improvisation


V.22 No.7 | 2/14/2013
Sir Richard Bishop

Show Up!

Siring Superlative Sound

An electronic exchange with Sir Richard Bishop

By Samantha Anne Carrillo
We e-chatted with founding Sun City Girls member and guitar virtuoso Sir Richard Bishop in preparation for his V-Day gig with Om and Jeremy Barnes at Sister.
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News

The Daily Word in BP, poorest president and Pong

BP's looking at a $4.5 billion fine and criminal charges against staff members.

The gap between rich and poor in New Mexico is the widest in the nation.

Pit bull terriers killed a Chihuahua and sent her owner to the hospital.

Debbie O'Malley might remain on the Council and take a seat on the County Commission.

Remember when 48 women training for the military said they'd been sexually assaulted or harassed by their instructors? The Air Force has a weird solution: Trainees must have a wingman all the time.

Nonstop flights from Albuquerque to New York.

FBI investigates death threats against the guy holding the coyote-killing contest in Los Lunas.

The poorest president in the world. "If you don't have many possessions, then you don't need to work all your life like a slave to sustain them."

Violence escalates in Gaza and Israel. Rockets kill 15 Palestinians and three Israelis.

Louisiana governor is the first Republican to denounce Mitt Romney's notion that he lost the election because President Obama gave gifts to minorities and youth.

5-Hour Energy shot-like drink blamed for 13 deaths.

Colorado Visitors Bureau plans NOT to capitalize on legal recreational marijuana.

Science looks at rappers' brains to find the basis of improvisation.

Pong is 40-years-old and no one has topped it, says this guy.

How to become as observant as Sherlock Holmes. (Also, "Sherlock," the BBC miniseries available on Netflix instawatch, is dope.)

V.20 No.25 | 6/23/2011
Who knows what he’ll play?
Photo by Rico

Jazzed

Tom McDermott

Big Easy pianist/composer off-kilter and on target

By Mel Minter

You never know where pianist Tom McDermott will go haring off to next. That’s because he often hasn’t a clue, either. A daring and inventive improviser, he’s more than willing to go striding (or ragging or rumba-ing or tango-ing) through doors that lead who-knows-where. In the middle of a Scott Joplin piece, he might find an opening that leads straight to James Booker and start mixing the rag’s more straitlaced syncopation with the saucy funk of New Orleans R & B.

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