Hyperallergic hypes Southwest-based artist collective Postcommodity's exhibition at the Scottsdale Museum of Contemporary Art in "Glimpses of a Pastoral Dystopia."
Gawker wants your BuzzFeed dirt, and they're willing to make it "worth your time."
Alexander Skarsgard is in town filming War on Everyone, but he hasn't asked me out for coffee yet. Talk about cognitive dissonance.
Musician, artist and Small Engine Gallery co-curator Raven Chacon played Song Roulette with us this week. He doesn’t own an iPod, so he got creative and groped around in the dark. Check out his diverse Song Roulette results.
Anyone who’s interested in sound- and art-installation in the Southwest is probably familiar with Postcommodity. The collective, comprised of four Native American artists working in a variety of mediums has been creating politcally charged and culturally inquisitive work since 2007. For this week’s arts profile, the Alibi caught up with member Raven Chacon to discuss the direction of Postcommodity in the wake of a large grant and an upcoming installation in Australia.
This week Samantha Anne Carrillo wrote about the immersive, 41st annual UNM Composers’ Symposium, happening at the university and venues around town through next week.
A balance of painterly and graphic techniques are lent to gloomy blacks, whites and grayscale in what appears to be a bird-laden landscape print. Raven Chacon, Cristóbal Martínez, Kade L. Twist and Nathan Young make up the interdisciplinary American Indian arts collective Postcommodity. On Friday, June 10, they'll be doing a noise show at the Santa Fe Art Institute's Tipton Hall. The show begins at 6 p.m. Admission is $10 general, $5 for students/seniors/members. (Jessica Cassyle Carr)
In life there are certain truths: What goes up must come down, all's fair in love and war, a stitch in time saves nine and one who makes a synthesizer out of a cougar pelt is wicked awesome. Musician, teacher and installation artist Raven Chacon is familiar with the latter, having made just that as part of a Winnipeg-based project by his interdisciplinary American Indian arts collective, Postcommodity. When the piece is pet, the pelt synth purrs, and when it’s twisted it raars. The group also fashioned an antler cello and antler harp, and made a drum from a boar bladder and a coffee can. The instruments, says Chacon, are meant to be played by a futuristic tribe representing the last of its culture.
The scary little people hidden in the trees want to you know that Monday, April 19, sees performances of animal-sound music and different forms of drone by Infinite Body, EARN, Lab Rat and Postcommodity. The show begins at 8 p.m. at Thundermind Corrective, and for $5 you might find out what “intense loud doom drone” means. (Jessica Cassyle Carr)