Rooster Roundabout: This week’s music highlights
Yup, watching Belle and Sebastian cover Journey's “Don't Stop Believin'” for a group of kids at Children's Healthcare of Atlanta might be the cutest thing in music this week. You can check that out below, but you might need to have a tissue handy.
A few weeks ago, I posted a track from Buzz Osborne's upcoming solo acoustic album This Machine Kills Artists. And now King Buzzo has posted another snippet from that forthcoming record, which, despite being acoustic, is pretty heavy and dark. But that's a good thing. You can hear his new song (“Drunken Baby”) by heading over to A.V. Club.
For those of you that think Lana Del Rey is all that and a bag of stale potato chips, the moment you've waited for is finally here. The singer-songwriter has come out with the first track from her upcoming sophomore LP Ultraviolence. Some blogs have already touted the tune as the “song of the summer.” Getting ahead of yourselves much? But I'll let y'all be the judge of that. You can listen to “West Coast” below.
I guess it’s only appropriate that I mention tomorrow is Record Store Day. Not only is it a way to promote shopping at your local record stores, it opens your horizons to new and exciting music emerging from the depths of post-Top 40-whatever. Meh ... political correctness aside, I’m not much of a fan of Record Store Day. Most record stores don’t carry the releases the peak my interests, and sometimes it makes me wonder whether it’s a trick to get you into the stores in the first place. Regardless, you’ll probably see me at Mecca tomorrow. But you can read Pitchfork’s top Record Store Day Releases by clicking here.
Hmmm... trippy sound effects, a slick guitar riff quietly sneaking around the bush and lush vocals … The Black Keys' new tune (the title track from their forthcoming Turn Blue) isn't half bad. I just may be tricked into hearing more. Could this be a change of heart or a momentary lapse of judgment? I don't know, but it's one good ditty. I'm impressed, Keys. The tune should tide fans over till May 13, when the album hits stores. Preach on!
I'll admit that the only reason I decided to write about this follow-up item is because Kelley Deal is involved. Sure, everyone knows about her sister Kim (Pixies, Breeders, Amps, etc.), but Kelley Deal is a good songwriter in her own right. Check out The Kelley Deal 6000 if you haven't yet. Now Deal is featured on a track by Motel Beds (“Tropics in The Sand”). It's supposed to be on a split 7-inch that'll be out on Record Store Day, but you can hear the track over at Stereogum if you don't plan on participating. Cause why would you do that anyways?
The only stuff I've heard from The Pains of Being Pure at Heart were tracks on a compilation album I got for free at Austin City Limits. And I don't even remember the names of the songs; that's how out of touch I am. But they've shared a new track via SoundCloud, and if I can describe it in one word: cute. It doesn't hit hard like Bass Drum of Death, but it's not overtly twee like She & Him. It holds a nice place in the middle. Let's call it cute without the “e.” Wait, that spells “cut.” That doesn't work. Just listen to the damn thing.
Well this just seems to be a good week for streaming albums in full ahead of their release dates. You can head over to NPR to listen to Kelis' new record Food. And you can head over to The New York Times to listen to Eels' The Cautionary Tales of Mark Oliver Everett. And then head over to Consequence of Sound to listen to Nas' Illmatic XX reissue. Thank your kind publications for letting you get a sneak peak before you go purchase these albums … assuming you will actually purchase them.
If you ever wanted to see Josh Homme of Queens of the Stone Age play a disappointing gay man … here's your chance.
Folk master Pete Seeger passed away this past Monday at the age of 94. Sources say it was due to natural causes. This is a sad loss for music, but Seeger's legacy will for sure live on … and his songs will always retain the zeal and prosperity he showed while playing. From creating an anthem for civil rights to performing an inaugural show for President Barack Obama, this man was a legacy in his own. And Pete, this one's for you …
Ariel Pink's Haunted Graffiti was introduced by a friend while driving in his car and smoking a joint as the Corpus Christi heat beat down on our bodies from outside half-tinted windows. Those were the days. I immediately liked his lo-fi basement recordings, but never kept up with his later pursuits. And now Pink is teaming up with producer Justin Raisen, and together they are production duo Raw Deal. They've been working with a band called the Garden, based out of California. You can read more about that collaboration at Pitchfork.
