Alibi Bucks


V.25 No.35 | 09/01/2016
Daye Jack got the music flowin'


You Could've Been Part of the Crowd

Watsky Shone at Sunshine

By Alibi Staff [ Mon Sep 5 2016 4:07 PM ]

This past rainy weekend, Sunshine Theater was rocked by WATSKY, Witt Lowry, Daye Jack and Chuckwudi Hodge. If you missed out, here are a few snapshots to give you a taste of the energy that was bouncing off the walls and running through the crowd.

Also, this is a gem if you're all about that old sound.

V.25 No.34 | 08/25/2016
The Santa Fe Opera


Puccini and Barber End Opera Season on High Note

A glimpse of La Fanciulla and Vanessa

By Daniel Davis [ Tue Aug 30 2016 11:24 AM ]

The final week of the 60th Season of the Santa Fe Opera included two operas by two great opera composers, Samuel Barber and Giocomo Puccini. Both works have the significance of originally being commissioned by the Metropolitan Opera in New York.

The fact that I had never seen either opera piqued my curiosity and interest and I truly enjoyed both operas and got wrapped up in the stories told and the spectacle of the grandest theatrical stage in the state of New Mexico.

The Gold Rush of 1849-50 is one of the great American stories where many present day westerners, including myself, have ancestors that got caught up in that frenzy.

It is a suitable subject for an opera with much potential of triumph and tragedy, heroic tales of loss and gain, life and death, loneliness and romance. All of this is in the opera, but what I missed from La Fanciulla del West was the stand-alone aria–it was an expectation that was never fulfilled.

I can understand that modernity has moved operas further away from actual songs, but with Puccini you kind of expect it. Perhaps it is my own realist mindset that prevented me from accepting the banjo sound coming from he harp; if the harp had been played nearer the sounding board it would have achieved a better banjo quality, but that is not in the score.

Indeed I was immersed by the orchestration and rich harmonies, the moving passages and cumulative build up of emotions that overflow into an overall gorgeous musical experience, but, even with all that–the melodies did not last. As for the production, my only confusion was the use of what appeared to be neon light that outlined the set of the first act, which seemed more modern than the rest of the production’s more historic setting.

The lead role of Minnie, superbly sung by Patricia Racette, captured the hearts of the audience. Minnie is like many of Puccini’s strong, larger than life characters. The story revolves around her and her passion ... and falling in love with someone who is the enemy of the people.

The Opera Orchestra was joyfully conducted by Emmanuel Villaume with great energy and enthusiasm. The direction of the action distracted me at times; most notably a “campy” series of miners with guns running through the climatic scene that culminates in the capture of Minnie’s lover Dick Johnson.

Very little can be done to cover the weaknesses of the libretto and score, but a production can help tell the story more clearly and focus the audience on the story line. However, some basic questions still arise: why is this American story presented in Italian? And no one could have predicted the unfortunate character named Dick Johnson, and by the rippling snickers in the audience just proves that everyone has a dirty mind.

Overall I am glad that I attended this opera, and would see it again, maybe just to clarify some of those things that I missed the first time.

Vanessa, by Samuel Barber, has a strong modern sound associated with Barber’s serious scores, although those most familiar with the celebrated Adagio for String, will find little of that here.

The story is about a very dysfunctional family following a huge 20-year gap and the expected arrival of a former lover, but the lover who arrives is not the one who is expected. This score won Barber a Pulitzer Prize in 1958 and the Santa Fe Opera presented it as the refined work of art that it is.

The production values of Vanessa were unified throughout, every detail fit perfectly with every other creative aspect. High praise to all involved: Scenic Designer Allen Moyer, Costume Designer James Schuette, Lighting Designer Christopher Akerlind, Choreographer Seán Curran and Chorus Master Susanne Sheston.

The musical score and orchestration culminate in some of the most beautiful of music of the modern 20th Century. The grand ball is choreographed with the dancers briefly spilling over onto the stage like we are missing the party because our focus is behind the scenes–unraveling the story of Erika (Virginie Verrez), Vanessa (Erin Wall), and Anatol (Zach Borichesky). Now, many days later I feel as though I am still in the musical world of Barber’s Vanessa.

The Orchestra was meticulously conducted by Leonard Slatkin, and I very impressed and surprised by the wonderful libretto was by Gian-Carlo Menotti, a composer as well as a friend of Samuel Barber.

The Santa Fe Opera is the premiere opera house of our region and attracts audiences from around the world. Its reputation is built on quality work and I look forward to many more years of attending productions at this grand opera company.

As a composer, Daniel Davis explores melodic, linear and contrapuntal textures that incorporate elements of disparate forms including folk music, minimalism, micro-compositional techniques and tonality all wrapped up in an accessible style. His works draw from a deep well of his spiritual life and frequently depict his personal experiences and dreams. He makes his home in Albuquerque, New Mexico where he is a teacher of introductory courses in music at UNM and CNM. He grew up in Wenatchee, Washington, receiving his music education at the University of Washington in Seattle.

