cat power


V.23 No.29 | 7/17/2014

Music

Rooster Roundabout: This week’s music highlights

Good news for good news lovers

King Tuff's Was Dead album was one of my favorites of 2013. Though it came out years ago, fan fervor over the original recordings made him reissue it last year, and rightfully so. It's a fantastic record. Now Tuff is gearing up to release another LP (Black Moon Spell), and he's giving a taste of what it'll entail with the album track “Eyes of the Muse.” That should tide you over 'til Sept. 23, but I'm sure he'll release more previews between then and now. Here's hoping.

I've always liked Usher ... well, mostly. I've lost touch with a lot of his recent work, but “Confessions Part II,” “Nice and Slow” and “Yeah” are some good songs to dance, reflect or get in the mood to. Whatever your preference, the man knows what he's doing. Now Usher has made a track available that was produced by Pharrell and features Nicki Minaj. The slick, club-happy number will definitely be a crowdpleaser. Head to Hip-Hop Wired to hear it.

Coldplay and Cat Power? I'm sure some could have predicted it … probably not. Cat Power is ... well ... Cat Power. And Coldplay used to be good. Regardless, it's an interesting combination any way you squeeze it, and the song they've concocted together (written by Coldplay's Chris Martin, sung by Chan Marshall) is a contemplative little number. The track “Wish I Was Here” was written and recorded for Zach Braff's upcoming film of the same name. How that'll go is an entirely different thing. But check out the song below.

There's always dissension when a legendary rock group announces they've recorded new material. Some say it's going to be awful. Some say it's a new era, a new sound. Whatever your views, that still doesn't stop it from happening. Take Pink Floyd for instance. The group is coming out with a new record (The Endless River) in October, and according to the band's website, it's “an album of mainly ambient and instrumental music based on the 1993/4 Division Bell sessions which feature David Gilmour, Nick Mason and Richard Wright.” So keep an eye out for that one … or don't … I mean I might not even remember … I probably will though.

I mentioned a few weeks back that Christopher Owens (former frontman from Girls) was coming out with his second solo album. Well, that's still happening. The record (A New Testament) hits the music-sphere on Sept. 30. And Owens shared a snippet in the form of “Nothing More Than Everything to Me,” which you can view below.

It's happening. Beck is going to release a new album titled Song Reader. I know, I know, he already came out with a record called Song Reader (though it was a release of sheet music, made to be interpreted by skilled musicians). But Beck is going to release actual recordings of those songs, and each track is going to be done by a different artist. Among them are Laura Marling, Jack Black, Jarvis Cocker, Jack White and much more. Head to Pitchfork to get more deets on that. Oh, and it drops on July 29, which is hella soon!

Audio/Visual

Like most, I became familiar with The Vines at the turn of the millennium when they graced us with “Get Free.” Anyone else remember the Hives vs. Vines battle during MTV's Music Awards? Them's were the days. The band has been steadily releasing albums over the past decade, though none have found their way on my radar. Now, they're coming out with a new double LP (Wicked Nature). They're self-releasing it via PledgeMusic where fans donate funds and get free downloads of some of the album's tracks. So there ya go. Not sure when the record is coming out, but you can watch the video for their new song “Metal Zone” below.

Out the left hangar

Taylor Swift is a writer? Well, duh, I know she writes her own songs, but an editorial? And for the Wall Street Journal? The country-pop sensation wrote a piece on the future of the music industry, speculating on where music will be in 30 or 40 years. Swift describes herself at the beginning of the piece as an “enthusiastic optimist.” (Go figure.) She does say some insightful things here and there, and whether you agree with her assertions, it's not as if she's the be-all-end-all authority on music entirely. But if you want her perspective, it's not a terrible read. See what she has to say here.

Fans of Death Proof are no strangers to Mary Elizabeth Winstead (you know, the one who was dressed like a cheerleader in the second half). 'Member the scene where she sits in the car and sings a lovely cover of Smith's “Baby It's You”? Good times. Well Winstead and Dan “The Automator” Nakamura have a music project together (Got A Girl), and they're getting ready to release a record on July 22. To give people a preview, they've made the track “There's a Revolution” available. Listen to the retro pop ditty below.

