Rooster Roundabout: This week’s music highlights
Since last week's Rooster Roundabout, we lost one of rock 'n' roll's truest gods … Mr. Lou Reed. I can't speak for others, but he had a profound effect on how I listen to music, and he showed the immense beauty that exists when poetry and rock meld together seamlessly. It's a practice few can master. And no one did it like Reed. You can read the obituary his wife, Laurie Anderson, wrote here. This one's for you, Lou.
According to the folks over at Pitchfork, Beck has signed with Capitol Records and will be releasing a new album (Morning Phase) in February 2014. This has been sort of a long time coming, as his last full-length release was back in 2008, and it wasn't one of his best. They also stated that a good amount of personnel on this new record worked with Beck on 2002's Sea Change, so this should be interesting.
Okay, I'm obviously playing favorites at this point, but I can't help it. Savages is still very much on my radar with their stellar release Silence Yourself. And now they've come out with a new video for album closer “Marshal Dear,” one of the best tracks on the album. Then again, all of the tracks on the album are fantastic. Okay, okay … I'll stop gushing. Just watch the animated, conceptually war-torn video.
Oh those relentless psych-garage rockers! First Ty Segall and now Thee Oh Sees. The latter band is coming out with a third Singles Collection that's scheduled to drop on Nov. 26. They've also made the track “What You Need” available, so get those boomboxes (assuming you still got one) prepared for this probably-pretty-good compilation.
James Blake has one of those magnetic voices that just needs to be heard. It operates on a wavelength that mixes beautiful tones with a soulful prowess rarely seen in male vocalists. Maybe that's why Blake won the 2013 Barclaycard Mercury Prize for his album Overgrown. For those who don't know, the Mercury Prize is given once a year for the best British or Irish album. Past winners include Primal Scream, PJ Harvey and Antony & The Johnsons.
Dancing at numerous parties in Austin, Texas, it was natural to stumble upon Calle 13, a Puerto Rican outfit who've been steadily releasing albums for years to much acclaim. They've also garnered 19 Latin Grammies. Not bad, eh. Now the group has announced a new single that'll hit the streets on Nov. 13, and a new album that will come out in March, though they've stated that they plan on releasing it independently. So we'll see how that goes. You can hear their awesome track “Atrevete te te” below.
Lady Gaga has unleashed another derivative disco pop-infused club track, titled “Venus,” to the masses. Can we not have a little time to digest the last one, Gaga? Sheesh. Either way … the track is now available for listening via the world wide web. Gaga's ARTPOP is slated for a Nov. 11 release, so keep that pocket change jingling.
Devendra Banhart came out with a substantial release this past year (Mala). It was a release that showed him recycling his worldly sentiments and regurgitating them in a sonically forward-moving motion. Now Banhart has released a music video for the track “Für Hildegard Von Bingen.” You can view that below.
A week ahead of the release of The Marshall Mathers LP2, Eminem has shared his collaborative track with Rihanna, titled “The Monster.” If the song isn't a groundbreaking attempt to boast marketable partnerships, it's at least an okay iteration of Eminem's prowess as a rapper. And at this point, can we hope for anything more? [Editors Note: By the time this was scheduled to go up, Eminem also made his collaboration with Kendrick Lamar available, so you can hear that as well.]
Now that Lauryn Hill is a free woman (after having spent a little under three months in prison for tax evasion), she can get back to work! And Hill has wasted no time: She just released a new track, titled “Consumerism.” Her fast rhyming moves over a scattered beat … and a lot of ism's get thrown around, but hey, it's Lauryn Hill, man. Also, the track is said to be the first part of a collection titled Letters From Exile. Judging from this, I'm sure the second part will be interesting.
David Byrne (of Talking Heads fame) has written an editorial piece in which he asserts that economic inequality in New York has stunted creative culture.
Fiona Apple played a new song at a show in Portland, Ore., right before she asked a heckler to leave for allegedly telling her to “get healthy.” The sound quality isn't great considering it was recorded from a live show, but it's good to hear something new from what I consider one of our generation's most elusive and genius minds. You can also hear her duet with Blake Mills, titled “Tipple,” over at Consequence of Sound.
Don't you just love it when music awards season hits? Or at least a portion of it. For interested parties, the nominees for the 2013 American Music Awards have been announced. And the musical line-up for the 2013 Soul Train Awards has also been made public by the folks over at Billboard.
