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Music

Now Hear This, Vol. V

You are about to enter another dimension. A dimension of A/V. This is the middle ground between mediocre and too-good-to-be-true, between something called "reggae" and the sound angels emit. You are traveling deep into the realm of rad tuneage. Next stop, Now Hear This!

High desert magick

When it comes to local wizard-themed bands, too much is never enough. Swervegaze wizard REIGHNBEAU has been casting beatific spellsand stealing my vantablack heartsince prime mover Bryce Hample began transmitting incantations into the æther. During the Alibi's latest totally-not-weekly podcast, guests Marya Errin Jones (ABQ Zine Fest founder, The Tannex co-founder) and Mike Smith (author, zinester and Alibi contributing writer) had high praise for REIGHNBEAU's "Milk of Amnesia" video premiere at Guild Cinema. If you missed that rad event, fear not. Screen the viddy below. Commune with REIGHNBEAU, BK Beats, The 1960 Sci-Fi Era and Nathan New in the so-called flesh at a Nothng Forevr showcase at Burt's Tiki Lounge (313 Gold SW) on Saturday, Aug. 23 at 9pm. It's a 21-plus recital, and there's no cover.

The eldritch band next door

During the same podcast, Mike Smith hipped us to the debut music video for up-and-coming alchemical heavies Melanthius. It's a family band featuring siblings Mauro Woody, Brahm Woody and Dhaveed Woody and kindred spirit Eric Wellman. "The Door" video captures the mage collective with shimmery, psychedelic cinematography as they walk the earth, work a fluorescent cauldron and seek nuevomexicano treasure. Scope the vid below, and catch Melanthius' debut gig on Tuesday, Aug. 26, at Burt's (313 Gold SW) starting at 9pm. The 21-plus show is free and also features Shoulder Voices and Billy Crooze and the Dinglehoppers.

If you go down to Hammond

Steve Hammond's various projects have garnered a lot of ink in the Alibi over the years. His most well-known bands are twang-and-thrash trio Leeches of Lore and umlautcore outfit Tenderizor, but Hammond is a prolific solo artist and has also performed as Retard Slave and in Death Convention Singers, Knife City, Filthy Jim and Black Ale Sinners. His microlabel, Flying Midget Records, hosts releases from these projects. One of my favorite Flying Midget offerings is Hammond's Cover of the Month Series. Available as a name-your-price download, the compilation features covers of tunes by Miles Davis, Billy Idol, Buck Owens vs. The Fresh Prince, Wire, Melvins, Irving Berlin, Hank Williams, Funkadelic, Neil Young, The Kinks, They Might Be Giants and Beach Boys. Stream or download it below.

We heart music

Explore the bountiful local music scene further with our Back to School Guide's "Intro to VenuesABQ 505," "'90s Nostalgia Meets New Wave of Now," Music to Your Ears and micro reviews of new albums by David Kilgour and the Heavy Eights, Naomi Punk and Samantha Glass. Happy listening, y'all!

music

Now Hear This, Vol. IV

You are about to enter another dimension. A dimension of A/V. This is the middle ground between mediocre and too-good-to-be-true, between something called "reggae" and the sound angels emit. You are traveling deep into the realm of rad tuneage. Next stop, Now Hear This!

ABQ MTV

On the local tip, swervegaze wizard REIGHNBEAU is premiering the boss music video for "Milk of Amnesia" at the Guild Cinema (3405 Central NE) on Wednesday, Aug. 6. One of the perks of the fourth estate is sneak peeks, and I can assure you that my REIGHNBEAU crush remains strong. The screening will be followed by a live performance and light show. The house lights dim at 10:20pm only to rebound with matchless radiance. For more deets and to RSVP for this free cinematic event, click here. Below, listen to or download REIGHNBEAU's "bootleg" of Angelo Badalamenti's "Twin Peaks" theme.

