world, Toynbee Tiles appear to have arrived in Albuquerque sometime in 2011, the same year the excellent documentary film Resurrect Dead was released. Read the original story here and find out where the second Albuquerque Toynbee Tile is here. The coda to this most recent find reads "TIME'S UP!" and there's a nifty ashtray to the right. Keep looking down.

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