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V.22 No.42 | 10/17/2013
Adrian Esparza, Superstructure, from installation Vitrina de Colonias, 2013, serape, plywood, nails, 18 x 16 feet

Culture Shock

The fine unline

This week in Culture Shock, grab your straight razors, climb a mountain and confront your fluid borders.

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V.22 No.22 | 5/30/2013
Art Tedesco and Dehron Foster
George Williams

Arts Feature

Springtime for a Hit

A dynamic Producers pleases

Musical mayhem comes to the Albuquerque Little Theatre stage with The Producers
View in Alibi calendar calendar

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V.21 No.27 | 7/5/2012
Patriotic padre: John Adams (Shawn Wayne King) makes his case to Congress.
Photo by Max Woltman

Performance Review

Wigged Out

Landmark Musicals animates Independence Day with song and dance

It takes a special kind of nerd to appreciate the joy that is 1776. One must be equal parts musical-theater geek, history buff and lover of all things patently silly. If you’re the type that gets a kick out of seeing the Founding Fathers dancing around in funny wigs and singing whimsical songs about the Declaration of Independence, 1776 is a great pleasure.

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V.20 No.29 | 7/21/2011
Someone here is up to no good.
Max Woltman

Performance Review

A Little Love Hexagon

Landmark Musicals’ latest is well-acted and well-sung

A Little Night Music is a show that will likely appeal to more mature audiences. Maybe it’s the tone of the show, which is surprisingly wholesome given the subject matter. Maybe it’s the near-constant, often operatic singing. In either case this one’s probably not for a thirtysomething crowd. That said, Landmark Musicals has done a fine job with it. While not all the actors are fantastic, there aren’t any sore thumbs that stick out, and a handful of them are obvious pros.

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