NOTE: Hell-Kite is playing Albuquerque tonight on its way back from Titwrench. Friends, get thee to the house show.
No parking at a noise(esque) show? I’m sure it’s occurred in history, but not in mine. We roll up in our mom van (blue Toyota, three-disc CD player from the ’90s, drives like a champ) to Rhinoceropolis, an outsider venue in Denver’s industrial district.
Tired. Late. Stinky. Sitting among piles of gear and a delicate giant albatross puppet. Happy though. Way happy. Everyone involved will echo the sentiment in these next 48 (or so) hours, but an all-girl, DIY, experimental music fest is fucking good for the soul. Camaraderie. Inspiration. Best of all, the music is unfailingly phenomenal. A-games all around.
The room is hot. Hot Paris Hilton hot. And hot temperature hot. Stuffy. Who can live in humidity? The air is cake batter and I’m trying to suck it in through my pinhole nostrils.
Catch a beautiful set by local Sybil Vane. (Can’t find a web presence for her. Anyone else?) Showtunes. Lounge. Opera. Hilarious narrative about turning 30, about breaking bottles in the street after a relationship ends only to fall asleep to the sound of her neighbor sweeping up the shards. Brutal. Hilarious. The pianist shouts down the backyard partiers. Then spotlights his homemade man tits in honor of Titwrench. Vane closes with “Like a Virgin” and rounds it off by screaming about what it’s really like to lose one’s virginity. Walks up to me first to screech in my face. I must look alarmed—sister dies laughing next to me.
I only take two video clips all night. Stupid. Nothing personal, just burnt documentation on my part. All performers were something to see. But festival organizers had someone filming every night. When/if those become available, I’ll blog it here.
Tomorrow: Night two. Beer in my eye. Noisier.