"moccvsin gvze"

Chapter House is an enigmatic micro label whose catalog is hyperlinked to genres like "punk," "moccvsin gvze" and "stewgaze." The label's latest compilation features Four Corners-based and nuevomexicano artists. Ryan Dennison and DISCOTAYS are all-time favorites of mine, but I was unfamiliar with other acts showcased on the release. And while I didn't unearth the secret lives of those new-to-me bands, I did discover groups with names like Purple Cats in Slacks, Midnight Stew and The Fly that are ripe for inclusion in New Mexico's sonic cosmology. Stream Volume 3 below and nab some pay-what-you-will releases from the Chapter House Bandcamp.

Watermelon sunset

This entry's final homespun miracle is the NSFW [coughfreethenipplecough] music video for the opening tracks from sleaze-thrash trio [H]ohm's Haroun Farm EP. The narrative begins with telegenic power-drummer Kris Kerby hitchiking, and it focuses on the band and alt.models from The Voodoo Dolls, including co-owner Jelly Honey. Produced by Solano Pictures, the photography and editing are professional-strength. The cast is easy on the eyes, but wild women and band members aren't the only characters. The Sandias are the real star of this production. If you've ever dreamed about rocking the Kiwanis Cabin, hit play below for vicarious wish fulfillment.

Jesse Schulz

Good news for good news lovers

Those musicians and their surprise album releases. Indie-rock duo The Raveonettes just released a new record (Pe'ahi), and though I'm sure some knew it was coming, it's still a lovely surprise. Cause new music is new music, no? Have a listen to the album's opening track below, and look for the record … well … everywhere!

It's a good day, y'all. 'Member how I mentioned The Unicorns had sort of reformed to play some live shows (even though they insinuated no plans to record new material)? Well, not that it's exactly new material, but the band has decided to reissue their phenomenal 2003 record Who Will Cut Our Hair When We're Gone?. The reissue will be available digitally (July 29) and via CD (Aug. 26) and vinyl (Oct. 7). So depending on your format, mark them dates on your calendars. Among the few unreleased tracks available on the reissue is the Daniel Johnston cover “Rocketship,” which you can tune into below.

Damn that Mr. Jack White and his prolific prowess as a singer/songwriter/producer/record label owner/ and now book publisher. In keeping with the theme of hard work and tangible results, Mr. White has launched a book publishing company through his record label, under the guise Third Man Books, and he's gearing up to release a book of art, poetry and prose, titled Language Lessons: Vol. 1. Contributors to the text include Dale Ray Phillips, Richard Hell and Tav Falco. To read more 'bout the book, which hits stores and online markets on Aug. 5, head over to Pitchfork.

I know tons of people are excited to see a new release from rock band Weezer. Hell, even I'm excited, and I'm not even that big of a fan. Their new record (Everything Will Be Alright in the End) hits stores on Sept. 30, but the band has made album track “Back to the Shack” available for aural consumption. Here's where you thank them. Have a listen below.

All I know of Blake Mills seems to carry a connection to Fiona Apple. I first found out about him from reading that they were doing a tour together last year. Then came the video of Apple and Mills performing my favorite Apple track “I Know.” Now Apple is appearing on Mills' ditty “Don't Tell Our Friends About Me,” off his upcoming record Heigh Ho. The song also features Jon Brion (who produced Apple's fantastic When The Pawn …). See all those connecting dots? See 'em? You can hear the track below, and look for Mills' record on Sept. 16.

Dream of the stream

We know you love streaming new albums. And why shouldn't you? It's a nice way to preview an entire album before deciding whether or not you want to spend your heard-earned pennies. We get you. We understand you. And so does Tom Petty, which is why you can stream the new Tom Petty & The Heartbreakers album (Hypnotic Eye) over at NPR. And while you're there, why not check out Jenny Lewis' The Voyager as well. Happy listenin'! Editor’s Note: The streams are only available for a short period of time, so apologies in advance if they’re no longer online.

Music/Film

What would a superhero movie be without a theme song? A superhero movie without a theme song. Regardless, it makes sense that if you're gong to have some dudes (or in this case, turtles) fighting crime, a slick tune is required to kick some ass and take some nombres. So Wiz Khalifa, Juicy J and Ty Dolla $ign have banded together to make “Shell Shocked,” a track from the upcoming Teenage Mutant Ninja Turtles (out Aug. 8). Let's not talk about Megan Fox being cast as April O'Neil. It's just upsetting. But who knows? The film could be friggin sweet. Have a listen to the tune below.