There are still moments when I get tears in my eyes at the thought that I will never see The White Stripes live in person. I think back to moments when I could have seen them had I driven 3 1/2 hours, changed highways, snacked on goodies, all while playing all six of their fantastic albums in chronological order. That is slightly remedied with the release of a live White Stripes album (Live Under the Lights of the Rising Sun). No release date on it yet, but the record will have 31 tracks, and it's taken from their first tour in Japan in 2000. So it'll probably have some good early stuff. Head to NME to read more 'bout it.

V.23 No.8 | 2/20/2014

So … Katy Perry has come out with a music video for her track “Dark Horse.” And let me just preface it by saying that this seems like her attempt at channeling Liz Taylor's take on Cleopatra, but like most current notions that attempt to pay homage to classic ideas, it falls flat. Regardless, Perry fans will go nuts over its ridiculousness. But you don't gotta listen to me, you can watch it below and see for yourself.

I'm a thrash novice … maybe a hardcore one, too. Still, I can appreciate a bunch of guys coming together to whale on some instruments, create new tunes and just do what they do the only way they know how … by laying on the heavy. So it's kind of cool that Dave Grohl's joined with some hardcore veterans to create a new group called Teenage Time Killer. The group also includes Corrosion Of Conformity’s Mike Dean and Reed Mullin, former Dead Kennedys frontman Jello Biafra and much more. You can read more about it at Stereogum.

In 2009, when I first started learning to play the guitar, an acquaintance (who'd played in several bands and was pretty much a guitar virtuoso) was teaching me some basic chords when we had a conversation about guitarists. Naturally I expressed my love of Jimmy Page and Hendrix, and then he asked, “Have you ever listened to Rodrigo y Gabriela?” I hadn't. And though I only know a handful of their songs, their mastery of this instrument is friggin bonkers. It's so easy to get lost in their music because it's manic, precise and brilliant. And now the duo have shared a track from their forthcoming album 9 Dead Alive (out April 29), and you can hear that below.

If you were born in the late '80s, like I was, then you had the privilege to come of age when '90s alternative was peaking in a great way. Looking back, you can think what you will, but back then Vertical Horizon's “Everything You Want” was one of my favorite songs, and just for nostalgia's sake, I still dip into Third Eye Blind's first record. And when listening to Cheap Girls' latest song, I was overcome with that pop-rock liveliness that was prominent in such bands as Everclear and (sometimes) The Wallflowers. Cheap Girls' tune comes off their forthcoming record Famous Graves (out May 13), and you can hear that over at A.V. Club.

When it comes to record labels, I've always appreciated the work put out by Sub Pop. From obsessing over releases by Nirvana, L7, King Tuff, Cocorosie, Red House Painters, etc., it's always a treat to hear new(er) bands that are signed to the label, groups that record and distribute good tracks for wanting listeners. I digress … rock band Dum Dum Girls (another Sup Pop contemporary) has come out with a video for the song “Too True to Be Good.” And you can view that visual snippet below.

I like Pharrell. I like his radio hits, but hey, what do you think makes people buy albums, eh? So I'm not especially excited, nor am I too keen on ignoring the news that he's coming out with a new record, titled G I R L. The album is also said to feature the single “Happy,” which earned Pharrell an Oscar nomination for being on the Despicable Me 2 soundtrack. You can head over to Pitchfork to read more about the record, and you can also watch the 24-hour “Happy” video here. How's that for comin' out with a bizzang?

If former Burqueño Willis Earl Beal had founded an actual cult, under the moniker The Church of Nobody … in the New Mexico desert … and recruited Mischa Barton … and soundtracked it with his excellent song “Coming Through,” which features Cat Power … the below video would have been the only remains of said religion. And it's weird shit. The song itself starts a little after the 7-minute mark.

I promise—this will be the last time I mention St. Vincent's upcoming self-titled LP, which hits stores and online markets next week. The record is now streaming over at The Guardian, and it's phenomenal. I think I'm gonna buy it.

