V.22 No.51 | 12/19/2013
Rooster Roundabout: This week’s music highlights
By Mark Lopez [ Fri Dec 20 2013 4:56 PM ]
While I'm not much of a Robin Thicke fan, I was pleasantly surprised at how much I liked “Blurred Lines” because it reminded me of my favorite Marvin Gaye track “Got to Give it Up.” (Lest we forget that's the reason the Gaye family is suing Thicke.) Regardless, Thicke has released his new video for the track “Feel Good,” and while this one doesn't have the same laid-back, good-time vibe of “Blurred Lines,” I can foresee it becoming a club favorite. I think that's the goal at this point for most pop musicians, right?
Reverend Horton Heat was one of those musicians that various friends played, but never really stuck. Maybe I was sleeping … maybe my mind just wasn't too much into the psychobilly fanaticism that permeated an outsider group of friends around 2008. Regardless Reverend Horton Heat (real name Jim Heath) is prepping a new album, titled Rev, that's scheduled to be released on Jan. 21. You can hear a track from it, titled “Spooky Boots,” (which also gives a shout-out to the Land of Enchantment) over at Billboard. Because why not.
What would it be like if Megadeth released an album of Christmas standards? And what would it be like if Jenny Lewis did a duet with them?
Soul singer Charles Bradley is proof that it doesn't matter how old you are or what your background is. If you have natural, raw talent, people will notice. Having two albums under his belt, Bradley has taken a somewhat unthinkable turn: He's provided a soulful cover of Black Sabbath's “Changes.” And it's fantastic. You can listen to that below.
It's that time again, y'all. Time for the Rock and Roll Hall of Fame to announce the newest pool of inductees. Among the musicians to be inducted and honored at this year's festivities is Nirvana, Peter Gabriel, Kiss, Hall and Oates, Cat Stevens and Linda Ronstadt. The ceremony takes place at Brooklyn's Barclays Center on April 10.
My first introduction to Swedish singer-songwriter Jose Gonzalez was his cover of The Knife's “Heartbeats.” While that track was excellent, it couldn't have compared to the magnetic prowess that made the original so noticeable. But that's neither here nor there. Now Gonzalez has a few tracks on the soundtrack to the Ben Stiller flick The Secret Life of Walter Mitty. And Gonzalez has released a video for the track “Stay Alive,” which was written by Ryan Adams. You can watch that below.
I'm a fan of bare acoustic ditties. Maybe that's why it took me hearing A Sleep & A Forgetting to finally notice Islands, even though a friend had tried to get me to listen to them for years. Nick Thorburn (the front man, songwriter, extraordinaire) released Islands' latest opus, Ski Mask, earlier this year, and now he's shared an acoustic track that he recorded last Friday. You can hear it below.
Girls who were 16 circa 1998 are about to be very, very excited … and cry. For what, I don't know. But, Dave Matthews, Jakob Dylan and a host of other musicians have formed a new band (The Nauts). Apparently they got together at Brady Blade's Studios in Shreveport, La., to record some material, and now they've booked some live shows. Let the crying commence!
Country music legend Ray Price died at the age of 87 this past week. Though a lot of people (myself included) weren't too familiar with Price's repertoire, his indelible imprint in the music country sphere has been felt and ruminated over since his death to pancreatic cancer was announced. It's always hard to see a legend called home. So here's “Crazy Arms.”
I've said it once, and I'll say it again: If it's free, it's me. Texas group Okkervil River have released a third EP of '80s covers, titled Golden Opportunities 3. The mix features covers of artists ranging from Roseanne Cash to Don Henley. You can download or stream the EP (and get the two previous Golden Opportunities releases) here.
Every bit as dark and seductive as they were when they first started, the Dead Weather's latest song, “Open Up (That's Enough),” shows the group in a stylized light that further exemplifies their hard blues rock tendencies. Maybe the cigarettes are helping Mosshart's voice because it's working on this track. But enough of my gushing. You can hear the track below, and you can download it digitally on Jan. 14.