Those musicians and their film scores … First we have Jenny Lewis scoring Naomi Foner's Very Good Girls, and now we got James Murphy (formerly of LCD Soundsystem) scoring Noah Baumbach's upcoming film While We're Young. This is essentially exciting because not only do I consider Baumbach to be one of the greatest living directors around (see Margot at the Wedding, Squid & the Whale or his last film Frances Ha), but Murphy is a perfectly reputable guy to get for scoring duties. Oh, and he also scored Baumbach's Greenberg, so this should be somewhat of a kind reunion. PS: Ad-Rock (of Beastie Boys) is also set to star in the film. To read more 'bout it, head to Stereogum.

An undercover cover

In case I haven't mentioned it before (though I'm sure I have), A.V. Club does a series called A.V. Undercover where they put out a list of famous songs, and bands come in and choose a song to cover at the publication's headquarters. After a song is covered, it gets crossed off the list, so no bands can do one that's already been done. Their latest is The Coathangers covering The Go-Go's “We Got the Beat.” Though their version is “We Got the Weed.” You know … cause weed makes things better. You can view that below, and don't miss out on The Coathangers, who are playing at Sister on Wednesday, July 30. Your trusty Alibi writer August March wrote a little somethin' 'bout 'em in the latest issue. Enjoy!

On the horizon ...

I'm sure some people have wondered what Eric Clapton's been up to. Though I'm sure those in the know have gathered that Clapton doesn't really ever stop. Sure, you can search the old record bins for his work in The Yardbirds, or you can listen to his new record: The Breeze: An Appreciation of JJ Cale. The album includes 16 tracks and numerous collaborations with such musicians as Tom Petty, Willie Nelson and John Mayer. In fact, you can hear Clapton's “Don't Wait,” featuring the aforementioned Mayer over at Billboard. The album itself hits the music-sphere on July 29, so keep your ears out for that one.

Bob Log III

Music

Blues, Booze and Boobs: Bob brings the party to Low Spirits

Driving across the North American continent with only a box of guitars, drum parts and the blues—and prolly the directions to dozens of roadhouses, dimly lit bars and rustic concert venues as companions—Bob Log III makes an appearance on Tuesday night at Low Spirits (2823 Second Street NW). He may or may not have his dinghy on board, but this mysterious and damn talented master of the six-string promises a jam party complete with dancing, boob-stirred drinks and lap sitting as part of the experience. Log wears a human cannonball outfit and microphone-equipped helmet during his performances. He recently chatted with the Alibi on his drive out west. The guitarist now calls Melbourne, Australia home, and stopped in the western desert to talk.

AM: So this is your big summer tour, eh?

BLIII: I get to come back home to America at least once a year, and I love it. I have a blast. I’ll play anywhere there’s a room full of people drinking beer, and that’s pretty much a lot of places.

AM: How’s it shaping up?

BLIII: This one’s pretty big, man. At one point, I’m going to be doing 37 shows in a row; it’s gonna get real interesting, but I’m also gonna get real good. I’ve been practicing 17 years for this show coming up in Albuquerque. But I keep it interesting. I change it up. I don’t do set lists. I just get up there and kinda see what happens.

AM: Are you touring as a solo act this time around?

BLIII: It’s just me and the car. My plan is to kidnap people. I do have an opening band for the stretch from Nashville to New Hampshire.

AM: You’re playing that legendary Silvertone guitar for this tour, aren’t you?

BLIII: I am, but I also have some Airline guitars right now too. I get acoustic guitars and put a Silvertone pickup on them, and I put a piezo-accoustic pickup on them. There are two outs, so I get a distorted sound and an acoustic sound at the same time; that way I cover every frequency a guitar can possibly make.

AM: Don’t you also play the drums at the same time?

