The weirder and, in this writer's opinion, the more interesting of Stephen McBean's two mountain-named bands (the other being Black Mountain) the Pink Mountaintops is playing Low Spirits tonight. No self-respecting lover of drug music will miss this. My friend Pierre LaFarge turned me on to this Vancouver-based bunch of weirdoes a week or so ago and there's been nothing else on my speakers since. Can't wait for the sun to set so we can all see the Pink Mountaintops, who are touring in support of their new album Get Back. Did I mention the show is only TEN BUCKS!? C'mon!
This week’s Flyer on the Wall spirals out of control to invite psych-lovers out to see Denver’s Thee Dang Dangs and locals CanyonLands, Terri Schiavo Dance Party and The Fucking Adventures at Iron Haus (715 Iron SW) on Saturday night. Check out work by performing acts below.
Jeremy McCollum is a guitar player and former Alibi web monkey. Now—when not building his ticketing empire, HoldMyTicket.com—he and his band SuperGiant are working on the July release of a third album, Pistol Star. See them play at the Launchpad on Saturday, June 4, with fellow stoner/doom/metal/psych acts Orange Goblin, The Gates of Slumber and Naam. The 21-and-over show is $10 and starts at 9 p.m. Below are five random tracks from his iPod.
The “sheeeeeeeee ... wwwuuuhhh” of filmic astronaut breath might be among the sounds you hear at Blackbird Buvette (509 Central NW) on Tuesday, May 3, beginning at 10 p.m. The free show features the psychedelic sounds of Minneapolis’ Daughters of the Sun and local noise purveyors Luperci, Black Leaf #40 and Alan George Ledergerber. (Jessica Cassyle Carr)
If you’re looking for a by-the-numbers revival psych band wearing paisley shirts and Cuban heels, don’t bother with The Shivas. If, however, you prefer a faithful ’60s sound taken to the next level, look no further. The Shivas is what you seek. Like the Hindu deity for which the band is named, this group is the Destroyer. That is, destruction in its highest form: transformation.
Jim Sullivan was an American musician who in 1975 left his wife and son on the West Coast, striking out for Nashville to find success. He didn’t make it there, though—his car was found abandoned and motel room unused outside of Santa Rosa, N.M. In ‘69 Sullivan had released U.F.O., an album backed by the acclaimed Wrecking Crew—session musicians employed by Phil Spector on numerous hit songs. Sullivan and his psych-folk-rock masterpiece went mostly unnoticed until late last year when crate-diggin’ reissue label Light In The Attic rereleased U.F.O. NPR’s “All Things Considered” did a story on the album—listen here. Find out more about Sullivan, listen to audio samples or buy the record here.
Formed in the San Fernando Valley last year by three friends (including Queens of the Stone Age bass player Michael Shuman), Mini Mansions is part progressive, part psychedelic, part gothic, part cinematic. The trio—comprised of a cocktail drum kit, piano and bass—creates spacious tracks bathed in enough pop melody to make them eerily danceable. The band performs at The Underground—located beneath Evangelo's Cocktail Lounge (200 W. San Francisco)—in Santa Fe tonight. The show starts at 8 p.m. and admission is $5.
More and more, our remote, wild Western burg is proving to be an oasis of music and art that explores new frontiers. Nay, you say? Here’s evidence: Albuquerque Experimental is a two-day festival composed of 25 performances. The lineup is largely local with notable out-of-town troubadours sprinkled throughout (NYC psych pioneer Silver Apples; John Dieterich of Deerhoof, who’s performing with New Mexico’s own Raven Chacon). This event, masterminded by KUNM music host Peter Mezensky, will take place at The Kosmos (1715 Fifth Street NW) on Friday, Oct. 15, at 7 p.m. and on Saturday, Oct. 16, at 3 p.m. Two-day passes go for $20, while single passes are $10 on Friday and $15 on Saturday. For a full lineup and more information, go to albuquerqueexperimental.com. (Jessica Cassyle Carr)
The Dandy Warhols is a band of many sonic hats. As its punny moniker suggests, the Portland four-piece harkens back to '60s bohemia, where psychedelia and art-rock experimentation are updated with indie-pop.