Get a Lyft to Drift
Saturday, Sep 3: No Coast Drift Party
Friday, Sep 2: Local Indie Punk Perform
Not Just a Fish
I don't know what axeman is, but I keep saying it
A X E M A N:
noun (pl) -men
a man who wields an axe, esp to cut down trees
a person who makes cuts in expenditure or services, esp on behalf of another: the chancellor's axeman
(US, slang) a man who plays a musical instrument, esp a guitar
I've trying really hard to insert "axeman" into conversations. Specifically, when referring to myself. But, alas, I am slowly, surely learning to play bass. And, per the stupid dictionary, axeman "esp" refers to guitarists, "esp" male guitarists.
Incidentally, I looked up the logically corresponding word "axewoman." To which I got the polite response: "Did you mean 'axman'?" No, I did not. And then, it provided more suggestions: Did I mean "jazzwoman"? Eh, I'm really not good enough to be called that. And definitely not my genre. "Markswoman"? Definitely not. "Examen"? Oh god, no.
A halfhearted Google search, resulting from the fact that this post has no clear direction, for the word "bass" turns up lots of ads for fishing poles and dead animals with wide mouths and blank eyes staring at me from my screen.
As of late, I've been plucking along with friends who are a bazillion times more talented me and for the first time I'm in a band. Even though I've been dreaming of it since I dressed like Kurt Cobain in high school.
I don't need to be validated with a badass title like "axewoman" but I do need to be validated with cheers and applause, so come to Punk Rock Open Mic at Winning's THIS Friday, May 20 at 7pm.
Rock Jong Il Rocks Out
Saturday, May 7: Rock Jong Il • punk • Suspended • metal • Russian Girlfriends • rock • Get Action • punk
Floating on Cloud Nine
Friday, May 6: Infrequency • trance • Graeme Byous • electronica, progressive • AnthonyMarx 9 • house
Votives, Adult Beverage at Sister
Album release party also features Crime Lab and crttrz
Join Albuquerque’s rock and roll community at Sister (407 Central NW) on Saturday, April 23 for the album release party for Votives, a heavy, punk-flavored, ambient-attached shoegaze project. Votives latest release, Trails / Hue begins with a low rumble that ultimately advance toward crashing waves of feedback and guitar badassery.
Joining Votives for this special celebration of all that is rocking will be an Crime Lab, crttrz and Adult Beverage, an outfit fronted by Dillon Cullinan.
Cullinan spoke briefly with the Alibi about his latest undertaking, recalling the many changes Adult Beverage went through as their psychedelic sound took shape.
“By spring 2015 the band had finally found it's ideal configuration with Higinio Martinez on guitar, Zach Leyba on drums, and occasionally Briana Lee on bass. Since 2015 we have played countless house shows and venues in New Mexico. We have played alongside Walter TV (Mac Demarco's live band), Destruction Unit, The Memories, Colleen Green, and LA Witch.
Adult Beverage is currently writing and recording for the first time collaboratively. A new 5 song EP is being recording by Will Byrne of Train Conductor.
Asked to describe their current flavor, Cullinan said, “We've been described as having elements of punk, garage rock, dream-pop, stoner metal, noise rock, and psychedelia.”
The concert, a glimpse into the instrumentally intense and luminously limitless void in these parts, begins at 8pm.
Honky Tonk Yourself on Over
Thursday, Apr 21: UNM Honky Tonk Ensemble • Kyle Martin Band • country, rock 'n' roll
Thursday, Apr 21: Nicolatron • electronic, house • Coco Tsosie • Pezz • progessive electro • Sumsubstance
Saturday, Apr 16: Fiestas de Albuquerque
After being catcalled by some idiot (who then stalled out on Central, take that ya dumb idiot) I arrived at the Launchpad. It was the least crowded I’ve seen it in a while which I found surprising because in the alternative scene in Albuquerque, I gathered that Palisades and Secrets are popular. I’ve seen Palisades once and that was last year at Warped Tour and I really enjoyed the show then, so I was excited to see what they would be like to see them in a small venue.
Certainly more people were there than at Warped, possibly because they’ve become more popular since last summer but it’s more likely that it’s because it was a Wednesday evening. Who has stuff to do then? I digress.
I got to my seat on the balcony just in time. Picturesque started playing as soon as I sat down. There were far more people on the floor than the balcony, which isn’t usually the case. Actually, that’s probably not true. It just feels that way to me because normally when I arrive late to a show and I get beer, I have to stand on my tippy toes behind a crowd of people sitting and standing. Glob bless, I still got center.
