V.18 No.32 | 8/6/2009
The sound of New Orleans, and beyond
By Mel Minter
New Orleans pianist/composer Tom McDermott has never played in a bordello (although he could once see one from his home), but he has absorbed the New Orleans piano professors’ traditional approach to the eighty-eights. That tradition owes a significant debt to the Big Easy’s classier houses of ill repute, which expected the solo pianist to reproduce all the excitement of a small combo—but at a much lower cost.
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