Sufjan Stevens has gotten together with Son Lux and Serengeti to form a trio of ideas (and music, obviously) called Sisyphus. And they're coming out with their eponymous debut on March 18, and they've shared a track, titled “Calm It Down.” Judging from the single alone, it could be interesting, or it could get old really fast. Let's see what happens.
V.21 No.34 | 8/23/2012
The Daily Word in hipster topics, inmate heroes and Dave Mustaine
By Marisa Demarco [ Thu Aug 16 2012 10:49 AM ]
An inmate work crew in Las Cruces saved a man’s life.
Someone won $1 million in New Mexico but might not know it yet.
A judge told Gov. Martinez she couldn’t publish the salaries of some state workers on the Sunshine Portal. So she put them on the New Mexico home page.
Megadeth singer blames President Obama for mass shootings. And if you can’t trust Dave Mustaine about politics ...
Brits are pissed that Ecuador granted Julian Assange asylum.
Can’t hang with the footage of mosquitos biting people in this story about West Nile being on the rise. Stupid nature’s vampires.
Gov. Jan Brewer signed an executive order to deny Arizonans benefits from the new federal Dream Act-esque immigration program.
This month in free speech.
Anti-Semitic jerk in Hungary finds out he’s Jewish.
These gorillas are all happy to see each other.
Where does all that aid money go? Haiti’s still without safe housing for most people.
How to shop for groceries when you hate shopping for groceries. (Step One: Realize that your problem is not really a problem. After all, you could be living in a tent in an earthquake-ravaged country.)
Coffee shop bans people from talking about annoying hipster stuff like denim, left-handedness and anything that happened before 2000.
Best gravel voices in movie/TV history.
V.19 No.35 | 9/2/2010
Not just memory-lane metal: Slayer, Megadeth and Testament
By Ken Cornell [ Tue Aug 31 2010 4:37 PM ]
Three stellar heavy metal bands hailing from the late ’80s and ’90s proved they are three stellar heavy metal bands in 2010. Thursday, Aug. 26, at Tingley Coliseum proved to be a night of more than just memory-lane metal in the best possible way.
Testament took the stage with full force, delivering an awesome—albeit too short for this viewer’s tastes—set of straightforward, no-frills metal. Fans were right there chanting lyrics and appeasing Chuck Billy’s requests to divide and conquer during a game of “mosh more than that side.” Much to security’s dismay, the crowd was quite ambitious—yet good to one another. These boys deserve a spotlight on an upcoming tour for sure.
Megadeth was in awesome form, and that’s kudos coming from a lukewarm fan of their recorded material. Deciding to drop their volume a bit was a golden choice, as all lyrics were distinguishable and poignant, their message courtesy of Dave Mustaine. The band played a host of old and new material, including such crowd favorites as "Peace Sells ... But Who's Buying" and the radio hit "Symphony of Destruction." Many wardrobe and guitar changes later, and the audience seemed won over by these mega metal men.
That is until Slayer took center stage. There was no mistaking this was what this crowd came hungry for. The complete brutality of Slayer’s metal onslaught with it's punk overtones rattled this rodeo-and-cow arena to its very foundation. Tingley Coliseum still has the ability to host top-notch, big-name shows as much as the The Pavilion.
A wealth of songs came from albums Seasons in the Abyss and Reign in Blood. Guitarist Kerry King and company delivered one explosive, guitar-screaming song after another. Working the crowd into a frenzy was the name of the game, and played well it was. By the time "Angel of Death" rang out, Albuquerque was all ears and pit-loving leg stomps. This night was owned by Slayer, and members gave it their all right up until the house lights came up.
All three bands were a welcome reminder that in this age of downloads, backing tracks and glittery over-production, kick ass bands still keep kids and elders alike coming back for more.
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