BLIII: When I play drums, I try to sound like a tight drummer and a drunk drummer at the same time. So time becomes like a rubber band, and I can move it or change it or shape it anyway I want. All day, time rules your day … but for an hour and a half each night I get to be the master of time. For the drunk drummer, I have a kick drum and a cymbal. For the tight drummer, I use a drum machine. My two drummers kinda hate each other. I get to finger-pick on top of the fighting.

AM: That sounds kinda tense.What do you think about that kind of tension in music?

BLIII: It's really a kind of release. The first time people started banging on rocks, it was some kind of celebration. The first music—people banging on the stuff around them—probably would have been really fucking fun. I’m trying to keep music fun. That’s my job. I don’t know anything else.

AM: Besides being fun to listen and party to, some have said your act is deeply transgressive. What are your thoughts on that?

BLIII: I’m a guitar player, and I've played since I was 11. I take that seriously, but I try to turn that into a party, a guitar party. I’m trying to get people to dance, and to dance wrong. If they drop a drink and the glass breaks, I’m doing my job. People can come on stage anytime and get crazy, and I encourage that. They come up and sit on me and I bounce them around while I play. I couldn’t actually do that in normal time, but when I play guitar I get energy I don’t normally have.

AM: What about the boob references: boobs as accompanying instruments or boob-stirred scotch?

BLIII: It’s about making fun of people who use boobs to try and sell you something. I’m saying boobs are ridiculous; let’s take out the sexy, the commercial power. Let’s do something folks would never do with their boobs. I dare anyone in the audience to do it and not smile. As for the song itself, instead of writing a song about what made my day bad, I wrote a song about what made my day good. That day, a woman saw me drinking, said give me that drink and just put her boob in it. I took a sip, and that made me feel fucking better.

AM: How does that work within your music?

BLIII: It’s the blues turned into a party. It’s like Little Richard, Chuck Berry and Bo Diddley. The songs aren’t about being sad anymore … Rock and roll came around, and then I decided to put on a funny suit and throw a party. It’s hilarious, and it’s the coolest guitar you’ve ever heard.

Bob Log III performs his one-of-a-kind take on the blues at Low Spirits (2823 Second Street NW) on Tuesday, July 22, at 9pm. Doors are at 8pm, and the cover is just 8 clams.

Jesse Schulz

Music

Rooster Roundabout: This week’s music highlights

We say goodbye ...

Last week, we said goodbye to the last surviving founding member of The Ramones: drummer Tommy Ramone. He was 65 and had been battling cancer. If you know anything about The Ramones, there really is nothing left to say, other than we'll always have the music. RIP Tommy and a safe journey to the worlds beyond. EDITOR'S NOTE: As of press time, it was also announced that legendary blues guitarist Johnny Winter passed away at the age of 70. We bid you a kind farewell, sir. Rest in peace.

Dream of the stream

It's finally here, y'all. Well, not here exactly, but you can now stream La Roux' new record Trouble in Paradise. Though the record doesn't come out till next week, this'll at least give you an opportunity to decide whether you wanna drop some coin for it. Happy listening! And since we're on the topic of album streamage, why not check out White Fence's The Recently Found Innocent over at NPR. Assuming you can't wait for it to drop on the 22nd.

Audio/Visual

If there's a fun video out there right now, Jenny Lewis' visual for “Just One of the Guys” takes the cake. The single comes off her latest solo record (The Voyager), which hits stores on July 29. What makes the video so good are probably the dude-bro performances by such notable actresses as Kristen Stewart (Panic Room), Anne Hathaway (Les Miserables) and Brie Larson (Short Term 12 (!)). Donning men's tracksuits and mustaches, it's pretty laughable and great. Have a looksie below.

Stuart Murdoch's long-in-the-works film (God Help the Girl) is finally getting its release date. Oh, and the official motion picture soundtrack too. The film hits movie theaters in the US on Sept. 5, and the soundtrack will be available in stores on Sept. 2, which isn't too far off. The Belle and Sebastian singer-songwriter wrote and directed the movie after some hefty crowd-funding and whatnot. Most of us already know that he's a great musician, but what of his prowess as a filmmaker? We'll soon find out. You can listen to a cut from the soundtrack below. PS: The film also stars Emily Browning (of Sucker Punch and Lemony Snicket's A Series of Unfortunate Events), who sings the aforementioned track.

