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V.23 No.29 |

news

The Daily Word: Darkness and dread edition

By Ty Bannerman [ Wed Jul 23 2014 10:36 AM ]
The Daily Word

It's Wednesday, July 23

and a teenager says he looked into the mirror after beating two homeless men to death and "saw the devil,"

APD cornered a fugitive and shot at him for the second time in six months. This time, they killed him.

A boy exploring an abandoned house in Ohio discovered a mummified corpse hanging in the closet.

Archaeologists have found the remains of a huge, 7-foot-long dog buried near the site where a demonic hound was said to have murdered church-goers in the 16th century.

A mysterious, yawning crater has opened up in the Yarnal region of Siberia and nobody knows why. Please note that "Yarnal" translates to "End of the world."

And some women are rejecting feminism because they need help opening jars.

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V.23 No.19 | 5/8/2014
“Hey stud puppet, listen to this.”
“Hey stud puppet, listen to this.”

Comedy Matters

Accordion to Tenuta You All Are Sex Slaves

By Genevieve Mueller [ Wed May 7 2014 3:47 PM ]
Comedy pioneer Judy Tenuta broke barriers with her own version of the sex-positive feminist revolution 30 years ago.
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V.23 No.11 | 3/13/2014

Theater

The F-Word and the Happy Life

Rapture, Blister, Burn lays out all the options

By Lisa Barrow [ Thu Mar 6 2014 5:43 PM ]
Now on its final weekend, Aux Dog Theatre’s Rapture, Blister, Burn makes you laugh while it makes you think.
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V.22 No.21 |

news

The Daily Word in Michele Bachmann, eagerly murderous beavers and crazy, crazy goats

By Ty Bannerman [ Wed May 29 2013 9:11 AM ]
The Daily Word

The seemingly-mythical Downtown grocery store may soon be one step closer to becoming a part of our reality.

Here's a guy who decided that drunk driving wasn't dangerous enough.

The New Mexico Mind Research Institute is scanning prisoners' brains to try and predict whether they will re-offend. We can only assume that this will result in a future super-villain's origin story.

Tea Party fave and all around crazy/evil person Michele Bachmann won't be seeking congressional re-election. So sorry to see her go.

Hard-working, industrious beaver industriously murders man.

Video games don't offer a very nuanced portrayal of women. But don't make a video about it or youtube users will get it removed.

A goat went crazy, goat style.

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V.21 No.47 | 11/22/2012
Jeff Drew jeffdrewpictures.com

Music

Specter of sonic sexism looms

By Samantha Anne Carrillo [ Tue Nov 27 2012 1:15 PM ]

Sexism in the music industry is alive and well. But it’s almost 2013, you might say. We’re more than a half-century removed from the height of ’50s paternalism. Sadly, we’re not quite as distanced from the weaker-sex mentality as we’d like to think. Whether exploring industrial music, producing or music-related subcultures, misogyny still patiently waits to be acknowledged and abolished. We chatted with Burqueña noisemakers and aural curators about their experiences with sexism in our burg. Read all about it in Burqueñas Talk Musical Misogyny.

Jeff Drew jeffdrewpictures.com

Aural Fixation

Burqueñas Talk Musical Misogyny

By Samantha Anne Carrillo
We talk to Burqueña DJs and musicians about sexism in the music industry and call for an end to bad, old-fashioned misogyny.
V.21 No.34 | 8/23/2012
Pussy Riot
Igor Tuchin CC 3.0

Aural Fixation

The Power of Pussy

Thanks, Rioteers

By Marisa Demarco
Five punk women took on the state, took on the church and they won. Because even though they're paying for it with two years in jail, their ideas lit people up around the globe, inspiring action.
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V.21 No.7 |

news

The Daily Word in birth control, Romney's dog and Deep Throat

By Marisa Demarco [ Thu Feb 16 2012 11:04 AM ]
The Daily Word

25 percent of marriages in the state are interracial.

New Mexico ditches No Child Left Behind.

Honduras prison fire kills inmates, many of whom hadn't been charged or convicted.

Congressional hearing on birth control includes no women.

Santorum says birth control is harmful.

One time, Romney put the family dog on the roof of his car during a road trip. Now, it's haunting his campaign.

Linsanity is no accident.

People who walk slowly may be prone to dementia.

Mamma Mia! actor to play Linda Lovelace, star of Deep Throat.

