third man records
Rooster Roundabout: This week’s music highlights
'Member how I mentioned that Veruca Salt was getting back together? Well guitarists/vocalists Nina Gordon and Louise Post have had their first joint interview in … oh … 17 years? Yes, it's definitely worth reading. Head over to Stereogum to see what these women have been up to and what the future holds for one of the most welcomed reunions ever. Oh, and you can also hear their excellent new track, “The Museum of Broken Relationships,” below.
Nothing like a 40th anniversary to inspire new material. Rock band Blondie has decided to come out with a new double LP that will feature new songs as well as their greatest hits. The album, titled Blondie 4(0) Ever, will contain their 10th studio album (Ghosts of Download) as the first disc; the second portion will be a compilation of their most famous tracks. That hits stores on May 13, but in the meantime, you can head over to Billboard to read more.
Most people know of punk band Death from watching A Band Called Death (a documentary by Mark Christopher Covino and Jeff Howlett). While the band didn't see much mainstream success in their heyday (early to late '70s), they're now regarded as precursors to later punk sounds and revolutionary for being an all-black trio of brothers who created wild and uncompromising tunes. The group recently played on “Arsenio,” and you can view that performance below. Also, look out for III, a Drag City reissue of unreleased material, which is out now.
In case you haven't been keeping tabs on Pixies, they've released three EPs in the past year (EP-1, EP-2 and EP-3). And you'd think that with a steady stream of new material, they'd hop back in the studio to record what I would consider to be an appopriate full-length. But I guess laziness prevailed, as they've compiled all three releases into one album (titled Indie Cindy) that comes out on April 29. You don't need me (or want me) to comment on the recordings themselves; rather, you should provide your own educated analysis of the band's material post-Kim Deal's departure. Head over to The Guardian to give that a listen.
Music: the gift that keeps on giving. Jack White broke records this past Saturday by recording and distributing the “world's fastest released record.” And on top of that, he's also given fans another taste of his upcoming LP (after sharing “High Ball Stepper” a week or two ago) in the form of the album's title track. The record comes out on June 10, so keep your eyes and ears open for that. You can give “Lazaretto” a listen below and view some recaps of his record-breaking record making over at Pitchfork. Enjoy!
Austin City Limits is a festival always worth mentioning. Having gone three times, it's one of those experiences that can't be replicated. The only way to truly experience it is to go. And now the fest is two weekends instead of one (Oct. 3-5, 10-12), fancy that. Folks gracing the stage(s) include Beck, Lorde, Eminem, Outkast, Belle & Sebastian, St. Vincent, Juanes, Mac Demarco and many, many more. You can view the full lineup at the ACL website.
When I think of Courtney Love, the first thought that comes to mind is “bitch be crazy.” Granted, she's done little to prove otherwise, but feeding that particular beast has done well for her songwriting. Take her latest track “You Know My Name,” being released as a single with the tune “Wedding Day”; that's scheduled to hit stores on May 4. You can take a listen to the punk-inflected ditty below.
Ever so prolific, Neil Young surprised fans with a new album of covers (titled A Letter Home) via Jack White's Third Man Records. The LP contains covers of songs by Bob Dylan, Gordon Lightfoot, Willie Nelson, Bruce Springsteen and more. Rolling Stone reports that there was no official announcement, but you can order the album on Third Man's website. To add to that, the album is also getting the deluxe box set treatment, with the vinyl record, CD, singles, picture book, the works. So have at it!
Songwriter/composer and performer Owen Pallett first caught my attention when a friend sent me a recording of him covering Joanna Newsom's “Peach, Plum, Pear.” I liked his voice, but as far as delving into his sonic landscapes, there wasn't much in the way of follow-up. But I've heard several excited whispers about his upcoming LP In Conflict, which hits physical and online markets on May 27. And now Pallett has posted a video for his track “Song for Five & Six.” You can view that below.
When Lily Allen announced the title of her forthcoming record (Sheezus), many thought she was parodying Kanye West's last full-length effort Yeezus. However, Allen was quick to point out that it was an homage, rather than making fun of anyone. And now Allen has shared a video of the title track of said LP, wherein she compares herself to a fighter, while also name-checking various pop divas. You can hear the track below.