Weekend in Review

Doom, sci-fi and fantasy

By Maggie Grimason [ Mon Aug 29 2016 1:21 PM ]
Wherein fantasy and metal combine, but not actually as fantasy metal.
V.25 No.34 | 8/25/2016
Rubi Ate The Fig
Courtesy of the artist

Music Interview

Rubi Ate The Fig and It Rocked

Band moves through music and into space

By August March
August March strongly implies that Rubi Ate The Fig rocks.
V.25 No.33 | 08/18/2016

The Daily Word in Bees, Instagram and Italy

By Megan Reneau [ Wed Aug 24 2016 11:11 AM ]
The Daily Word

A 6.2 earthquake hit central Italy last night.

Not sure if you're depressed? Check your Instagram.

Business owners have already started to take proactive action against the negative affects of ART.

A spontaneous block party was filmed for a music video for the musician Jandro on Sunday.

#LetEmployeesVent or #NoRespect

France exploited three women who just wanted to enjoy the beach for an afternoon.

A project called Holobiont Urbanism is tracking microbes with bees and mapping the results.

V.25 No.31 | 08/04/2016

Event Horizon

Caffeine Craze

Saturday, Aug 13: Humble Coffee Company's 2nd Annual Birthday Bash

By Monica Schmitt [ Thu Aug 11 2016 11:00 AM ]
Enjoy a beer garden, food trucks, artist vendors, games and local bands like Red Light Cameras. Bring a t-shirt to be screen printed or purchase a shirt on site.
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V.25 No.32 | 8/11/2016
The vocalists behind Exquisite Power
Robert Reck

Music Interview

Exquisite Power!

Women’s Voices concert brings community together

By August March
Women’s Voices concert brings community together
V.25 No.31 | 08/04/2016
Amy Vesper

Event Horizon

Queer Peers and Some Beers

Friday, Aug 12: She Says

By Robin Babb [ Wed Aug 10 2016 11:00 AM ]
Socialize, dance, party, view local performance art, win prizes and gifts and much more at this all-inclusive queer party for LGBTQ youth and adults.
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V.25 No.31 | 8/4/2016

Sonic Reducer

Kent Miller Contributions · Alessandro Fadini A Dark and Stormy Day · Dmitri Matheny Jazz Noir

By Geoffrey Plant
This week, resident Alibi record reviewer Geoffrey Plant takes readers on a jazz odyssey!
V.25 No.29 | 07/21/2016

Event Horizon

Finish Him

Saturday, Jul 30: Art Fight 21: Summer Block Party

By Maggie Grimason [ Thu Jul 28 2016 10:00 AM ]
Live music featuring Raashan Ahmad of Crown City Rockers, Burque SOL and Sol One as well as an art market with local vendors, art auctions, an art swap and more.
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Event Horizon

Y'all City Slickers Listen Up

Thursday, Jul 28: Edgewood Music and Arts Fest

By Megan Reneau [ Tue Jul 26 2016 12:08 PM ]
Sunset Chuckwagon barbecue, Western swing music, raptor show and wildlife zoo.
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Courtesy School of Rock


Hello, Saturday Night!

SOR All-Stars and Wavves are featured

By August March [ Sat Jul 23 2016 3:43 PM ]

Head on downtown to take advantage of the amazingly audacious variety of live music happening in clubs on Central between First Street and Sixth Street tonight!
There's plenty of action from rap to rock and beyond, but these are the two events that caught my attention.

The Co-Op (415 Central NW) presents a concert by students from the School of Rock. Albuquerque SOR operator Robert Montoya told Weekly Alibi this show features School of Rock students from all over the planet, saying, "There are seven different touring groups that are starting in different cities around the country. Team Five Touring Group had their dress rehearsal at the Co-Op on Friday and will play a full show along with our ABQ School of Rock House Band to kick off their tour! They play Denver and Red Rocks next, then Omaha, Neb. and DeKalb, Kansas before ending up at Lollapalooza in Chicago on July 28."

The SOR Tour kicks off at 6pm at the Co-Op, Tickets cost $10 online or at the door. All ages are welcome.

After you've caught a glimpse of the next generation, troop your rocked out form over to Launchpad (618 Central SW) to check out one of the premier, genre-defining bands of this age. In case you wanna know, they are called Wavves and they are from Califas. Totally worth it, totally talented and totally kings of the beach.

It will cost $17 to interact with this beachy slice of the California Republic and members of the public over the age of 13 are invited to do so. Doors are at 8pm; the gig's at 9pm.

V.25 No.29 | 7/21/2016
Rob Zombie
Courtesy of the artist

Music Interview

Welcome to Planet Albuquerque

Getting swept away with Rob Zombie

By August March
...”concentrate the midnight without the benefit of ceremony.”

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Aural Fixation

The Summer of DJ Comebacks

New releases from the Avalanches, DJ Shadow and Justice

By Robin Babb
New releases from the Avalanches, DJ Shadow and Justice.
V.25 No.28 | 7/14/2016
Pedrito Martinez Group
Photo by Danielle Moir


It’s Time for a Jazz Fest!

Annual concert series puts Burque on the map

By Robin Babb
We’re jazzed about jazz!
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