V.24 No.24 | 6/11/2015
I Like to Watch (Instantly)
Heck of a Montage, Kurt
By August March
Montage of Heck makes use of Cobain’s personal artifacts to tell a tale that rises up from the world of rock music and comes to reside in the realm of American culture as a portrait of one our nation’s great makers.
V.24 No.17 | 4/23/2015
SuperGiant On to the Stars · ICUMDRUMS The Girdle · Big Sad Guy Big Sad Guy II
By August March
This week we listened to new, local releases by SuperGiant, ICUMDRUMS and Big Sad Guy. Now with A/V!
V.24 No.6 | 2/5/2015
A Tale of Two Vibrators
By Una Schtup-Salaut
Wherein two reporters visit two sex shops to procure two vibrators ... to report on way more than two orgasms.
V.23 No.47 | 11/20/2014
Neil Young Storytone · Bob Dylan The Basement Tapes Complete: The Bootleg Series Vol. 11 · Pink Floyd The Endless River
By August March
This week we listened to new releases of older sounds from Pink Floyd and Bob Dylan and brand-new ones from Neil Young.
V.23 No.32 | 8/7/2014
Galleries Get It Up
Flights of fancy
Anthropomorphic animals, archetypal trash, Plexiglas forests and cactus maps—it’s all on display at your friendly local gallery.
V.23 No.12 | 3/20/2014
Now Streaming: The Returned
By Jerry Cornelius [ Sat Mar 15 2014 7:00 AM ]
If you’re lucky enough to have dodged the recent spate of mysterious streaming throttling happening in previously stream-happy homes across America, there’s some good shit on out there in streamtopia.
Devin O’Leary called The Returned (Les Revenants) "the best horror on TV in 2013" and he’s dying for season two. All eight episodes appeared in the streamoverse a couple of weeks ago, quietly and without fanfare, much like Camille’s return from the dead in episode one. In French with subtitles, but don’t worry, there are lots of pregnant pauses.
V.22 No.39 |
The Daily Word in moon poop, the world's top brand and the "Breaking Bad" finale
By Mark Lopez [ Mon Sep 30 2013 10:49 AM ]
A partial government shutdown sounds serious, no? So, USA Today has answered some important questions as to what that entails.
A business jet crashed into a Santa Monica Airport hangar on Sunday leaving no survivors. Officials aren't quite sure how many people were onboard.
What kind of world is this when computers beat out soda pop for top brand?
Excuse me, Mr. Whac-A-Mole, I think your warehouse is on fire.
It's no secret that astronauts have left behind some sort of memento to commemorate their time on the moon, but who knew it'd be something so personal?
Are you one of those people that never eats food past its expiration date? Here are a few tips to gauge whether you're throwing away perfectly good food.
Santa Fe's Heavenly Boutique is back open after the FBI raided it last week and found 7,300 mg of Oxycodone, a prescription pain medicine.
Anthony Bourdain likes New Mexico's green chile best!
V.20 No.44 | 11/3/2011
I Like to Watch (Instantly): Circus of Horrors
Halloween Countdown Edition
By Jerry Cornelius [ Mon Oct 31 2011 5:36 PM ]
Circus of Horrors (1960)
Directed by Sidney Hayers
Cast: Anton Diffring, Erika Remberg, Yvonne Monlaur, Donald Pleasence, Jane Hylton, Kenneth Griffith, Conrad Phillips, Jack Gwillim, Vanda Hudson, Colette Wilde, William Mervyn
Are you an insane plastic surgeon on the run for pursuing your unethical experiments? Have you directed your own facial reconstructive surgery in a mirror using only a local anesthesic? Do you enjoy dallying with the lovely ladies whose deformed features your skill has made whole again? Are you willing to cut down anyone in your path who dares defy your iron will? Well, have you ever considered running a circus?
Hawk-faced Anton Diffring (Fahrenheit 451, The Blue Max) excels as the cruel, oddly sympathetic and totally bonkers Dr. Schüler (or is it Rossiter?), mad doctor turned circus master, in this outrageous, non-supernatural, vibrantly technicolor horror film (from the producers of Michael Powell’s notorious Peeping Tom). The ridiculousness of the scenario (Schüler collects scarred criminals—mostly women—heals them and binds them to perpetual service in his circus) is made compelling by its twisted character studies, particularly the doctor’s toady-like accomplices (Kenneth Griffith and Jane Hylton) who seethe with mixed worship and revulsion for their master. Hurried exposition (especially at the beginning) and laughable animal costumery detract only slightly from psychodrama, blood and intrigue. Great actual circus performances and a genuine pop hit (“Look for a Star”) round out the lurid entertainment.