Bob Casale, one of the founding members of new wave band Devo (known for their famous hit “Whip It”), passed away this week. He was 61 years old. Granted, I wasn't that big of a Devo fan, it's always sad to see a musician called home. RIP Bob. And for old time's sake …

I go back and forth about Lana Del Rey. While some of her songs strike a chord, I usually can't get past her bad lyrics: “I'm your national anthem, God you're so handsome.” But I understand why her sound/look appeals to people who are always looking for something vaguely different in the pop world. But now, fans can look forward to her collaboration with Dan Auerbach (of the overrated Black Keys). Supposedly, he's lending a hand on her upcoming album Ultraviolence, and you can read more about that here.

V.23 No.5 | 1/30/2014

Folk master Pete Seeger passed away this past Monday at the age of 94. Sources say it was due to natural causes. This is a sad loss for music, but Seeger's legacy will for sure live on … and his songs will always retain the zeal and prosperity he showed while playing. From creating an anthem for civil rights to performing an inaugural show for President Barack Obama, this man was a legacy in his own. And Pete, this one's for you …

Ariel Pink's Haunted Graffiti was introduced by a friend while driving in his car and smoking a joint as the Corpus Christi heat beat down on our bodies from outside half-tinted windows. Those were the days. I immediately liked his lo-fi basement recordings, but never kept up with his later pursuits. And now Pink is teaming up with producer Justin Raisen, and together they are production duo Raw Deal. They've been working with a band called the Garden, based out of California. You can read more about that collaboration at Pitchfork.

Former Burqueño Willis Earl Beal released his second album (Nobody knows.) last year, and while it wasn't a stellar release, it had some good moments. (See “Coming Through,” which features Cat Power.) And now Beal has recorded a third album, titled A Place That Doesn't Exist. It contains more of the lo-fi intonations of his first record, but his voice is always front and center. And what a voice it is. He announced that he'd like to “give it away for free,” but the album hasn't come out. However, you can stream it below!

I'm sure some people are about to shit themselves … or at least fart from excitement. Singer-songwriter Mike Doughty posted some tracks that feature Elliott Smith's vocals (deeming them “new” tracks.) He went on to specify that they are new (or at least unreleased) in that Smith recorded the vocals in 1998, to be “sliced/diced over beats.” You can read more about that and hear the tracks over at A.V. Club.

I'm sure most Burqueños know about Deerhoof, what with band member John Dieterich calling this burg home now. And considering they've been making music since the '90s, it's no wonder they've gained a massive following, if not an adoring fanbase. And after coming out with their 11th record in 2012, the band seems to be riding that engine with some lasting intent, seeing as how they've come out with a music video for album-cut “Flowers.” You can watch that below.

'Til this day, the cover of Eels' Beautiful Freak haunts me. I never bought the album, but seeing it on the shelves at Best Buy when I was in my formative years (you know … between six and nine years old), I always stopped to pick it up. And I always wondered if I'd get the courage to ask my mom to buy it for me. I never did. Instead I saved that courage for Marilyn Manson's Mechanical Animals when I was 10. That was a doozy. I digress … Mark Oliver Everett (the main man behind Eels) has come out with a new track, off The Cautionary Tales of Mark Oliver Everett (which hits stores on April 22). The song (“Agatha Chang”) is a sentimental yet somber tune that I'll gladly add to my collection. You can hear that at Consequence of Sound.

Pixies recently released a brand new collection of material in the form of EP2. And as Alibi writer August March pointed out, the release was kind of underwhelming. But seriously … what can you expect? Kim Deal's not in the band anymore. And you know home-gurl added the most fire to the festivities. But now the band has come out with a video for their track “Magdalena.” You can view that below.

It's no secret that the Russian government has treated the LGBTQ community with the upmost disrespect, if not outright hate. And to bring attention to Russian activists fighting the good fight in support of gay rights, Melissa Etheridge formed a coalition to support them. She also wrote a song, “Uprising of Love,” to coincide with the movement. You can hear that below.

