V.19 No.42 | 10/21/2010
Clint Eastwood’s new film isn’t dead, just resting
By Devin D. O’Leary
Who would have thought that, after decades (and decades) as Hollywood’s premier tough guy, Clint Eastwood would become such a stodgy formalist as a filmmaker? Not to insult his oeuvre or anything. Invictus, Changeling, Letters from Iwo Jima, Million Dollar Baby, Mystic River, Midnight in the Garden of Good and Evil, The Bridges of Madison County: They’re all classy pieces of old-school Hollywood cinema. Eastwood learned his lessons working for some of the finest directors in the business, and he knows how to construct a film with the best of them. But he seems more inclined toward stoic “Masterpiece Theatre”-inspired melodramas than anything with a discernible pulse.
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