V.20 No.43 | 10/27/2011
I Like to Watch (Instantly): The Legend of Hell House
Halloween Countdown Edition
By Jerry Cornelius [ Thu Oct 27 2011 9:02 AM ]
The Legend of Hell House (1973)
Directed by John Hough
Cast: Clive Revill, Gayle Hunnicutt, Peter Bowles, Roddy McDowall, Roland Culver, Pamela Franklin
For this ludicrous-
The setup is archetypal. Four quirky characters investigate a haunted house: The physicist and his wife (Clive Revill and Gayle Hunnicutt), the touchy-feely medium (Pamela Franklin, formerly haunted as a child actress in The Innocents) and the sole survivor of a previous expedition (Roddy McDowall). The cast is great and utters potentially clunky lines about “ectoplasm” and “multiple hauntings” with so much in-character authority that they totally work.
My previous VHS viewing of this film did not include the pleasure of beholding the awesome wide-angle, widescreen frame composition employed throughout (and especially during the opening sequences). Creepy exterior shots of the fogbound house with datestamps presage each supernatural incident, creating both quickie verisimilitude and a rhythm of suspense. The general aura of competency and class—plus Delia Derbyshire/Brian Hodgson’s extra-delicious electronic score—makes Hell House an excellent Halloween A/V treat. (Well, aside from the overwrought ending.) I watched it twice.
V.20 No.42 | 10/20/2011
I Like to Watch (Instantly): Deathdream, a.k.a. Dead of Night
Halloween Countdown Edition
By Jerry Cornelius [ Wed Oct 19 2011 12:15 PM ]
Directed by Bob Clark
Cast: John Marley, Lynn Carlin, Richard Backus, Henderson Forsythe
This low-budget riff on the W.W. Jacobs short story “The Monkey’s Paw” begins where the original ends: Instead of wishing the undead son away, his family invites him in. Sure, he seems a little weird, preferring to sit silently in his room all day and waiting for dark before he emerges with mod sunglasses and white turtleneck to prey upon the living. But that’s how it is when you’ve been dragged back from the grave by a mother’s love.
Director Bob Clark (himself now one of the undead) made a handful of notable indie horror films in the ’70s (not to mention an all-star Sherlock Holmes vs. Jack the Ripper flick) before hitting box office paydirt with Porky’s and A Christmas Story. Much of the credit for Deathdream’s effectiveness must go to screenwriter (and monster-makeup artist) Alan Ormsby for creating a queasy sense of doom, Richard Backus who rocks it as the deadpan, unwillingly-revived son, as well as actors John Marley and Lynn Carlin for convincingly transplanting their troubled-
V.20 No.41 | 10/13/2011
I Like to Watch (Instantly): Daughters of Darkness
Halloween Countdown Edition
By Jerry Cornelius [ Thu Oct 13 2011 6:00 PM ]
Daughters of Darkness (1971)
Directed by Harry Kümel
Cast: Delphine Seyrig, Andrea Rau, Danielle Ouimet, John Karlen, Fons Rademakers
This truly strange Belgian vampire film (original title Les Lèvres Rouges or The Red Lips) oozes style, dread and languid sensuality, not to mention an unhinged sense of humor. The dreamlike scenario: Newlywed innocents—or maybe not-
The glorious, desolate backdrop of an off-season resort is almost a character in itself, swallowing up the machinations and psychodramas of the tiny cast of good-looking vampires and victims. Extra points also awarded for smashing ’70s fashions, slick editing, inspired location shooting (done entirely after dark or at dusk), letting the foreign actors dub their own lines, and a sinister-yet-groovy score from French soundtrack composer François de Roubaix. Unlike other lesbian vampire films from the same time period (cough Jess Franco cough), Daughters of Darkness is an intelligent, warped pleasure, equal parts art and exploitation film. The HD version on Netflix is terrific, the very definition of eye candy.
