One thing Gdańsk-based black metal master Behemoth has never suffered from is a lack of vision. Evangelion, the latest in a masterful BM triumvirate that began in 2004 with Demigod and continued with 2007’s The Apostasy, underscores the difference between real conviction and the poorly hewn philosophical drivel that plagues too many of the genre’s releases from a lyrical standpoint. On the contrary, Adam “Nergal” Darski and co. don’t dish out anything they haven’t thoroughly chewed. Rather than trade in dime-store Satanism and eye-rolling ritual, Behemoth takes gnosticism and hammers it into a cohesive lyrical fabric that glistens like fine tinwork. It all sits atop angular riffage rivaling just about everything available in a genre that continues to expand exponentially.