Camelot is born in media-savvy biopic about JFK’s grieving widow
Ballet: Boring or scary? Scary, says Darren Aronofsky’s new head trip.
Thanks most likely to the arresting imagery of its trailers, Darren Aronofsky’s beautifully nightmarish film Black Swan has captured a lot of people’s attentions. Despite its rarified setting and artsy style, the “ballet thriller” (I honestly don’t know what else to call it) seems to have danced its way into the zeitgeist. Internet buzz is high, audiences seem curious and the film even scored its own pop-cultural reference on a recent episode of the NBC sitcom “30 Rock.” So what’s all the fuss about?