I was surprised at the amount of people that were at Stereo, some of the people I talked to before the show didn’t know a band was going to play but by the end of the first song most of the people were dancing. The electro-funk trio that completes Planet Booty was extraordinarily energetic and charismatic during their performance. Seeing them reminded me of seeing a friend’s show. It felt personal when they would motion at individuals, dance with people and chatted and (especially) approached and thanked individuals for coming to the show and the entire audience collectively.
If they weren’t wielding an instrument, they stood at the front of the stage facing the crowd trying to get everyone to “bounce that ass” but not in a disrespectful way like I’ve encountered at venues before. Planet Booty wanted everyone to have as much fun as they were having. I’m not sure that was possible because, it seemed to me that Dylan Charles Germick (vocals, trumpet, beats), Josh Cantero (vocals, keyboard, trombone) and Rob Gwin (bass, percussion, software) were having the time of their lives. Germick mainly sang at the front of the group but was joined by Cantero often. Germick is exceedingly personable and effectively gets the crowd going. Cantero would return to his keyboard and sing when needed, but was unfailingly animated the entire show. Gwin was the heartbeat, keeping them all together and moving forward, all while maintaining as much enthusiasm as he had at the beginning. I was stunned by all of them sustaining the very high energy they begun the show with.
Their vigor and passion is incredible and virtually unmatched by any show I’ve been to (shows that I’ve paid to see!). They all are performers and they are ready to party with their fans. Germick would join the crowd throughout the show to dance with the audience, forming a delightful relationship and, overall, loving vibe with the crowd. Their proclaimed genre is “Sweat” and I felt that by the end of the show. Afterwards they mingled with the crowd for as long as they could, but they had to head out for their next gig in Las Vegas, Nevada on October 24. I hope they come back to Albuquerque soon so I can see them again.
If you're looking to do some heavy lounging and hearty laughing tonight, check out the Smokes and Jokes Stand-up Showcase. Terrene Hookah has a lot of pillows, smooshy chairs and other stuff you'd like to loll around on. The establishment allows in customers 18 years and over, but I have yet to see a giant crowd of dingbats wearing idiotic clothing flitting around in front, so you're probably safe from that. Smoke a hookah, play some cards and even surf the web if you want. And hear some jokes.
These fine comics will be performing:
Rusty Rutherford, who has performed across America, including on NBC's Last Comic Standing. He is known as a "comedic genius." By his mom.
Matt Peterson, who appeared on NBC’s Last Comic Standing and played a lead role in the comedic film Bigfoot Election.
Curt Fletcher who won the Great Southwest Laff Off in 2003, beating out 21 other comics. In 2007, he advanced to the semifinals of HBO's Lucky 21 contest. He also advanced twice to the semifinals of the New Faces contest at Comedy Works.
James Morrow has performed on multiple occasions at Terrene’s 3rd Thursdays Comedy Contest and is a regular at Hallenbrick Brewery’s Young, Dumb and Full Comedy show. Morrow can also be seen Saturday nights on My50 TV’s Duke City Comedy League.
The show starts at 7 p.m. and $10 gets you admission and bottomless hookah!
Terrene Hookah is at 106 Vassar SE.
TerreneHookah.com or facebook.com/Rusta
Hakim Bellamy, Carlos Contreras, DJ Diles and Idris Goodwin: heavy hitters from the arts and music scene with many fingers in many pies at all times. Their newest confection, Urban Verbs, is a video, audio and physical performance piece that is dialogued entirely in poetic verse. Bellamy and Contreras play characters and interact, weaving over and under live electronic DJing from Diles—and under the sharp direction of Goodwin. The actor/creators call Urban Verbs an alternative to the brainless, heartless hip-hop of violence and exclusion. The Friday show also has live art creation, an auction and a DJ. Saturday’s show has a keg and musical guests BrokenBreadWinner.
These are bitty bios of the performers:
Hakim Bellamy – two time national champion slam poet, father, rapper, political journalist, community advocate and organizer.
Diles – Professionally certified, passionately motivated sound engineer, producer, beat junkie, rapper, and all around chemist of sound.
Carlos Contreras – Two time national champion slam poet, educator, artist, community organizer and activist, host of the NHCC’s Voces program.
The typical formula for theatergoing is pretty simple in the States: You buy a ticket, are ushered to a seat, eat your Toblerone, watch the show and are ushered out. Aside from clapping, the experience is about as interactive as a game of solitaire.
Marjorie Neset is a self-described "obsessive traveler and geographer." In 2008, a research grant landed her in Maputo, Mozambique, to investigate the local dance scene. There she connected with Panaibra Gabriel Canda—one of the country's foremost dance figures. A few weekends ago, Neset found herself on an 800-mile road trip from Los Angeles to Albuquerque, delivering Canda and his guitarist, Jorge Domingos, to the 11th annual installation of Global DanceFest.
Sean Christopher Lewis says he came to Philadelphia after graduate school to work at a local theater company. While he was in town, he was asked to participate in the mural program at Graterford Prison. The inmates, mostly people serving life sentences, constructed murals on cloth that were hung around the city.
A lot of you out there are already sold on flamenco. That's great. Get thee to the National Institute of Flamenco's "Festival Flamenco Internacional." You've probably already got tickets.
Now, the rest of you. What's your problem? I hope it's not some kind of misguided idea that traditional equals boring. Here's the thing. You probably think you know something about flamenco, but there's a lot more to learn. That's right, grab your glasses and a notebook, it's time for a lesson.
First, flamenco isn't Spanish dance. It's an Andalusian musical style that's accompanied by movements with gypsy, Moor, Byzantine, Andalusian (and a few others) roots.
Wait, what? The Moors. Those are Muslims, right? Yuppers, you got it. Back in the day, when this little thing called the Crusades was going on, Muslim armies came to Spain where they got along pretty well with the Christian natives. (One big difference was that no one levied taxes on those of other faiths.) So the two groups shared music and art, making some really unique stuff. Like flamenco.
That's fascinating! What else?
So glad you asked. Flamenco flourished during the late 1800s, with guitarists and dancers performing in public, rather than the previous when-
In the 1920s Federico García Lorca, a huge flamenco fan, organized a festival called "Concurso de Cante Jondo," which featured flamenco from many different traditions, rather than just the popular ones that were seen by the public. After Lorca's fest, flamenco got all sort of theatrical and there is a plethora of academic drama about whether it lost its spark, which I shall spare you. Your welcome.
Today, flamenco is often known for its bright red costuming and dramatic style. It has these things, yes, but flamenco isn't just some stuffy performative art. It is style itself. So now that you've got your little history lesson, go check out some flamenco!
"Festival Flamenco Internacional" runs from Wednesday, June 9 to Sunday, June 13. Tickets range from $20 to $90, depending on the performance. A complete schedule is available right here.