Call me superficial. Call me impulsive. Call me weird. But the only reason I even watched the video for EMA's track “So Blonde” was because the default photo showed her wearing a Jim Morrison t-shirt. In case we haven't met, I have a tattoo of Morrison on my left arm. So yeah, let's just say I admire the “American poet.” But I am glad I clicked the link because the track contains some alt.rock, grunge tendencies that remind me of later Hole (around the Celebrity Skin era). You can watch that below.
While I'm not a crazy fanatic of Wes Anderson's films, I've always appreciated his aesthetic, his color, his attention to detail and his creativity in general. But as well as having an incredible eye for visuals, he's got a sharp ear for sound. You can tell by listening to the The Royal Tenenbaums' tunes, which include Paul Simon, Nico, The Ramones, etc. And now, thanks to the folks over at Pitchfork, you can hear the full soundtrack of his upcoming film The Grand Budapest Hotel. But keep in mind that it'll only be available for streaming till March 2 … right in time for the Oscars. What what!
Bring on the abuse! The Faint are back. I remember being introduced to them by pre-hipster kids that my friends used to know in high school, and their tunes could always be heard blasting from speakers at house parties where 16-year-old girls with eating disorders passed out on couches, and people would sneakily retreat to bathrooms for bumps on the toilet. The Faint always seemed like an appropriate soundtrack, and their new track (off their upcoming record Doom Abuse) seems to have the same sentiment. I foresee it being played at similar festivities upon its release. You can watch the video below, and look for their album on April 8.
A couple weeks back, I posted rock band The Men's track “Different Days” and noted its boisterous beat and wild direction. And now you can hear their entire forthcoming album Tomorrow's Hits over at the New York Times website. Enjoy …
'Member when Coldplay used to be good? You know … around A Rush of Blood to the Head? 'Member how their lyrics and melodies would strike at the heart and making your blood boil with confusion, sadness and reflection? Well, after that Viva La Vida bullshit, that sort of went out the window, and it seems as if they've gotten worse and worse with age. But maybe there's hope? Maybe their new, contemplative track “Midnight” might stir some emotion? See for yourself …
It looks like iTunes is the place to listen to albums ahead of their release dates (or surprise albums in Kid Cudi's case). The Kid released his record (Satellite Flight: The Journey to Mother Moon) this past week on the music-buying and listening platform. So go get it! On another note, last week I mentioned that Pharrell was coming out with a new album (titled G I R L), and folks, you're in luck because Pharrell has decided to stream the album in its entirety via iTunes Radio. How's that for digitally representing yourself? And while you're at it, take a listen to Rick Ross' new Mastermind LP. Since you'll already be on iTunes anyway.
Sister trio Haim have been making quite a name for themselves in the pop world. Their track “The Wire” gained them some pretty good traction, considering they'd been teasing their album (Days Are Gone) for a while before it finally came out. And now the sisters have released a video for album track “If I Could Change Your Mind,” and they've added some groovy dance moves to the proceedings. You can watch that below.
I've always liked Mudhoney. I feel like they were the more creative, low-key sibling of more well-known grunge contemporaries. But when you hear their sound, it's anything but low-key. Just listen to their album Superfuzz Bigmuff to get a taste of their crunchy cool. But on to the news, people. Mudhoney and Divine Fits recently recorded live records at Jack White's Third Man Records studio. And both albums hit the music market Tuesday. That's right … this coming Tuesday. So get to buyin'.
Damnit! Every time I hear Screaming Females, I'm admonished for not having purchased one of their albums, so I just need to get with it already and make a buy. In due time, people. In due time. But I've just been reminded of how their particular brand of rock is necessary in my collection after hearing a live recording of their track “Lights Out.” The song comes off their upcoming LP Live at the Hideout, which is out on April 8. Listen ... and let your ears bear witness to greatness.
Nothing says good vibes like songs with the word “happy” in the title, which is evidenced by aforementioned Pharrell Williams' track “Happy.” But Billboard took the initiative to compile a list of 20 chart-topping songs that contain the word “happy.” NOTE: Most of them are gracious golden oldies because, let's face it, them's was the good ol' days. Keep in mind, just because a song has the word “happy” in the title doesn't mean it's going to put a smile on your face. But as an added treat, I've included one of my favorites (which is also on the list). Enjoy …
My first introduction to YACHT was when a friend played their song “The Afterlife” in his car. I liked the dark, '80s vibe emanating from his speakers, and the lyrics immediately grabbed me, what with singer Claire L. Evans deadpanning “We know how to make life go on.” Their show at Emo's in Austin, Texas was a pretty dynamic affair. People danced whether they wanted to or not. Now the band has shared a new single, “Plastic Soul,” and an accompanying video. You can watch that below.