Picturesque has such a pronounced, exciting and consistent energy. Within the first song, just seeing them perform for a few minutes, I decided that they’re going to get huge in the alternative scene very soon. They connected with the audience not only with their music and energy, but they shared that it wasn’t their first time in town; The last time they were here they played a house show and one of their local friends was in the audience.
Lead singer Kyle Hollis' voice was noticeably high pitched. With his clean/unclean vocals he’s able to communicate very beautiful, sincere, deep emotions. Add that to the pop-punk, post-hardcore guitar riffs and brilliantly executed drums and it was very powerful and meaningful. I particularly liked the drummer. He was robust and explosive while also maintaining an intelligent and transposable consistency.
I don’t think I’ve never seen an opening band get an audience so amped up so quickly. Although, the crowd could have been ready to go before the show started. The audience was really receptive to the band's requests. They responded immediately and positively, which is kind of uncommon. Whenever I hear people say they love Albuquerque and the crowd is great, I hardly believe them. I think, “Don’t pretend like you think we’re special! I know you say that to Tulsa, too. Nothing is special about Tulsa to you and neither is Albuquerque. I see through your lies, you heathen!”
I know people here that go to shows are usually really into it, but seeing that audience it was incredible. I don’t think I can properly communicate it. The crowd moved as a whole and independently. Everyone was nice to each other. Everyone was in good spirits. There weren’t any people who were too drunk or too high. When I heard the bands thank the audience for being such a great crowd that night, I really believed they meant it.
Picturesque ended up playing about 5 songs. Before the last song played, the audience was getting antsy. The first mosh pit of the night happened shortly after the last song began.
At some point during the set change, when I was looking at my Faceplace, I saw that Secrets had to cancel because they were sick. It’s unfortunate but I understand. It seems to me a lot of bands that tour through Albuquerque (and probably elsewhere, I guess) are battling some kind of cold or similar sickness.
Too Close To Touch were exceptional performers. The well-known (and well-toured) alternative bands that I’ve seen have a very particular showmanship “move”: They put on a performance that interconnects with the other band members while doing their own thing. What I really mean is, they each do their own best version of sexy but it all flows together. It’s something I’ve noticed with Crown the Empire, We Came As Romans, Hollywood Undead, Silverstein, The Neighborhood and more that I can’t remember right now because I’m a little sleep deprived (sorry). While I didn’t completely enjoy their music, I really appreciated their performance and dedication to the audience. At one point, lead singer Keaton Pierce got a nosebleed (I gathered that it wasn’t uncommon for him, what a neeeeerd) and he kept going. What a trooper! For their entire set they were all very high energy and also super professional.
Finally Palisades took the stage. I noticed right away that Louis Miceli Jr.’s (lead vocals) voice wasn’t what it normally was like or how I remembered it, and I was disappointed. I blamed my summer-heat-induced craziness for misremembering the remarkable show they put on last time I saw them. Later, Miceli informed us that he was getting over whatever Secrets was coming down with, so I’m going to stand by my original not-
Regardless of the sickly vocalist, the crowd was wild. After the band absorbed some of the crowd’s energy, they were equally energized. The crowd was moshing and doing death walls, they were just as entertaining to watch as the band.
I really like Palisades because they conspicuously mix genres, which is the future of music (in my humble opinion). Palisades mainly mixes hardcore and dubstep (yaaas, I’m so into it) but I also noticed they did a hardcore and memestep mix.
For those of you who don’t know what memestep is, it’s relatively new, but it’s just using vocals from vines and mixing it with dubstep/hardcore electrona/general EDM. Like, for example, they used the “Damn, Daniel!” vocal from that well-known meme (which was awesome and caused me to leave my seat on the balcony and go downstairs). It was fantastic being at a show that was basically a post metal-hardcore rave, I loved it.
Even though Secrets wasn’t able to perform, I think the audience left satisfied. I know I did.
Voices from the shoulder
A Night Afloat
A Hawk and a Hacksaw at the Tannex
It is a rare occasion to catch A Hawk and a Hacksaw in their hometown. The duo, composed of accordionist Jeremy Barnes and violinist Heather Trost, each of which take an occasional turn on vocals, stay on the move.
Those of us who were lucky enough to make it into the totally packed Tannex in Barelas on Saturday night were treated to music ripe for day dreaming.
In a word, A Hawk and a Hacksaw is magic. Culling folk songs from across many a diaspora as well as writing their own original pieces, the two created a world entirely separate from 4th Street, from Albuquerque, from this continent.
By the light of white Christmas lights strewn across a heavy rug over the cement floor, the two sang in Greek, spoke little, and played for more than an hour with a sustained intensity that is hard to fathom.
This winter, Barnes and Trost are headed to Europe to play alongside full orchestras and busy street corners while further cultivating their inspiring vision of modern folk.