Sam Elliott’s fictional career looks suspiciously like his real one in slow-going indie drama
By Devin D. O’Leary
In The Hero, what aims to be a self-referential, self-deprecating, late-career look back at regret ends up as a frustratingly predictable film with an overqualified, underutilized star standing front-and-center.
There’s been an awful lot of talk about representations of the female gender in the current television lineup. And why not? Between HBO (“Girls” and “Veep”), CBS (“2 Broke Girls”), FOX (“New Girl”) and NBC (“Are You There, Chelsea?” and “Whitney”) there’s plenty to ruminate on. One of the more attention-grabbing debuts in the last month or so has been ABC’s midseason replacement sitcom “Don’t Trust the B---- in Apartment 23.”