I know … I know … It must get tiresome with all this love in the air and Valentine's day looming ahead like an unstoppable force coming to claim your hard-earned cash and whatnot. But the Sweetheart compilation I've been plugging for the past few weeks (posting tracks by Beck and Jim James) has shared a new track. This time it's Fiona Apple and her cabaret-singing sister Maude Maggart singing Anton Karas' “I'm in the Middle of a Riddle.” You can check that out at the Wall Street Journal. PS: You can also hear Ben Harper covering Mazzy Star for this compilation over at Consequence of Sound. And the compilation is out on Feb. 4.
While I've already ruminated over the music of the hit HBO series “Girls,” it's always nice when the good music keeps a-flowin'. And now we've got a new track by Jenny Lewis, titled “Completely Not Me.” The song was produced by Vampire Weekend's Rostam Batmanglij, which I'm assuming is supposed to be impressive. But you can hear the track below, and check out the Girls Volume 2: All Adventurous Women Do… over at Entertainment Weekly.
I've always appreciated Kevin Drew's atmospheric musicality in Broken Social Scene. I never really followed his solo work, but I guess it's better late than never. Now Drew is coming out with a new record (titled Darlings), slated to hit stores on March 18. And he's shared a track off said album (“Good Sex”), which you can listen to below.
While it's probably completely out of left field, Led Zeppelin themselves always had sort of an unpredictably whimsical quality about them. I mean, come on … they made medieval stories sound ridiculously cool. Regardless, John Paul Jones has teamed up with electronic artist Deathprod, and together they are Minibus Pimps. You can read more about 'em over at Pitchfork.
A friend first introduced me to Neutral Milk Hotel my sophomore year of high school, and (no joke!) my life was changed. I understood what it meant to make music an actual art form. Poetry and rock and roll had melted together into these seamless barrage of sound, all of it surrounding Jeff Mangum and his vibrant guitar. And now (after never thinking it was possible), I'll get to see them live because the band has added some more dates to their tour, and they'll be stopping at Albuquerque's Kiva Auditorium on April 17. Tickets went on sale this morning, so go get 'em before they sell out (if they haven't already). You can also hear my all-time favorite NMH track (“Two Headed Boy, Pt. 2) below.
Alibi Managing Editor and Music Editor Samantha Anne Carrillo covered Syracuse punk outfit Perfect Pussy in one of her Four Up's and noted how Captured Tracks had enough confidence in the band to sign them … Well, you can see why with their track “Driver” off their upcoming full-length debut (Say Yes To Love), which hits online and physical stores on March 18. It looks like the noise is headed our way.
Let those withering clouds part and the sonic sun descend upon the masses. It's been “confirmed” that Jack White and Neil Young have recorded an album of covers (apparently with Jack White handling production duties). According to music journalist Michael Goldberg, a source close to the project has confirmed it, but you know how that stuff goes. I say speculation until a physical copy is in my hands. It looks like I need to hit up Third Man Records for an advanced copy, what what!
For the past few weeks, music blogs have been abuzz over the long-lost Johnny Cash album (Out Among the Stars), which was recorded in the early '80s. The record will get a proper release, thanks to his son John Carter Cash. And now Cash's son has picked the album's lead single (“She Used to Love Me a Lot”). The album hits the music-sphere on March 25, but you can hear the aforementioned track below.
I've mentioned before that I like Ty Segall. I like his thrashy, disgusting, melted face approach to garage rock. It's supposed to be that way. And now his side project FUZZ has released a cover of The Kinks' track “Till The End Of The Day.” You can hear that below.
I don't know what it is with me and losing interest after a band's first album. It's a curse. That's how it went with The Mars Volta. De-Loused in the Comatorium was a fantastic album that highlighted my sophomore year of high school. (Or was it junior year?) Either way, now former member Omar Rodríguez-López and former Red Hot Chili Peppers member John Frusciante have started a new collaboration. The project is called Kimono Kult, and they're fixing to release a debut EP (Hiding in the Light) on March 4. But you can hear a new track from this group over at Rolling Stone.
