Movie Reviews

Read up, before you pay $5 for a bucket of popcorn.


V.27 No.50 | 12/13/2018
Emma Stone waits her turn

Film Review

The Favourite

Mean and nasty historical drama makes ambition a courtly enterprise

The Favourite is loopy, long-winded and devolves into increasingly misanthropic spirals, but has wonderfully deadpan humor, scabrous assessment of female power dynamics and a well-played lesbian twist.
V.27 No.49 | 12/6/2018
La Callas herself

Film Review

Maria By Callas

“Temperamental” diva defends her controversial life in deeply personal documentary

Maria By Callas attempts to illuminate the singer’s controversial life and career, relying entirely on the words of the diva herself to set the stage.
V.27 No.48 | 11/29/2018
Needs more glitter.

Film Review

Meow Wolf: Origin Story

Radical New Mexico art collective goes to the movies

New Mexico’s homegrown success story, the radical arts collective known as Meow Wolf, continues its rocket ship ride to intergalactic success with a documentary feature chronicling the group’s circuitous rise to fame.
V.27 No.47 | 11/22/2018
Burning

Film Review

Burning

Slow-to-ignite South Korean thriller requires patience

Burning is like a hard-boiled egg that takes two hours to crack. When it does, spilling its messy secrets, it’s a doozy.
V.27 No.46 | 11/15/2018
Dr. Seuss’ The Grinch

Film Review

Dr. Seuss’ The Grinch

You’re a mediocre one, Mr. Grinch

With nothing fresh or original or particularly clever to add to what already exists, Dr. Seuss’ The Grinch is like that Christmas sweater you get every year from your aunt.
V.27 No.45 | 11/8/2018
“Nope, still not drunk enough.”

Film Review

Can You Ever Forgive Me?

F is for Fraudulence

When you look at it in a certain light, all authors are liars, but there’s also something rebellious and cheeky about it and it’s this morally ambiguous middle-ground that Can You Ever Forgive Me? finds so fertile.
V.27 No.44 | 11/1/2018
Suspiria

Film Review

Suspiria

Remake of cult horror classic engages in mesmerizing, confounding dance of death

Luca Guadagnino's Suspiria remake is ravishing, challenging, dark, erotic, gruesome, punishing and pretentious all at once—the sort of film that neatly divides audiences into “didn’t get it” and “gotta see it again to figure it all out” camps.
V.27 No.43 | 10/25/2018
Halloween

Film Review

Halloween

Familiar fright film comes out slashing

Halloween has got energy, style, a couple of fresh ideas and a bunch of gruesome murders. It’s good, all right; but it’s not great. Should it be? Does it have to be?
V.27 No.42 | 10/18/2018
“Don’t want none? Don’t start none!”

Film Review

Black ’47

Bloody revenge saga is more folk ballad than history lesson

Looked on less as a rigorous historical account and more as a blood-soaked folk tale told around a flickering tavern fireplace, Black ’47 makes for one rousing cinematic yarn.
V.27 No.41 | 10/11/2018
The Old Man & The Gun

Film Review

The Old Man & The Gun

Real life bank heist flick gets a senior discount

The Old Man & The Gun is an affable, sedentary tale of a likable old rogue—a sort of Catch Me If You Can for the AARP set—but it’s not the sort of film you can get excited about.
V.27 No.40 | 10/4/2018
No “Bad Romance” for Cooper and Gaga

Film Review

A Star is Born

A star is rebooted in familiar musical melodrama

This tale of a faded musical icon who discovers a talented young ingénue, mentors her, falls in love and then becomes despondent when her star eclipses his own is a familiar cliché. Thankfully, the 2018 revamp of the age-old entertainment industry story offers up a respectable number of un-guilty pleasures before succumbing to its manipulative emotions and unabashedly old-fashioned drama.
V.27 No.39 | 9/27/2018
Blaze

Film Review

Blaze

Musical biopic sings a sad, romantic song

Blaze is lovingly handcrafted film that should appeal to those who just like to hear a sad, sad song once in a while.

V.27 No.38 | 9/20/2018
We the Animals

Film Review

We The Animals

Coming-of-age drama paints impressionistic portrait of preteen life

We the Animals speaks to both the resiliency and the impressionability of youth, with raw performances from the actors and symbol-laden cinematography that weaves a primal world of earth, water, leaves and rain.
V.27 No.37 | 9/13/2018
“… And I say 102 Dalmatians is the best Glenn Close performance to date!”

Film Review

The Wife

The family that writes together fights together in A-list acting display

They say that, “behind every great man there is a great woman.” That axiom gets taken apart like a Swiss watch and examined under the loupe in the high-class literary drama/handcrafted Oscar bait The Wife.
V.27 No.36 | 9/6/2018
Madeline's Madeline

Film Review

Madeline’s Madeline

Teenage girl is having an art attack in theatrical indie

We’re all actors, Madeline's Madeline seems to imply, acting as ourselves.