Is this bikini model fat?

V.20 No.49 | 12/8/2011
The first edition of   Our Bodies, Ourselves

News Profile

Body Politics

An interview with one of the activists behind an iconic feminist health guide

By Marisa Demarco
Our Bodies, Ourselves celebrates 40 years amid much political debate on women’s health issues like abortion and contraception.
V.20 No.30 | 7/28/2011
Untitled piece by Nani Chacon

Art Preview

A Little Bit Spicy

Two artists paint women of the Southwest

By Summer Olsson
Marie Sena’s and Nani Chacon’s art show, Picosa, puts women in the fore: The overall theme of the show is women of the Southwest. “We’re in such a unique cultural climate,” Chacon says. “We felt like that was something that needed to be celebrated and pushed to the forefront of what we’re doing—not just that we’re going to depict beautiful women, but the beautiful women of our surroundings.”
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V.20 No.26 | 6/30/2011

Aural Fixation

Where Are My Friends?

Le Tigre and feminism

By Marisa Demarco
The nihilistic party of pop and subpop culture rages on. Someone knocked over the lamp, and it sure is dark in here. The embers of lit cigarettes wink in the black. One such ember, Le Tigre, wants to make sure you don't forget. About them. About feminism. About gender-fucking. You know, but with, like, beats and shit.
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V.20 No.12 |

couch potato

I Like to Watch (Instantly): Ladies and Gentlemen, The Fabulous Stains

By Marisa Demarco [ Thu Mar 24 2011 2:18 PM ]

Ladies and Gentlemen, The Fabulous Stains (1982)

Directed by Lou Adler

Cast: Peter Donat, Diane Lane, Marin Kanter, Laura Dern, Christine Lahti, Janet Wright, Mia Bendixsen, Stuart Ferguson, Ray Winstone, Paul Simonon

Some people call this the best punk movie nobody's seen. With its release on Netflix InstaWatch, I'm sure that's becoming less true. The flick was made in the early '80s but wasn't released on DVD for 26 years.

When it first came out, The Fabulous Stains never saw its way to many theaters; early test screenings showed that people didn't quite know what to make of it.

The flick kind of doesn't know what to make of itself. The pacing is weird and the themes obscured. Maybe that's because it was directed by a music biz type but written by Nancy Dowd, (who, it's rumored, disliked the final version of the movie so much she put it out under the pseudonym Rob Morton).

The basic plot is this: Corinne Burns' (Diane Lane) mother has died. She takes her sister (Marin Kanter) and cousin (Laura Dern) and flees their sad, industrial hometown. They're The Stains. They've practiced three times. They can't play their instruments, but somehow, they're given a chance to join a tour with a washed up-metal/prog act and The Looters, a fake up-and-coming punk band.

The Looters' lineup is enough reason to catch the movie: Sex Pistols drummer Paul Cook and guitarist Steve Jones, Clash bassist Paul Simonon and Tubes frontman Fee Waybill. Also making a cameo: Black Randy.

So The Stains take the stage at a club for the first time, and the band's sound would be OK at the worst high school talent show ever. There's no drummer.

Third Degree Burns (Corinne's new stage name) slowly reveals her new self. From under a hat, a skunk pattern dyed into her hair. From behind a trenchcoat, no pants (now we know where Lady Gaga got the idea), and a see-through old-lady blouse with no bra.

The show goes badly. People hate her. Burns' bandmates leave the stage, shocked by her outfit and the audience response. But she just turns up the wry observation and presence, talking shit about a woman in the crowd who looks like she came to the show hoping one of the dude band assholes would notice her.

The performance generates buzz, and The Stains become the big deal on the tour, overtaking their male counterparts. Burns rises to stardom over a month due to a ton of media attention. All of her fans begin emulating the look and the mantra: "We're The Stains, and we don't put out!" Burns explains in an interview that this is about "not getting screwed."

The Looters' singer hates Burns. Predictably he falls in love with her, softens her toward him, and then screws her over. He takes the stage to open for The Stains, and the entire audience is women with skunk hair and red blouses. The Looters try to play, but the crowd is impatient and calls for The Stains throughout the set. He gets angry, and makes a speech about how Burns is just taking their money. The fickle audience turns on The Stains, and a male newscaster is the first in line to critique Burns harshly, saying he knew all along that she was a phony.

So, in some ways, the film is about how media build up young women, fascinated by their sexuality, and then tear them back down.

