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V.23 No.10 | 3/6/2014

Music

Rooster Roundabout: This week’s music highlights

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EMA - “So Blonde”

Call me superficial. Call me impulsive. Call me weird. But the only reason I even watched the video for EMA's track “So Blonde” was because the default photo showed her wearing a Jim Morrison t-shirt. In case we haven't met, I have a tattoo of Morrison on my left arm. So yeah, let's just say I admire the “American poet.” But I am glad I clicked the link because the track contains some alt.rock, grunge tendencies that remind me of later Hole (around the Celebrity Skin era). You can watch that below.

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The Faint - “Help in the Head”

While I'm not a crazy fanatic of Wes Anderson's films, I've always appreciated his aesthetic, his color, his attention to detail and his creativity in general. But as well as having an incredible eye for visuals, he's got a sharp ear for sound. You can tell by listening to the The Royal Tenenbaums' tunes, which include Paul Simon, Nico, The Ramones, etc. And now, thanks to the folks over at Pitchfork, you can hear the full soundtrack of his upcoming film The Grand Budapest Hotel. But keep in mind that it'll only be available for streaming till March 2 … right in time for the Oscars. What what!

Bring on the abuse! The Faint are back. I remember being introduced to them by pre-hipster kids that my friends used to know in high school, and their tunes could always be heard blasting from speakers at house parties where 16-year-old girls with eating disorders passed out on couches, and people would sneakily retreat to bathrooms for bumps on the toilet. The Faint always seemed like an appropriate soundtrack, and their new track (off their upcoming record Doom Abuse) seems to have the same sentiment. I foresee it being played at similar festivities upon its release. You can watch the video below, and look for their album on April 8.

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Coldplay - “Midnight”

A couple weeks back, I posted rock band The Men's track “Different Days” and noted its boisterous beat and wild direction. And now you can hear their entire forthcoming album Tomorrow's Hits over at the New York Times website. Enjoy …

'Member when Coldplay used to be good? You know … around A Rush of Blood to the Head? 'Member how their lyrics and melodies would strike at the heart and making your blood boil with confusion, sadness and reflection? Well, after that Viva La Vida bullshit, that sort of went out the window, and it seems as if they've gotten worse and worse with age. But maybe there's hope? Maybe their new, contemplative track “Midnight” might stir some emotion? See for yourself …

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Haim - “If I Could Change Your Mind”

It looks like iTunes is the place to listen to albums ahead of their release dates (or surprise albums in Kid Cudi's case). The Kid released his record (Satellite Flight: The Journey to Mother Moon) this past week on the music-buying and listening platform. So go get it! On another note, last week I mentioned that Pharrell was coming out with a new album (titled G I R L), and folks, you're in luck because Pharrell has decided to stream the album in its entirety via iTunes Radio. How's that for digitally representing yourself? And while you're at it, take a listen to Rick Ross' new Mastermind LP. Since you'll already be on iTunes anyway.

Sister trio Haim have been making quite a name for themselves in the pop world. Their track “The Wire” gained them some pretty good traction, considering they'd been teasing their album (Days Are Gone) for a while before it finally came out. And now the sisters have released a video for album track “If I Could Change Your Mind,” and they've added some groovy dance moves to the proceedings. You can watch that below.

I've always liked Mudhoney. I feel like they were the more creative, low-key sibling of more well-known grunge contemporaries. But when you hear their sound, it's anything but low-key. Just listen to their album Superfuzz Bigmuff to get a taste of their crunchy cool. But on to the news, people. Mudhoney and Divine Fits recently recorded live records at Jack White's Third Man Records studio. And both albums hit the music market Tuesday. That's right … this coming Tuesday. So get to buyin'.

Damnit! Every time I hear Screaming Females, I'm admonished for not having purchased one of their albums, so I just need to get with it already and make a buy. In due time, people. In due time. But I've just been reminded of how their particular brand of rock is necessary in my collection after hearing a live recording of their track “Lights Out.” The song comes off their upcoming LP Live at the Hideout, which is out on April 8. Listen ... and let your ears bear witness to greatness.

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Jimmy Soul - “If You Wanna Be Happy“

Nothing says good vibes like songs with the word “happy” in the title, which is evidenced by aforementioned Pharrell Williams' track “Happy.” But Billboard took the initiative to compile a list of 20 chart-topping songs that contain the word “happy.” NOTE: Most of them are gracious golden oldies because, let's face it, them's was the good ol' days. Keep in mind, just because a song has the word “happy” in the title doesn't mean it's going to put a smile on your face. But as an added treat, I've included one of my favorites (which is also on the list). Enjoy …

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V.22 No.39 | 9/26/2013

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TLC - “Creep”
Now that TLC has a biopic coming out, starring Lil Mama (of “Lip Gloss” fame), they've also decided to come out with a greatest hits LP, which drops on Oct. 15. You can head over to Pitchfork for the tracklist, which includes “Waterfalls,” “Red Light Special” and “Creep.”

