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Turner Classic Movies is sponsoring its annual TCM Classic Movie Festival in Hollywood April 25-28. In order to build up buzz for this fan-service festival filled with films and famous celebrities, the network honchos have organized a special “Road to Hollywood” tour. Touching down in 10 cities across America, the tour features cinema from Hollywood’s golden era (Forbidden Planet, On the Waterfront, Cabaret, Rio Bravo), hosts culled from TCM’s on-air talent pool (Ben Mankiewicz, Leonard Maltin, Robert Osborne) and big-name guest stars (Eva Marie Saint, Angie Dickinson, Liza Minnelli, Robert Wagner).
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Stanley Crawford, novelist, memoirist and garlic farmer is telling me about the experience of driving back to his home near Dixon after a day of shopping, movie-going and dinner in Santa Fe. He talks of leaving the barrage of consumer goods and emerging into the Rio Grande canyon; the feeling of being suddenly surrounded by rocks and juniper and piñon.
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Six years ago, music video superstars Jonathan Dayton and Valerie Faris took a break from making clips for Red Hot Chili Peppers, The Smashing Pumpkins and R.E.M. to direct their first feature film. That indie dramedy, titled Little Miss Sunshine, went on to gross more than $100 million at the box office and locked down four Academy Award nominations.
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Age is relative for Max Evans. Technically 88, he’s many hundreds of years older, he says, if you count his extensive traversals of metaphysical time and space. When the Western Writers of America held its annual convention in Albuquerque the week of June 12, Evans—one of the association’s most acclaimed and long-standing members—didn't have to travel much further than his own backyard to attend.
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Although only around for a year and a half in its original 1964 permutation, The Skatalites is an institution. Its musicians formed the backbone of ska, as well as offshoots rocksteady and reggae, and developed many of the playing styles associated with the genres.
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After completing his award-winning 2004 documentary Plagues and Pleasure on the Salton Sea, San Francisco-based director Chris Metzler went out on tour, roadshowing the film, meeting audiences and doing Q & As. He passed through Albuquerque, stopping briefly at the Guild Cinema. He’ll be back again this weekend with his new film, Everyday Sunshine: The Story of Fishbone. The film chronicles the tumultuous, multidecade life of funk/punk/ska pioneer Fishbone—starting at the roots of L.A.’s punk rock scene, traveling through the ups and downs of success, and heading straight into the weirder realms of cult brainwashing, attempted kidnapping and theremin worship. The Alibi took the opportunity to chat with Metzler about the madcap, music-based documentary before his arrival in New Mexico.
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