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V.23 No.33 | 8/14/2014
Sondra Sun-Odeon
Courtesy of artist

Music to Your Ears

By August March

Æthereal assembly

Whether you’re craving electronica, dark wave, Americana or Texan rock, Music to Your Ears has you covered.
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V.22 No.32 | 8/8/2013
mad-eye p!e via Compfight cc

Four Up

The West is the best, from post-punk to yeehaw, destroy what destroys you and improv rumbles Roost

By Samantha Anne Carrillo

The West is the best

Whether you’re in the mood for solo piano, violin, post-punk Americana, sludge, doom or free jazz improv, Four Up has you covered.
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V.22 No.18 | 5/2/2013
The Handsome Family
Eric Williams ericwphoto.com

Spotlight

The Handsome Family’s Americana Gothic

Talking metaphor, Wilderness and Custer’s corpse

By Geoffrey Plant
Geoffrey Plant chats with The Handsome Family’s Brett and Rennie Sparks at their Albuquerque home.
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V.22 No.5 | 1/31/2013
Eric Williams ericwphoto.com

Aural Fixation

Resonating at a Higher Frequency

Hector Peña crafts conduits for mojo

By Geoffrey Plant
Geoffrey Plant reports on maker and musician Hector Peña’s passion for creating useful art and a movement to get the Southwest inducted into Cigar Box Nation.
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V.21 No.33 |

News

The Daily Word in early voting, virgin birth, and the Yeti genome project

Saturday evening edition

By Geoffrey Plant [ Sat Aug 18 2012 5:30 PM ]
The Daily Word

Jason Alexander plus Nickelback equals awful.

Like a virgin. Birth.

Just another metal bar through the skull story. Phineas Gage.

Albuquerque Mayor Richard Berry's statement on the recent excessive force/tasering incident involving APD.

Gas Prices per gallon around the world.

Why Facebook is losing advertisers.

Update on the search for Amelia Earhart's plane.

Steve Terrell outlines who is spending what in the Heinrich/Wilson Senate race.

Insane Clown Posse on CNN, explaining pretty much everything.

Early voting in some states is no longer an option.

Update on the Moors Murders.

Staten Island photos circa 1983.

I'm going to refer to this next time my office computer throws a rod.

Ew gross.

Embarrassing nightclub photos.

Exciting new research into a male contraceptive pill... wait, what? A Yeti genome project?

On this day in 1952 Patrick Swayze was born. Go to 15:15 in the video and ignore Sebastian Bach.

V.21 No.30 | 7/26/2012

Flyer on the Wall

Bonanza

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V.21 No.28 | 7/12/2012

Folky Friday the 13th

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V.21 No.24 | 6/14/2012
The Aztec’s neon sign remains at the site of the motel.
The Aztec’s neon sign remains at the site of the motel.

In Memoriam

Reflections on the Aztec Motel a year after its demolition

By Jessica Cassyle Carr [ Sat Jun 9 2012 4:00 PM ]

The third of three pieces about the life and death of the famed, doomed Aztec Motel, demolished in June 2011.

Albuquerque rose to prominence among New Mexico towns for myriad reasons: access to the Rio Grande, its location on El Camino Real de Tierra Adentro (the Royal Road to the Interior), the acquisition of the railroads in the 19th century and an Air Force base in 20th century.

Route 66 tourism also helped the city grow in the last century. One of the oldest landmarks of that era was the Aztec Motel, located on Central Avenue in Upper Nob Hill. A year ago it was demolished, the owner claiming its restoration would cost too much money. The neon sign still stands (among preservationists there are discussions about nominating Nob Hill’s neon for historic designation). Although shops and condos were proposed for development in its place, the dirt lot next to the 7-Eleven where the motel once stood remains empty.

There were, and still are, mixed feelings about the property, a repository of folk art that oozed character. Those that understood it to be a landmark—the nostalgic and history buff types—tend to lament its absence. The less sentimental (such as a friend who owns a home near the site and wrote, “if you miss it so much I can come over to your house and throw trash and bottles on your lawn”) seem to celebrate the removal of the old Route 66 motels. Some call for saving the neon, and removing the buildings.

As we mover further from that mid-century golden age where these places resided, and as the properties fall further into disrepair, there will be more reflection on their value. Younger generations will likely be more captivated by them than older generations. At the same time, the environmentally-minded and proponents of Smart Growth point to the energy-saving value in salvaging any building. So, if they survive the present, unlike the Aztec, the fates of the best the bunch in the next decade or so may be reuse. I hope so.

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V.21 No.23 | 6/7/2012
“The Aztec” (2001)

In Memoriam

“The Aztec,” a 2001 film documenting life at the motel

Cinéma vérité on Route 66

By Kirsten Browne [ Fri Jun 8 2012 6:00 PM ]

Phyllis Evans
Phyllis Evans

The second of three pieces about the life and death of the famed, doomed Aztec Motel.

In 2001, then-Alibi-art-director Kirsten Browne collaborated with former NuCity photographer Jennifer Lipow and UNM Internal Medicine Resident Steve Pergam to shoot and edit a 10-minute film which featured interviews with Aztec resident Phyllis Evans and owner Mohamed Natha. “The Aztec” won for best documentary in the Flicks on 66 Wild West Digital Shootout competition and hasn’t been seen for 10 years.

Jen and I made this film for Flicks on 66. We could've picked ANYTHING to shoot a film about. It wasn't my idea to shoot the Aztec and its people—I was a bit intimidated, but Jen was all bitchin' and NYC about it, so three made a team. (At around the same time we did the feature in the Alibi, "Motel Hell," where Noah Masterson stayed a night in a bunch of Route 66 motels. It wasn't your typical sponsored travel story—they all must've been glorious once.)

Mohamed Natha
Mohamed Natha
We didn't have a plan for the film because we didn't know what would happen there or who lived/stayed there. We just knocked on the office door and asked. Phyllis and Mohamed were happy for the audience. And proud of their incarnation of the Aztec. All Jen and I went in with was an agreement to ask questions and stay out of shot so we could be edited out. We didn't need many questions, things just happened. 

We won our section of Flicks. And came away with way more than we expected. I lived in Albuquerque for six years (I'll be back!). Now, back in New Zealand for eight years, that experience sticks out for me like climbing Cabezon or Old Town at Xmas. It was a worthy use of time (more so than fluffing round the kids' section of Old Navy or reading magazines with a latte in the Flying Star).

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V.20 No.24 | 6/16/2011
All images by Patrick Shorty

In Memoriam

Visions of the Aztec: A demolition gallery

Marking the one-year anniversary of the death of the iconic Route 66 motel

By Laura Marrich [ Thu Jun 7 2012 6:33 PM ]

The first of three pieces documenting the life and death of the famed, doomed Aztec Motel.

Bearing witness
It was one year ago this week that punk rock print maestro Patrick Shorty documented the Aztec Motel’s demolition.

By most accounts, the Aztec was the oldest surviving motel in New Mexico—it was six years older than the El Vado, which the city designated as a landmark site and spared from development a few years back.

The hodgepodge of paintings, bottles, tile, pottery and tchotchkes that positively bloomed off the stucco was painstakingly installed by Phyllis Evans in the ’90s. She was a professor at Michigan State University who sometimes lived at the motel and treated it like a retirement project.

I’d like to point out that the Aztec is renowned (everywhere but here, it turns out) as a folk art heritage site. It’s featured in art books and tons of websites, and it a was a priority stop on Larry Harris’ Orange Show Eyeopener Tour, a roving event that hits important regional folk-art environment landmarks.

Many thanks to Shorty for sharing.

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