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Veruca Salt - “Seether”

Your stamp collection just got a little cooler.

The dream of the '90s seems to be alive and kickin' as Veruca Salt have announced via Twitter that they're reuniting and recording with Brad Wood, who they worked with on their first record, American Thighs. Who knows what could become of this, but this is the most exciting news I've heard all week.

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Mudhoney - “The Only Son Of The Widow From Nain”

Just in case you were wondering what M.I.A.'s upcoming album, Matangi, looks like. You can view the tracklist and see the cover art over at Pitchfork. The album hits shelves on Nov. 5.

If you haven't listened to Mudhoney, you should definitely entertain the notion of listening to Mudhoney. They've been steadily releasing material in their 20+ years as a band, and their newest record, Vanishing Point, is currently available in stores or via online markets. They've just released a video of the track “The Only Son Of The Widow From Nain,” which you can check out now. Probably NSFW.

Dr. Dog's newest album, B-Room, comes out next week, but thanks to the folks over at Rolling Stone, you can stream the whole thing. Oh, and you can read about the band's efforts in making the album.

Jennifer Hudson's voice mixed with Pharrell's production and a cameo by T.I.? Yes, please!

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Madonna covering Elliott Smith’s “Between the Bars”

What is it with the Coen brothers and churning out movies that provide killer soundtracks? O Brother, Where Art Thou?, anyone? Their upcoming flick, Inside Llewyn Davis is another Coen film that is getting the star-powered soundtrack treatment, and you can hear Marcus Mumford and Oscar Isaac singing “Fare Thee Well (Dink's Song)” from the film via Billboard.

Ever the chameleon, Madonna channels inspiration from the world around her. But then again, doesn't every other artist? Now, she's channeling inspiration in the fight for freedom of expression, and her latest mode of exacting said message is by covering Elliott Smith's “Between the Bars.” You can see the performance below and check out her Art for Freedom short film here.

Don't act like you're not excited that the tracklist for The Hunger Games: Catching Fire has been released. I'm actually surprised at some of the big and interesting names they were able to get for it, but then again, it's got Jennifer Lawrence, so... Some people on this venture include Christina Aguilera (have you heard this woman sing?), Sia, Antony & The Johnsons, Patti Smith and much more.

A couple weeks back, it was announced that Albert Hammond Jr. (most notable from his work with The Strokes) was going to release a solo EP, titled AHJ, on Oct. 8. Well now Mr. Hammond (Jr.) has shared the first single from said release. It's sort of like old-school Strokes with a more crisp, poppy tone to it. Appoved.

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Savages - “Husbands”

Savages, my latest obsession, have shared a video for the track “Husbands,” off their fantastic debut LP Silence Yourself. The black-and-white vid has footage of the band playing interspersed with footage of cells, maggots, rising smoke and white triangles. Sounds about right.

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Feist ft. Timber Timbre - “Don’t Give Up”

Just in case you wanted to see Justin Bieber getting spanked by Zach Galifianakis.

Peter Gabriel released an album of covers, titled Scratch My Back, in 2010. Now Gabriel has flipped the switch by having artists take a whack at his songs on a second album of covers, titled And I'll Scratch Yours. The album features the likes of St. Vincent, Bon Iver, Lou Reed, Regina Spektor and more. The album is available this week, but you can hear Feist's cover of Gabriel's “Don't Give Up,” featuring Timber Timbre.

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V.22 No.15 |
Julia Minamata

Music

Ode to grunge

Depending on your aural upbringing and age, the term "grunge" may conjure up wildly divergent things. Read all about Alibi Copy Editor/Staff Writer Mark Lopez's romance with the Seattle sound in Seattle Wall of Sound: A paean to grunge. For me, Nirvana's Bleach was revelatory; Lopez prefers In Utero. Exploring difference is fun, no? In honor of this myriad genre, I compiled an hour-long grunge-tastic playlist for our dear readers, featuring tracks by: Flipper, L7, Babes in Toyland, 7 Year Bitch, Hole, Nirvana, Mudhoney, Tad, Wool, Melvins, Sleep Capsule, Coffin Break, Soundgarden, Killdozer, Pixies, The Breeders and Green River. Stream it below. Less-than-fresh coiffures, well-worn flannel and Dr. Martens are optional.

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V.22 No.15 | 4/11/2013
Julia Minamata juliaminamata.com

Aural Fixation

Seattle Wall of Sound

A paean to grunge

Staff writer Mark Lopez explores the fuzzy riffs, frenzied corporate co-opting and ethos of authenticity that the grunge movement birthed.

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