A Cajun-flavored sampling of things that go bump in the night
Review by Adam Fox
When you think about it, post-Katrina Louisiana creates the perfect setting for a horror tale. Storm-ravaged bayous and flooded levees—along with an already prevalent culture of the supernatural—certainly make the environs of the Deep South ripe for an ill-intentioned bogeyman or two. So sets the scene for local author Ania Ahlborn's first novel, Seed, which takes the hot-ticket items of demonic possession and sinister children and tosses them into a musty, kudzu-covered Southern Gothic blender.