Bay Area avant pop act Deerhoof plays at Sol Santa Fe this evening with Portland’s AU and New Mexico’s own Raven Chacon. Get details and read about the band and its Burque connection here.
a hawk & a hacksaw
V.21 No.34 | 8/23/2012
Diverse items coalesce at Small EngineA Hawk and a Hacksaw with Drake Hardin and Mike Smith light up the Small Engine Gallery
V.21 No.15 | 4/12/2012
Jess Ruby / Firebrand Photography
An Artifact Unearthed
Albuquerque’s L.M. Dupli-cation reissues John Jacob Niles’ iconic home recordings
The voice—reedy, urgent, ethereal and strong—summons centuries of memory and suspends time in the space of a song. Love, jealousy, longing, fear and remorse take on an almost physical presence, and fabled characters first conjured in song ages ago, in hovels choked with peat smoke, crowd the imagination.
V.21 No.10 | 3/8/2012
Language Fails Us
A talk with Deerhoof’s John Dieterich
Deep into a second decade of making music, Deerhoof continues to introduce avant anachronisms to the world of pop music. Ostensibly based in the Bay Area, Deerhoof’s music evokes specific San Francisco sound memories: crashing waves under the Golden Gate; the high-pitched squeal and hiss of the N Judah train; a mission junkie’s shuffle. Straying from the geographic origin that lends an aural palette to its songs, the band is spread throughout the country with drummer Greg Saunier living in New York, singer/bassist Satomi Matsuzaki “floating,” guitarist Ed Rodriguez in Portland and guitarist John Dieterich in Albuquerque.
Acoustic Time Wizards
They don’t have fireworks, a giant inflatable penis or any of the other spectacular bullshit of a major-label tour. Albuquerque’s A Hawk & A Hacksaw, Minneapolis’ Dark Dark Dark, and Chicago’s Pillars and Tongues don’t even have a name for their tour. They do have an unusual collection of instruments, two vans and the ability to reshape time, although they accomplish that in different ways. The three groups will be altering perceptions at the South Broadway Cultural Center tonight in an all-ages concert produced by AH&AH accordionist Jeremy Barnes. Find out more here.
V.20 No.41 | 10/13/2011
Music to Your Ears
Acoustic Time WizardsThey don’t have fireworks, a giant inflatable penis or any of the other spectacular bullshit of a major-label tour. Albuquerque’s A Hawk & A Hacksaw, Minneapolis’ Dark Dark Dark, and Chicago’s Pillars and Tongues don’t even have a name for their tour.
They do have an unusual collection of instruments, two vans and the ability to reshape time, although they accomplish that in different ways. The three groups will be altering perceptions at the South Broadway Cultural Center on Friday in an all-ages concert produced by AH&AH accordionist Jeremy Barnes.
V.20 No.21 | 5/26/2011
Reviews of new music releases. Now with MP3 previews!
V.20 No.10 | 3/10/2011
Music to Your Ears
Have Bands, Don’t TravelYou could make the 13-hour drive to Austin for SXSW, struggle through pressing crowds, spend tons of money and only dream of reaching the bar in any given venue. Or you could drive a measly 45 minutes to Santa Fe and see many of the same bands as they make their pilgrimage to Texas.
V.19 No.48 | 12/2/2010
Reel to Real
The culture of cassette tapes
Remember when music on vinyl was pronounced dead? That was soon proved wrong when even “hit” groups like Pearl Jam released LPs. If you paid any attention to underground and indie bands, you knew that vinyl never went away. It was just quietly in the background like stealth spyware on your computer, waiting ...
V.19 No.27 | 7/8/2010
A Hawk & A Hacksaw is about to embark on a grand tour of Europe, beginning in Austria and making more than a score of stops in Scandinavia, Eastern Europe, Italy, the United Kingdom and Germany (see ahawkandahacksaw.blogspot.com to learn more about the band’s travels). But before the noted folk act departs fair Albuquerque, Heather Trost and Jeremy Barnes will play an all-ages show at The Kosmos (1715 Fifth Street NW) on Friday, July 9, at 8 p.m. Below, find out what wonderful foreign things show up in Trost and Barnes’ shuffled songs—commented upon collectively.