Diary of a Mod Man
DJ Matty discusses his favorite Louisiana music
By day, Matt Uhlman creates dramatic replicas of flaming swords and bloody severed heads as prop master for the New Orleans Opera—one of, if not the oldest opera in the U.S. By night, when not playing guitar with his garage punk band the Royal Pendletons, Matty can be found in any number of bars making people dance to selections from his vast record collection. He co-hosts both the Alligator Chomp! Chomp!, which specializes in Louisiana music, and the Mod Dance Party, an evening of ’60s worship that this week celebrates 10 years of hot and sweaty all-nighters.
As an ode to the Gulf Coast on the five-year anniversary of Hurricane Katrina, we asked Matty to share some of his favorite Luzianna-born tracks. Behold the jackpot of musical excellence below.
New Orleans Soul
1) "Tipitina" • Professor Longhair • Tipitina: The Complete 1949-1957 New Orleans Recordings (Important Artists)
2) "Reconsider Me" • Johnny Adams • Reconsider Me (Collectables)
"What can you say about Ernie K-Doe, self proclaimed ‘emperor of the universe’? He was an extreme character, but one that was 100 percent dedicated to keeping the traditions of New Orleans alive. I used to take visiting guests to Ernie's Mother-in-Law Lounge and Ernie would put on a show, even if there were only four of us. He would put on a show as if it were a stadium of thousands. The man was golden.”
“An amazing, hard-hitting yet loose-as-can-be sound that just makes you want to get up and dance. Rock and roll with the emphasis on the ‘roll’ part.”
5) "Sea Cruise" • Frankie Ford • "Sea Cruise" (Ace Records)
"Backed by Huey Piano Smith & The Clowns, this is another example of the rollicking fun sound of Huey's band. This was recorded live in probably one take at the legendary Cosimo Matassa's recording studio, where virtually all the greatest New Orleans sounds were recorded."
6) "Who Shot the Lala" • Oliver Morgan • "Who Shot the Lala" (GNP Crescendo)
"What a great, loose, devil-may-care sound—just sounds like it was recorded live at a party somewhere in a shotgun house down in the Ninth Ward? Amazing."
7) "Breakaway" • Irma Thomas • Soul Queen of New Orleans (Mardi Gras Records)
"Yow! And double yow!"
8) "Down Home Girl" • Alvin Robinson • "Down Home Girl" (Red Bird)
"Wow. I dare you not to dance to this one. Double dare.”
9) "Mathilda" • Cookie and the Cupcakes • Legends of the Swamp Pop Era: Cookie and the Cupcakes (Jin Records)
"Swamp pop was, and still is, New Orleans-style rock and roll reinterpreted by the bands from the bayous and small towns of the Cajun country. This type of music is still very much alive, and there are whole radio stations in Louisiana that play nothing but this! It mostly consists of ballads of heartbreak that sound like a cross between Fats Domino and Hank Williams. If ‘Mathilda’ comes on a jukebox in any small town in south Louisiana people will get up and dance. It's like some sort of unofficial anthem. Another favorite of mine by Cookie is ‘Got You On My Mind.’ "
10) "Don't Start Crying Now" • Slim Harpo • "Don't Start Crying Now" (Excello Records)
“This is a funky Louisiana-style of blues, and Slim Harpo is my favorite of this style. His sound influenced The Rolling Stones, The Pretty Things and many other English bands. Oh, and Creedence Clearwater Revival, of course. And it doesn't get any funkier than Slim's ‘Ti-Ni-Nee-Ni-Nu.’ "
Rock and Roll
11) "Lights Out" • Jerry Byrne • "Lights Out" (Specialty)
"There were some great white rock and roll bands in the ’50s and ’60s. This is total mayhem by wild man Jerry Byrne and his running partner, cousin Mac Rebennack."
"A solid rocker and ode the New Orleans late-night horror host Morgus, a mad scientist whose lab was in the French Quarter. Blistering guitar solo by Mac Rebennack (later known as Dr. John).”
13) "Pass The Hatchet" • Roger & The Gypsies • "Pass The Hatchet" (Seven B)
"A great slice of New Orleans groove produced by Eddie Bo, who also provided the vocals. It might surprise some that Roger & The Gypsies was a white garage band fronted by guitarist Earl Stanley—they were also known as Earl Stanley and the Stereos. The ‘hatchet’ theme kind of lends a Mardi Gras feeling."
Punk and New Wave
14) "Almost Ready" • The Normals • "Almost Ready" (Lectric Eye)
15) "You" • The Cold • Three Chord City (Top Pop Records)
“This is great, bouncy, surfy power pop from New Orleans' No. 1 new wave band (Ellen's brother Vance Degeneres was in this band).”
16) “Bounce Baby Bounce" • Everlasting Hit Man • “Bounce Baby Bounce” (Mr. Tee Records)
“When I think of bounce I think of this song. All of the names he says you should bounce for are projects—St. Thomas, St. Bernard, Desire, Florida, Magnolia, Calliope, etc. Bounce was born, for the most part, in the hallways of the massive, densely populated uptown projects of the Third Ward. None of these projects exist anymore. They were all shut down after Katrina and torn down a couple of years ago. Also, note the reference to second line parades.
Cathy Fink and Marcy Marxer • roots at South Broadway Cultural Center
Enter Shikari • A Lot Like Birds • post-hardcore • I the Mighty • indie, alternative • Oath at Launchpad
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