But it's also about a teen who manipulates the media and her circumstances to her advantage. Remember: In the beginning of the movie, nothing is working out for Burns. She can't get a job, and she's trying to figure out how to take care of her sister.

Plus, the flick is an interesting commentary on rock and roll. The Stains never learn how to play their instruments. They never get a drummer. They're only show, message and fashion.

Despite a lot of awkwardness (that I'm willing to attribute to the direction) there are moments of profundity that come from the script.

In one particularly memorable scene, Burns' aunt is being interviewed by a reporter. She hasn't heard from her daughter or nieces for a month. She says that she's truly sorry for berating them all the time, for not believing in them and for breaking down their confidence. That's how her mother trained her, she says.

Really great monologues and dialogue exchanges show a variety of pressures and people bearing down on the situation and tell the tale of how a desperate youth can capture the public eye.

V.20 No.12 | 3/24/2011
MEN

Web Feature

Talk About Body

An interview with JD Samson of MEN

By Lizzy Von Stange
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V.19 No.24 | 6/17/2010

News

Domestic Violence Deniers

By Marisa Demarco [ Thu Jun 10 2010 5:36 PM ]

Congressman Ben Ray Lujan sent out a news release today announcing that he’s being targeted by Abusegate, Investigate!. According to its site, the group is bent on ending the “domestic violence industry.” But a further look at the principles and goals of the organization reveals some real gems. (My gift to you. Happy Thursday, everyone.)

Lujan is being singled out because he is one of 20 lawmakers who supports “discriminatory laws such as the International Violence Against Women Act that are known to violate fundamental civil rights and escalate partner tensions,” according to the news release.

Such laws contribute to the destruction of families, says the brain trust propelling Abusegate. There’s also a sister organization called Concerned Women for America that would like to “take the ‘gender’ politics and ‘politically correct’ agenda out of public policy solutions.”

Wha ... ?

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V.19 No.13 | 4/1/2010

Film

Was Crazy Heart Sexist? Or the Sexiest?

By Marisa Demarco [ Mon Mar 29 2010 2:00 PM ]

Newsman and Alibi contributor John Bear is fed up with the portrayal of female reporters in film. Hollywood’s hypersexualized, girly journalists should all be fired, Bear opined, for sleeping with their sources.

Crazy Heart sparked his observation and criticism. In the movie, Maggie Gyllenhaal plays a single-mom music writer who interviews an old alcoholic country musician and falls for him. In this interview with Steven Zeitchik of The Roanoke Times, Gyllenhaal addresses sexism, ageism and journalism.

Q: What have the reactions been to the age difference in the on-screen relationship?

A: I get some indignance from women journalists. I think it's difficult for a relationship with a 30-year age difference to be healthy. But it happens all the time. So, what, you don't make movies about it if you think it's not the healthiest thing in the world?

I got sent this article—and I've been trying not to read press—about sexism in our culture, and they cited "Crazy Heart" as an example of yet another movie where the guy's much older and the woman's much younger. And I felt like this person who was writing maybe didn't see the movie. We're not this sexy hero and heroine who are championing our love affair! You can't choose who turns you on.

Q: You play a journalist in this film, which must make it a little bit odd when you're having, well, conversations like these.

A: It's tough talking to journalists because I think (the character) Jean is very green. She's not a seasoned journalist. And sometimes they can be a little critical.

But I think Jean is interested in finding out something true, which is something I'm interested in, in terms of journalists.

Some people have interviewed me, before I stopped reading press—which I haven't entirely done, but I try—and I read the article and thought, "That person came in with an open mind and did their best to figure out something true about me." Other times, I think someone has a fantasy or idea of me and just writes it up. Jean is the first kind.

Q: Have any journalists said things that weren't simply evaluations of your job performance?

A: I had a great interview with the Carpetbagger woman (Melena Ryzik of the New York Times). I loved her—we really got along—but she was like, "I'm so tired of seeing movies where the woman journalist sleeps with her subject." And I was like, "I don't know if it happens, but it happened here." And she's not as tough as you are. Jean isn't as grounded. She's such a feeler. She's fighting through all of that to write this article and be a journalist, but the opposition to that is this powerful, serious attraction.

Q: Which eventually wins out.

A: Yes (pause). And I wonder what (Ryzik) would have done if she was in a room with Jeff Bridges.

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