What is a world without “Weird Al” Yankovic parodying the obsessions of his modern compatriots. If it wasn't Nirvana, it was Lady Gaga; nothing really seems to be off limits for Mr. Al. Now he's decided to take on Robin Thicke's “Blurred Lines” with a song called “Word Crimes,” which aims to teach people how to use proper grammar. The song comes off his latest record (Mandatory Fun), which is out now. But have a listen of the track below. You can also head here to see his parody of Pharrell's “Happy” or here to see his parody of Lorde's “Royals.”

Good news for good news lovers

Since you can't really find music shows on MTV anymore (unless you have weird cable channels that give you MTV 2, 3, 4, 5 …), there's little in the way of seeing interactions between various musicians on cable television. To remedy that, VH1 has come out with a new series (“SoundClash”) that puts various artists on stage together to give it more of a music festival feel. The first episode airs on July 23 and has performances from Fall Out Boy, T.I. and London Grammar. You can head to Stereogum to view those performances now. How's that for a special preview?

I first heard of Vashti Bunyan from interviews with Devendra Banhart, in which he listed her as a major influence. That was during my “freak folk” phase. Singer-songwriter Bunyan released her first album in 1970 and waited 35 years to come out with her second offering. And now, the third album approaches. Titled Heartleap, that will see the light of day in October, but you can take a listen to the record's opening track (“Across the Water”) below. Enjoy!

Talk about coming together: Over 700 independent record labels have gathered to form the “Fair Digital Deals Declaration,” which seeks to make a more cohesive and transparent policy in regards to how they deal with their artists. There are five stipulations, one of which is to support artists who oppose unauthorized uses of their music. Another stipulation is to clearly explain downloading and streaming revenues to musicians. Some labels who are taking part are Domino, Drag City, Sub-Pop, Epitaph and Saddle Creek. Head over to Billboard to read more about that.

'Member how I told yous guys that Jordan Knight (of New Kids on the Block) and Nick Carter (of Backstreet Boys) were becoming a dynamic duo (Nick & Knight)? That's still true. In fact, they've put out their debut single “One More Time.” Their self-titled album doesn't hit stores until Sept. 2, but I'm sure they wanted their single to gain traction, what with it being somewhat of a summer jam and all. Listen to the ditty below.

Attention: The first official Beatle's film in 44 years is about to commence! Academy Award-winning director Ron Howard (you know ... from “Happy Days”) is gonna direct a documentary about the band's touring years from 1960 to 1966. The surviving members and spouses of the late members have all signed off on it, so you know it's going to be fairly legit. The filmmakers are also looking for live footage of The Beatles, so who knows? Your footage could make it into the film. Head to Consequence of Sound to read more 'bout it.

music

Now Hear This, Vol. III

Consumers of my dancing-about-architecture reportage are probably aware of my frequent use of the adjectival "blackety-black." It's really just an overly precious synonym for: atramentous, ebony, jet, obsidian, onyx, pitch, slate, sloe and the like. But thanks to British scientists at Surrey NanoSystems, there's now an honest-to-goodness blackety-black. It's called Vantablack (or super black), and it's record-breaking darkness absorbs all but .035 percent of light. It's so damn black that the human eye has difficulty discerning its dimensions. Like a freaking black hole. Its primary intended applications are terrestrial, space and air-borne optical instrumentation. But now hear this: The Little Black Dress will never be the same.

The Daily Mail reports that it's created using carbon nanotubes—"which are 10,000 thinner than human hair and so miniscule that light cannot get in but can pass into the gaps in between"—and if that isn't enough, it's 10 times stronger than steel and conducts heat seven-and-a-half times more effectively than copper. Yeah. Owing to my obsessive-compulsive nature, themes prove irresistably attractive, so here are my favorite songs that pay tribute to blackety-black, er, Vantablack. Share your favorite black-centric tracks in the comments, fellow darklings.

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