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V.24 No.43 | 10/22/2015

The Daily word in Dancing, Horror and Dealers

Like mortal blood feeding a vampire, queer women in horror films gives me life.

A collection of my bbg's most important instagram posts.

Watch Jimmy, I mean Drake, dance to different songs.

I guess I'll give country music a second chance.

Canadian Dealers will miss the children once Trudeau legalizes marijuana.

Anti-woman protestors don't like being counter-protested? Oh, woe is me.

Youtube is going to charge people now? Smell ya later, nerds.

Through tragedy we find that there are good people.

Hey, can I hold your lottery ticket for a second? Cool, I'll be right back.

V.24 No.20 | 5/14/2015
Sure, she looks good now. But wait till you see her in the morning.

Film Review


Can odd indie romance get its act together for love or monsters?

Oddball indie Spring mixes monsters and amore.
V.24 No.15 | 4/9/2015
Just your typical date night in suburban Detroit.

Film Review

It Follows

Innovative indie horror flick creeps into the mainstream

Innovative indie horror flick It Follows creeps into the mainstream
V.24 No.14 | 4/2/2015
“Bacon, bacon, bacon!”

Film Review

White God

Canine coup strikes Hungary in animalistic revenge flick

Every dog has its day in animalistic revenge flick White God.
V.23 No.39 | 9/25/2014

Book Review

Lestat Can Suck It


Vampires minus supernatural elements equals some bloody visceral fiction.
V.23 No.38 | 9/18/2014

Film Review


Kevin Smith delivers the Canada-mocking, furry-loving, surgical horror-comedy you’ve been waiting for

Kevin Smith’s newest film, Tusk, is a WTF? combination of silly Canadian jokes and gory body horror.
V.23 No.19 | 5/8/2014

Idiot Box

Monster Mashup

“Penny Dreadful” on Showtime

Horror goes old school in Showtime’s literary shocker “Penny Dreadful.”
V.23 No.12 | 3/20/2014

Couch Potato

Now Streaming: The Returned

If you’re lucky enough to have dodged the recent spate of mysterious streaming throttling happening in previously stream-happy homes across America, there’s some good shit on out there in streamtopia.

Devin O’Leary called The Returned (Les Revenants) "the best horror on TV in 2013" and he’s dying for season two. All eight episodes appeared in the streamoverse a couple of weeks ago, quietly and without fanfare, much like Camille’s return from the dead in episode one. In French with subtitles, but don’t worry, there are lots of pregnant pauses.

V.22 No.51 | 12/19/2013
“They All Float Down Here” by Santi Rivera

Arts Feature

Maximum King

Downtown gallery brings the ho-ho-horror

The Creepshow: A Tribute to Stephen King is the twisted brainchild of three artists, and it offers a chance to delight in all kinds of nightmarish images.
V.21 No.26 | 6/28/2012
“The Last Norwegian Troll,” part of Horror Bites

Reel World

Horror Bites Burque

On a scale of 1 to 10, how scared are you right now? How would you like to up that number significantly? If you like the thrill of a good haunted house or the adrenaline rush that comes from the sound of a revving chain saw, you need to keep an eye out for the upcoming Dark Matters Film Festival. The festival is a newly formed showcase for horror, dark fantasy and weird science fiction films right here in New Mexico. The showcase is expected to launch in late-April/early-March 2013. Organizers are whetting appetites and quickening pulses, however, with a fundraising teaser event on Saturday, June 30.

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V.21 No.7 | 2/16/2012

Idiot Box

I’m on a Boat

“The River” on ABC

Apparently we are not, as a nation, over that whole “found footage” thing. Obviously, after the chart-topping release of the theatrical superhero flick Chronicle and the successful debut of the jungle-clad horror series “The River,” America is still perfectly happy to watch handheld shaky-cam footage of stuff they can’t quite see happening. From The Blair Witch Project to Cloverfield to Apollo 18 to The Devil Inside, Hollywood has worked long and hard to turn “shot-on-video faux documentary” into a genre—mostly because it costs next to nothing to make.

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V.20 No.30 | 7/28/2011
Graveyards   and   trees—spooky

Book Review

Shout at the Devil

A Cajun-flavored sampling of things that go bump in the night


When you think about it, post-Katrina Louisiana creates the perfect setting for a horror tale. Storm-ravaged bayous and flooded levees—along with an already prevalent culture of the supernatural—certainly make the environs of the Deep South ripe for an ill-intentioned bogeyman or two. So sets the scene for local author Ania Ahlborn's first novel, Seed, which takes the hot-ticket items of demonic possession and sinister children and tosses them into a musty, kudzu-covered Southern Gothic blender.

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V.19 No.47 | 11/25/2010

Coffin Break

Autopsy "The Tomb Within" (Peaceville, 2010)

Old-skool in tha house! When it comes to classic grind, no one did a more Fangora-worthy job back in the day than Autopsy. There were equals, forebearers and even bands like Napalm Death, Carcass, Cannibal Corpse and Suffocation that eclipsed the California trio both technically and stylistically, but in terms of unabashed bloody gore fests, no one pulled it off time and time again with Autopsy’s sublime dedication to good old-fashioned splatter.

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    Dickens Christmas Village
    Dickens Christmas Village11.27.2015