Read up, before you pay $5 for a bucket of popcorn.
V.26 No.46 | 11/16/2017
Magic-minded documentary switches hands on audiences
Dealt follows Richard Turner, master of prestidigitation who doesn't let his lack of sight slow him down.
V.26 No.45 | 11/9/2017
The Divine Order
Vox pop as engine of reeducation
Swiss screenwriter-director Petra Volpe deftly illustrates the subversive power of communal coercion in the Swiss suffrage dramedy The Divine Order.
V.26 No.44 | 11/2/2017
The Killing of a Sacred Deer
Absurdist filmmaker scares up a new film
The Killing of a Sacred Deer looks gorgeous in its own grim, spare way and builds an air of tension and mystery, but lacks director Yorgos Lanthimos' usual deadpan sense of humor.
V.26 No.43 | 10/26/2017
Goodbye Christopher Robin
Literary biopic explores bonds and barriers between fathers and sons
Goodbye Christopher Robin emerges on screen as a wonder-filled, emotion-packed reminder of the joys of childhood and the attendant pains of growing up.
V.26 No.42 | 10/19/2017
Only The Brave
Hotshots fight fire with fire in true-life tragedy
Celebrating the bravery and brotherhood of cocky, good-looking American boys battling a nameless, faceless foe is Only the Brave’s job and it does so with a single-mindedness that makes it strong, tense and emotionally gripping.
V.26 No.40 | 10/5/2017
Erotic thriller or winking parody: sexy indie straddles the line
The softcore European erotica of the ’70s had a dark, cautionary edge to it, and Thirst Street carries this inspiration forward into its natural, horror movie extreme.
V.26 No.39 | 9/28/2017
Battle of the Sexes
Sporting flashback has a lot to say about gender, sexuality
Battle of the Sexes is about two people trying to figure out who and what they are—at a time when society is happy to dictate exactly who and what they are.
V.26 No.38 | 9/21/2017
Unvarnished memoir of the Boston bombings trades exploitation for emotion
Stronger is a refreshingly down-to-earth look at recent, real-world horrors that is neither “too soon!” nor too manipulative.
V.26 No.36 | 9/7/2017
Neither Wolf Nor Dog
Roadtrip through Lakota country is slow but sincere in its message
In Neither Wolf Nor Dog, a Minnesota-based writer travels to meet an inscrutable elder Native, to learn and tell his story.
V.26 No.35 | 8/31/2017
8 Mile goes to Jersey in beat-dropping indie drama
There’s just enough charisma and likability on display throughout Patti Cake$ to make you wish the man behind it were as interested in originality as he was in sentimental manipulation, crowd-pleasing formulas and rhyming insults.
V.26 No.34 | 8/24/2017
Beside Bowie: The Mick Ronson Story
Portrait of unsung guitar god lets you doc out with your rock out
Beside Bowie: The Mick Ronson Story provides an enlightening crash-course in the glitter-and-guitar-heavy glam rock era while simultaneously singing the praises of one of the music industry’s most talented hidden figures.
V.26 No.33 | 8/17/2017
Prison drama succeeds in making life behind bars look bad—which isn’t much of a challenge, really
Despite some committed acting and some gloomy cinematography, Shot Caller is far too melodramatic and drags its twisty story out far too long to have the solid, gut-punch impact it so desperately wants.
V.26 No.32 | 8/10/2017
Oddball indie comedy looks at the dangers of nostalgia and the joys of fandom
Brigsby Bear is a bit too self-conscious of the dorkiness of its main character and of the hipster profundity in his Quixote-esque quest, but the overall intent is sincere and openhearted enough to overcome the script familiarities and character tropes.
V.26 No.31 | 8/3/2017
Impolite BBC drama is bad romance at its best
Far too stark to call Gothic, way too bleak to call romantic, Lady Macbeth is a violent heartbreaker for those who prefer broken hearts to happy endings.
V.26 No.30 | 7/27/2017
A Ghost Story
Minimalist tale of life and death may be saying something, but it’s keeping awfully quiet
A Ghost Story is self-consciously arty and aggressively dull. If you cut out the scenes in which nothing moves, nothing happens and no one speaks, the entire film would be about 10 minutes long.