V.20 No.34 | 8/25/2011
I Like to Watch (Instantly): Reservoir Dogs, Pulp Fiction
Notable Tarantino classics from the Netflix Watch Instantly world
By Ardee Napolitano [ Mon Aug 29 2011 3:00 PM ]
Reservoir Dogs (1992)
Directed by Quentin Tarantino
Cast: Harvey Keitel, Tim Roth, Michael Madsen, Steve Buscemi, Chris Penn, Lawrence Tierney, Edward Bunker, Quentin Tarantino, Randy Brooks, Kirk Baltz
Quentin Tarantino's directorial debut is a one-of-a-kind violent, profane, macho epic. When a discreetly-planned robbery gets botched, newcomer Mr. White (Harvey Keitel), professional Mr. Pink (Steve Buscemi), stern Mr. Blonde (Michael Madsen), dying Mr. Orange (Tim Roth), and vice-mastermind Nice Guy Eddie (Chris Penn) agree that there is a mole in the group, and start a bloody guessing game to unveil who it might be. Reservoir Dogs, in all its filthy glory, is cleverly and humorously written. The cast, despite being a sausage-fest of an ensemble, delivers tough, believable, solid performances. The story, despite being slightly complicated, is unique, smart and innovative. And Tarantino, despite being renowned for having a fetish for brutality, brings a plentitude of class and thrill to the film—from the stylistic opening to the jaw-dropping ending. An almost—if not completely—perfect masterpiece.
V.20 No.33 | 8/18/2011
I Like to Watch (Instantly): Heartbreaker, Welcome
Notable romantic French titles from the Netflix Watch Instantly world
By Ardee Napolitano [ Tue Aug 23 2011 4:44 PM ]
Directed by Pascal Chaumeil
Cast: Romain Duris, Vanessa Paradis, Julie Ferrier, François Damiens, Helena Noguerra, Andrew Lincoln, Jacques Frantz, Amandine Dewasmes
Romain Duris (The Beat That My Heart Skipped) and Vanessa Paradis (The Girl on the Bridge) star in director Pascal Chaumeil's feature directorial debut. Alex (Duris), an indebted con artist who breaks couples up for a living, is hired by a rich entrepreneur to prevent his daughter Juliette (Paradis) from marrying her fiance. The expert heartbreaker then struggles through the hardest challenge of his career, as he slowly realizes that he has already fallen in love with his subject.
V.20 No.32 | 8/11/2011
I Like to Watch (Instantly): Eat Drink Man Woman, The Road Home
Notable romantic Chinese titles from the Netflix Watch Instantly world
By Ardee Napolitano [ Mon Aug 15 2011 4:07 PM ]
Eat Drink Man Woman (1994)
Directed by Ang Lee
Cast: Sihung Lung, Yu-Wen Wang, Jacqueline Wu Chien-Lien, Kuei-Mei Yang, Sylvia Chang, Winston Chao, Chao-jung Chen, Lester Chit-Man Chan, Yu Chen
Long before Brokeback Mountain, Chinese director Ang Lee was making films that explore traditional society's norms and depict how people break away from them. In Eat Drink Man Woman, Lee tells the story of a Taiwanese master chef and his three daughters, and how they transcend conventional Chinese thinking through their unusual love life’s. Using food as a metaphor, the movie excels in delivering a deeply philosophical message in a fairly simple manner.
I Like to Watch (Instantly): Lovely, Still and Bonneville
Acting-powerhouse sentimental dramas from the Netflix Watch Instantly world
By Ardee Napolitano [ Wed Aug 10 2011 2:24 PM ]
Lovely, Still (2008)
Directed by Nicholas Fackler
Cast: Martin Landau, Ellen Burstyn, Adam Scott, Elizabeth Banks, Mark Booker, Candice Rose, Har Mar Superstar
Lovely, Still follows the life of eighty-something grocery store employee Robert (Martin Landau) as he strives to get through another Christmas by himself. Luckily, he meets Mary (Ellen Burstyn), a white-haired woman of the same age, and as they embark on a bumpy relationship, Robert learns—or rather, remembers—secrets about his past.
The film has a genuinely touching vibe, and Landau and Burstyn produce performances that are both tear-jerking an believable. The script has a few moments of awkward misdirection, but the simplistic dialogue also adds a nice sentimental touch and transcends the thin line between drama and reality on which the film sits. Not to mention the must-see ending. Overall, a one-of-a-kind cinematic treat.
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