Alibi V.13 No.30 • July 22-28, 2004 ››
Music to Your Ears
If you like your punk rock with a generous side of pretentiousness, then Austin's—by way of Paris according to the band's bio—Les Messieurs du Rock will more than please you on Friday night, July 16, at the Atomic Cantina. Other Austin bands like And You Will Know Us By the Trail of Dead and Those Peabodys are well-known for their asshole-ish swagger, but Les Messieurs make both of those bands seem as polite and down-to-Earth as Hootie and the Blowfish.
When I first began to play this disc of centuries-old Tibetan Buddhist chant by monks praying in the pine-forested foothills of northern India's Kangra Valley, I naively thought I could use it as background music. Forget it. These chants are too powerful. The reason this disc won the 2004 Grammy Award for Best Traditional World Music Album is simple: It's the real thing.
Like so few musicians today, San Francisco rockers Communiqué remember the nonpejorative meaning of pop: buoyant melodies, clear, repetitive structures and a musical sense of humor. Granted, this group's roots still cling to emo sensibilities, which emerge occasionally as a hint of over-earnestness in the lyrics, but their sharp musicianship forgives all. New wave synths tastefully enhance the band's solid sound without feeling contrived or extraneous—a real feat—while the songwriting can bring a smile to your face long after the record's stopped playing. This is the true essence of pop.
Miss May I • Ice Nine Kills • metal • Capsize • alternative, melodic hardcore • Lorna Shore • emocore • Westwind
If you still haven't had your fill of melodic hardcore, emocore and/or emo with no chaser—and lord knows who hasn't; I still dream of Hawthorne Heights every night before jumping up from my La-Z-Boy recliner and toddling off to bed—then do yourself a solid and visit Albuquerque's home for rock…
Courtesy of the artist
TOKiMONSTA • electronic, hip-hop
Electronic experimentalist and heady hip-hop instrumentalist Jennifer Lee, better known as TOKiMONSTA, makes an appearance at the Historic El Rey Theater on Thursday, Sept. 28. An astral entity whose work with Project Blowed and Flying Lotus landed her squarely within the realm of El Lay’s underground hip-hop movement, Lee also happens to be a classically trained pianist. She is well known for deconstructing the work of luminaries like Justin Timberlake and Yacht through remixes that absolutely come apart in your head as the beat drops—sometimes delicately, sometimes like thunder, but always with a focus that speaks volumes about her musical prowess and wonky tendency to digress upon subtle rhythms and beatific bits of melody. $15 is all it will cost the average 18+ listener to engage in the elusive what-comes-next nature of West-Coast grooviness. The curtain rises on TokiMonsta at 9pm.
Courtesy of the artist
Sorry Guero! • American death groove • Moonshine Blind • rock, country • The Lords of Wilmoore • punk rock • Cobra Vs. Mongoose
Hard rock is a thing that occasionally raises it's grizzled, drug-addled head in this dusty desert. It's a damn good thing the dude can play the guitar like ringing a bell. It also helps that the thing can sing. If not for these two crowd-pleasing aspects, Dirty City denizens would have booted Hard rock and his ilk outta this town ages ago. If you still haven't been exposed to this phenomena, may I suggest you haul your hipster ass down to Launchpad on Saturday, Sept. 30, for the album release party hosted by Burque groove-metal stalwarts Sorry Guero! The entirety of the diamond tough, blue-jean-clad, head-banging subculture who worship hard rock will be there, solidly represented by bands like hillbilly-heshers Moonshine Blind and pure punk provocateurs such the Lords of Wilmoore (eh, I lived on that street too, as an undergrad) and Cobra vs. Mongoose. So be there or be obtuse; it's only ten bones, okay?