New Orleans pianist Tom McDermott has to rank among the most fluid, inventive and technically robust pianists radiating the 88s today in the traditional syncopated musics of the Americas—from ragtime to choro to tango, from Jelly Roll Morton to James Booker—and he’s a beguiling composer besides. The eloquently understated Connie Jones may be the Crescent City’s most respected cornetist. Neither man knows how to play a false note. They combine beautifully on this collection of reinvigorated standards (“Tishomingo Blues”), McDermott originals (including the lovely solo piano reverie “Song of Bernadotte”), jazz from Freddy Chopin (title track) and more. Meanwhile, Parnassus Records has had the good sense to reissue McDermott’s 1996 solo effort, All the Keys & Then Some. This collection of 24 piano miniatures (one in each key) plus 14 portraits of friends for piano and synthesizer—by turns prankish, tender, audacious, bemused—showcases an adventurous and delightfully eccentric musical imagination.