It seems that David Byrne isn't the only one who wanted to write about his artistic pursuits this past week. Madonna wrote an essay for Harper's Bazaar about her early work and her so-called “daring.” In the essay she talks about her expectations vs. the reality of moving to New York, being raped at knifepoint, her marriages and more.
I pretty much stopped paying attention to Interpol after Turn On The Bright Lights, and after hearing that Paul Banks had attempted a rap album earlier this year (Everybody on My Dick Like They Supposed To Be), that further cemented my disinterest. But now, Banks is collaborating with RZA (of Wu-Tang Clan) on a record, which they've been recording for the past six months. This should be interesting.
I'm sure them little monsters are jumping for joy this week. Lady Gaga revealed not only the cover art for her new album, ARTPOP, but she also shared the tracklist and a new track, “Aura.” She released the track as a lyric video, which also contains clips and pieces of the Robert Rodriguez flick Machete Kills. You can see that below.
A lot of people know Questlove from his work with The Roots. A lot of people see him every night on “Late Night with Jimmy Fallon.” A lot of people may not know who Questlove is, and for those who don't, there's always time. But now Questlove has written a book, titled Soul Train: The Music, Dance, and Style of a Generation, which hits shelves on Oct. 22. Thanks for the astute warning, man.
I first encountered Sharon Jones & The Dap Kings while wandering Austin City Limits in search of water or whiskey or my friends who had wandered away. They were playing lively funk, and Jones' voice was magnetic. Now Jones and company have shared a new video for their track “Retreat!” from their forthcoming album Give The People What They Want. The album doesn't come out 'til January, but you can listen to this snazzy track until that fateful day arrives.
I mentioned a few weeks back that Pixies had come out with a new release (EP-1). They've been slowly making the rounds on network television appearances, and now they've shared a video for their track “Andro Queen.” The video is directed by Ondi Timoner (Dig).
Rooster Roundabout: This week’s music highlights
For those of you who are wondering whether ‘N SYNC will reunite at the VMAs this weekend ... here’s what Joey Fatone has to say about it.
In case you're still keeping tabs on Nine Inch Nails (I stopped around The Downward Spiral), Trent Reznor shared a couple new songs from Hesitation Marks (out Sept. 3). One song is titled “Everything,” which is streaming at NPR. Newer track, “Find My Way,” you can hear below via Zane Lowe’s BBC radio show:
Jack White, Marcus Mumford, Joan Baez and The Avett Brothers are just some of the acts scheduled to perform at the benefit show on Sept. 29 for the Coen brothers' upcoming film, Inside Llewyn Davis.
Remember John Frusciante? The guitarist who left Red Hot Chili Peppers and disappeared to the nether-sphere? Well, he's back. And instead of returning to rock n' roll, he's back with some “Progressive Synth Pop.”
Lady Gaga shared the music video for the track, “Applause,” the first single from her upcoming album, ARTPOP, thus confirming that if you put a woman in skimpy outfits with dramatic lighting, she'll believe she's an artist. Where's the challenge? Oh, and the album hits stores on Nov. 11.
Let me just say that I never really got Grimes. I guess her brand of electro-pop just went over my head. But people seem to like her. So much so that it's been confirmed she'll be cohost MTV Style's Red Carpet Report, along with designer Rachel Antonoff.
Strokes guitarist Albert Hammond, Jr. is coming out with a solo EP, titled AHJ, via Julian Casablancas' Cult Records. The EP is set to hit stores on Oct. 8.
Former Burqueño Willis Earl Beal, whose new record, Nobody knows., comes out on Sept. 10, can also add actor to his résumé. Beal is set to star in a film titled Memphis, which was written and directed by Tim Sutton.
So Dan, was it really hard to give up Bob Dylan's hair?
I came across this nice little write-up by Sam Hockley-Smith for Stereogum, wherein he sentimentalizes Modest Mouse's The Lonesome Crowded West. It's an oldie but goodie.
Just in case you wanted to see Nirvana's original record contract with Sub-Pop.
M.I.A. released a new track, titled “Unbreak My Mixtape.” Not quite sure if this song is from her upcoming album, Matangi, which her label states is scheduled for a Nov. 5 release. The song samples Blur's “Tender” and Karen Dalton's “I Love You More Than Words Can Say.”