I mentioned a while back that Strokes guitar player Albert Hammond Jr. was coming out with a solo EP (AHJ). Well that collection is out and about, but now Hammond has shared a visual representation for one of the tracks from said release (“Strange Tidings”). You can view that below.

Karen O, frontwoman of art-rockers Yeah Yeah Yeahs, is no stranger to covers. She's tackled “Mammas Don't Let Your Babies Grow Up to Be Cowboys,” made famous by Willie Nelson and Waylon Jennings. She's taken on Led Zeppelin's “Immigrant Song.” And now, she's covering Bob Marley's “I Shot the Sheriff.” She recorded the song with Sam Spiegel (of N.A.S.A.), and it's here for your listening pleasure.

You 'member Sarah McLachlan? You know … the one that founded Lilith Fair and was on that really sad dog commercial that made me cry every time it aired on public access? No? Oh, she's also a singer. Yeah, if you were around in the '90s, you remember her. I had an older sister who had her album Surfacing, so let's just say I remember her well. Aside from that, McLachlan has just signed with Verve and is coming out with a new record (Shine On) on May 6. You can read more about that over at Billboard.

V.22 No.21 | 5/23/2013
Cat Power by Camille Garmendia

Music

Cat Power calls U.S. out

Singer/songwriter says she’s leaving America on Instagram rant

Leave it to your trusty copy editor to place blame on the blameless. Cat Power, aka Chan Marshall, released a statement/rant on her Instagram page (with the Statue of Liberty as the backdrop), criticizing the state of America and claiming she’s leaving the country until things change. In the public statement, she claims the illusion of liberty has become a symbolism of entrapment, fostering hope in Americans in an effort to make them prisoners of false ideas. In the all-caps statement—chill out gurl; you don’t gotta yell—she claims that the powers that be have used said symbolism “AS FALSE CURRENCY TO RAPE THIS EARTH WITH IT’S[sic] LIES, PROTECTION OF WEALTH, AND VICIOUS SLAYINGS & INHUMANE PRIVATE CONTRACTED MILITARIES WORLDWIDE FOR DOMINATION ...”

She goes on to demand a tri-partisan government as well as a Native American vote. Preach on, Chan! But like I said, as a copy editor, I can’t help but twitch at the errors, considering it’s my job to make sure that all text entering the public domain is free of grammatical/factual errors so it reads smoothly. Now, I can attest to the fact that when something is written with passion, integrity, and a pressing need to completely reiterate certain feelings without censorship or too much thought, it’s important to throw the rules out the window and say what you gotta say. And I guess Ms. Marshall has ... she even went to the extent of tagging several well-known Twitter users like: Diplo, U2, Dave Chapelle, Madonna, The New York Times and more. Some good words, Chan, but if you need a copy editor, let me know. But then again, I may be making a moot point because a statement like this isn’t just meant to be typed/transcribed, but also meant to be spoken. As Marshall says, “HOW DO YOU FIGHT WITH JUST A WORD IN TEXT, SPEAK IT.”

V.21 No.49 |

News

The Daily Word in Cat Power, Bieber fever and love letters

The Daily Word

Stop whining.

Kids with Cat Power.

Police say guys from N.M. were planning to kill Justin Bieber.

Have you seen this man?

Dispatches from the Congo, where rebel fighters are terrorizing civilians.

"While Euphorbia pulcherrima is not something you want to be munching on, it’s certainly not a killer."

Mick Jagger's pricey love letters.

The Pope tweets.

“Sometimes I still can’t believe myself it could happen in America.”

Analog photo manipulation.

Shel Silverstein reads The [animated] Giving Tree.

RIP, Ravi Shankar.

V.20 No.13 | 3/31/2011
Ben Wood

Song Roulette

Random Tracks From the Music Library of The Porter Draw’s Ben Wood

Ben Wood plays banjo in The Porter Draw. He’s also a woodworker and projectionist, knows how to grow a fine mustache, and is descended from Jewish cowboys in Arizona from way back when. Below are five random tracks from his music library.

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