Former Burqueño Willis Earl Beal released his second album (Nobody knows.) last year, and while it wasn't a stellar release, it had some good moments. (See “Coming Through,” which features Cat Power.) And now Beal has recorded a third album, titled A Place That Doesn't Exist. It contains more of the lo-fi intonations of his first record, but his voice is always front and center. And what a voice it is. He announced that he'd like to “give it away for free,” but the album hasn't come out. However, you can stream it below!
I'm sure some people are about to shit themselves … or at least fart from excitement. Singer-songwriter Mike Doughty posted some tracks that feature Elliott Smith's vocals (deeming them “new” tracks.) He went on to specify that they are new (or at least unreleased) in that Smith recorded the vocals in 1998, to be “sliced/diced over beats.” You can read more about that and hear the tracks over at A.V. Club.
I'm sure most Burqueños know about Deerhoof, what with band member John Dieterich calling this burg home now. And considering they've been making music since the '90s, it's no wonder they've gained a massive following, if not an adoring fanbase. And after coming out with their 11th record in 2012, the band seems to be riding that engine with some lasting intent, seeing as how they've come out with a music video for album-cut “Flowers.” You can watch that below.
'Til this day, the cover of Eels' Beautiful Freak haunts me. I never bought the album, but seeing it on the shelves at Best Buy when I was in my formative years (you know … between six and nine years old), I always stopped to pick it up. And I always wondered if I'd get the courage to ask my mom to buy it for me. I never did. Instead I saved that courage for Marilyn Manson's Mechanical Animals when I was 10. That was a doozy. I digress … Mark Oliver Everett (the main man behind Eels) has come out with a new track, off The Cautionary Tales of Mark Oliver Everett (which hits stores on April 22). The song (“Agatha Chang”) is a sentimental yet somber tune that I'll gladly add to my collection. You can hear that at Consequence of Sound.
Pixies recently released a brand new collection of material in the form of EP2. And as Alibi writer August March pointed out, the release was kind of underwhelming. But seriously … what can you expect? Kim Deal's not in the band anymore. And you know home-gurl added the most fire to the festivities. But now the band has come out with a video for their track “Magdalena.” You can view that below.
It's no secret that the Russian government has treated the LGBTQ community with the upmost disrespect, if not outright hate. And to bring attention to Russian activists fighting the good fight in support of gay rights, Melissa Etheridge formed a coalition to support them. She also wrote a song, “Uprising of Love,” to coincide with the movement. You can hear that below.
I mentioned a while back that Strokes guitar player Albert Hammond Jr. was coming out with a solo EP (AHJ). Well that collection is out and about, but now Hammond has shared a visual representation for one of the tracks from said release (“Strange Tidings”). You can view that below.
Karen O, frontwoman of art-rockers Yeah Yeah Yeahs, is no stranger to covers. She's tackled “Mammas Don't Let Your Babies Grow Up to Be Cowboys,” made famous by Willie Nelson and Waylon Jennings. She's taken on Led Zeppelin's “Immigrant Song.” And now, she's covering Bob Marley's “I Shot the Sheriff.” She recorded the song with Sam Spiegel (of N.A.S.A.), and it's here for your listening pleasure.
You 'member Sarah McLachlan? You know … the one that founded Lilith Fair and was on that really sad dog commercial that made me cry every time it aired on public access? No? Oh, she's also a singer. Yeah, if you were around in the '90s, you remember her. I had an older sister who had her album Surfacing, so let's just say I remember her well. Aside from that, McLachlan has just signed with Verve and is coming out with a new record (Shine On) on May 6. You can read more about that over at Billboard.