It's always exciting when two powerhouse divas get together for a collaboration. (Britney and Madonna, anyone?) So I'm sure Shakira's collaboration with Rihanna will be no different. And the thing about Shakira (besides her being this pop sensation) was that she used to be this cool, alternative, Latin musician. Check out Dónde Están Los Ladrones? or her MTV Unplugged version of “Ciega, Sordomuda” if you don't believe me. That album is fantastic. Either way, I'm sure most people will go nuts over this track, so here's “Can't Remember to Forget You.”
Rooster Roundabout: This week’s music highlights
Do you remember where you were when you first heard Eminem's The Marshall Mathers LP? I remember trying to be cool with my older brother and his friends, jamming out to it at someone's house … or was that in a dream? Regardless the sequel is headed our way in the form of MMLP2, which comes out Nov. 5. But Eminem (who's blonde again) shared the track, “Berzerk,” which you can hear below:
You gotta love NPR and their “first listen” antics. Right now, they're streaming The Julie Ruin's Run Fast, which hits stores Sept. 3. Don't think, just hit play.
When I was a kid, I watched Almost Famous, and the song “Sparks” by The Who completely enthralled me to the point where it sort of became my own personal mantra to follow. It’s fantastic. On that note, Universal is going to reissue The Who’s Tommy in a deluxe edition, set to break down walls on Nov. 11.
In honor of The Breeders’ Last Splash turning 20, Stereogum writer Tom Breihan did a little write-up about his love/hate relationship with one of the best records of the ’90s.
Spike Jonze and Karen O collaborate again! After Karen O of Yeah Yeah Yeahs handled the soundtrack to Jonze's rendition of Where the Wild Things Are, she has now provided a track, titled “The Moon Song,” for his new film, Her, starring Joaquin Phoenix. You can hear the track below as well as view a trailer for the flick.
Apparently, some lost Joy Division and New Order tapes have been recovered and former member of both bands, Peter Hook, is in talks to buy them back. Unheard material? Yes please!
Cursive's The Ugly Organ confirmed two things for me. The first was that a rock band could be self-critical but with a poetic, angry prowess, and that Tim Kasher had one of the most tragically unique voices I've ever heard. But here's Kasher in a more synth-friendly, less angsty light, with his new track, “Truly Freaking Out,” taken from his new solo record, Adult Film, which hits the music-sphere on Oct. 8.
Alibi Arts Editor Lisa Barrow has suggested I tune in to watch “Boardwalk Empire.” I still have yet to get see it because I'm always weary when it comes to getting obsessed with a new show. I still haven't gotten into “Breaking Bad,” and that show's already coming to a close. But I digress, the soundtrack for “Boardwalk Empire,” which features Patti Smith (!), St. Vincent, Stephan DeRosa, Elvis Costello and more, drops next week (Sept. 3), but thanks to the folks at Billboard, you can hear it now.
In case you're wondering what Paul McCartney is up to, he's released a new track, titled “New,” from his upcoming album of the same name. The track maintains that whimsical style that made The Beatles so legendary. Look for the new record on Oct. 15.
According to Consequence of Sound, The Dead Weather just got a little deadlier. The band, featuring Jack White on drums, singer Alison Mosshart, guitarist Dean Fertita and Jack Lawrence handling bass, released two albums, their last being 2010's Sea of Cowards. But Third Man Records announced, via Twitter, that the band is working on some new material (!).
4AD American pioneers, Throwing Muses, are coming out with an art book/album. According to Pitchfork, the release, titled Purgatory/Paradise, is scheduled for release on Oct. 28, with a full(er) release set for Nov. 11. So, if you're feeling nostalgic, pull out those late-'80s, early-'90s albums, or have a listen to their new track, “sleepwalking 1.”
I love A.V. Club. From their “Hatesong” columns to their Undercover music series, they know how to wrangle interesting musicians and make them do interesting things. Like here … we have Kurt Vile covering “Down In It” by Nine Inch Nails.
If you've never listened to “I Luv the Valley, OH!” by Xiu Xiu, where've you been? It's a fantastic song that captures the sadness and anger of misspent youth and the hardships of all-consuming love. At least that's my interpretation. But, Shearwater's covering it for their new LP (of covers) titled Fellow Travelers. The album drops on Nov. 26 via Sub Pop, and will feature covers of songs by St. Vincent, Smog, Coldplay, etc.