V.19 No.43 | 10/28/2010
Electronic music has come a long way since Thaddeus Cahill began work on an electromechanical instrument, the Telharmonium, in 1898. Ferruccio Busoni in 1907 predicted electrical impulses as the basis for modern music. Luigi Russolo gave noise concerts as early as 1914. One can only imagine the grave-spinning disappointment of these visionaries when the synthesized bleats of disco or the now naïve sounds of such LPs as 1968’s Switched On Bach came about.