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 V.13 No.41 | October 7 - 13, 2004 

Music to Your Ears

Former Naomi co-leader and veteran local musician Jason Daniello—as in Jason & the Argonauts—should have copies of his new CD in-hand in a week or so, according to the smilin' little dude himself. A CD release party is, of course, in the works. Stay tuned for more information in issues to come. ... If you're planning to apply to South By Southwest 2005 Music Festival (March 16-20) in Austin, Texas, the time to start getting your shit together is now. By using their online electronic form you receive a $10 discount on the regular application fee. The fee for online applications made on or before Oct. 8 is $10. The fee for online applications made between Oct. 8 and Nov. 8 is $20. All online applications must be completed by or before Nov. 8. Your application will be acknowledged by e-mail, and all acts will be notified of their status (read: “Yay! You get to play!” or “Sorry, you don't get to play!”) no later than Feb. 9, 2005. Go to www.sxsw.com, fill out an application paying close attention to all the rules and guidelines, then put a package together containing a CD with your original material on it, a photo, biography and press clippings and mail it off. Showcasing acts will receive a choice of $175 ($45 for solo or duo acts, including DJs) or a registration package (one badge along with wristbands for each member of the act). You do not need to purchase a registration badge to apply for or to perform at a SXSW showcase. See, Crawl pay for bands isn't really all that bad after all.

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Blue Note

Lúnasa

There are few bands that can truly be called “unforgettable”—musicians who bring to the stage a collective sound that's magically timeless, whose music sets in motion a chain of events that resonates in the lives of listeners thereafter into infinity. In Celtic circles, Lúnasa are unmatched when it comes to delivering vibrant traditional music folded into contemporary awareness. Their respect for the music's rich history in concert with their virtuosic technical and arranging skill make listening to them more than mildly remarkable.

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Music Magnified

Converge

with Cave In, Between the Buried And Me and Colin of Arabia

Thursday, Oct. 7; Launchpad (all ages, 8 p.m.): About 12 years ago, a quartet of angry teenagers got together in someone's Boston garage to take their various shit out on some musical instruments. It wasn't long afterward that the group, now collectively calling themselves Converge, began releasing hardcore albums that spun in all kinds of interesting directions. Using a hardcore foundation as a springboard, vocalist Jacob Bannon, guitarist Kurt Ballou, bassist Nate Newton and drummer Ben Koller leap headlong into the outer extremes of genres spanning metal, thrash, classic punk, progressive hardcore and avant noise. The mix is nothing short of breathtaking, as is made crystal clear on the band's latest platter, You Fail Me (Epitaph).

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Sonic Reducer

Ricky Skaggs & Kentucky Thunder Brand New Strings (Skaggs Family Records)

Considered by many to be among the finest bluegrass and country multi-instrumentalists in history, Ricky Skaggs made his much-heralded return to “pure bluegrass” circa 1997, and has since produced an impressive body of work. But most of it features bluegrass chestnuts by other songwriters. With Brand New Strings, Skaggs ups the ante a little with four contributions of his own among tunes by everyone from Ralph Stanley to Bill Monroe to Guy Clark. Accompanied by his polished band, Skaggs gives peak performances here that come off achingly heartfelt and energetic. A triumph of the high lonesome.

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T-Rextasy
Andrew Piccone

EVENT HORIZON (Thursday, Mar 23)

Surf In Burt's

T-Rextasy • garage, punk • Mount Ivy • space rock • Emma Lee Toyoda

Surf-style, fuzzed out and formidably feminist pop-punkers T-Rextasy make an appearance in Albuquerque, at the new home of all things fearsome and fashionable, Burt's Tiki Lounge, on Thursday, March 23. The New York City band—singer Lyris Faron, guitarists Lena Abraham and Vera Kahn, under the rhythmic influences of bassist Annie Fidoten and drummer Ebun Nazon-Power—is known for its arch approach to the genre, generating pure pop nuggets like last year's “Gap Yr Boiz” to deconstruct and decimate a culture they find to be placid and painstakingly pointless. They'll be joined on stage by space rock quartet Mount Ivy and self-described “Seattle-based sadgirlrock” adherents Emma Lee Toyoda. Hmm, the more I think about it while considering this show, the more I imagine that rocanrol is still alive and has a chance against the forces of the future. Find out for yourself if all of that fashion-future-forward stuff is la neta by jaunting on over to Burt's for this 21+ gig, where its always free to go in and have a listen to what will most certainly be.
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EVENT HORIZON (Saturday, Mar 25)

Kurt Travis Will Save Your Soul

Kurt Travis • alternative rock • Eidola • Amarrionette

I love Kurt Travis ... I said it! I don't regret it, either! (Well, I actually hardly know the man—i.e. not at all—I just love his music.) I know you won't regret seeing him at The Co-Op alongside the phenomenal bands Eidola and Amarrionette this Saturday, March 25, for only $10. Travis was the lead clean vocalist for notable post-hardcore bands Dance Gavin Dance and A Lot Like Birds. He has expanded his act as a solo musician producing the dazzlingly lovely EPs Wha Happen? (2012), Kurt Travis (2013), Everything Is Beautiful (2014) and the Kurt Travis/Paul Travis Split (2016). Travis creates an acoustic, atmospheric pop sound combined with wailing, lonesome bluegrass-esque vocals. In the newest split EP that he made with his brother, the two have created a delicate mix of Americana, pop and indie rock which is sure to translate well into this incredible performer's repertoire. Be sure not to miss this all-ages show, doors open at 7pm.
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Jenna Dunlap
Amanda Kirk

EVENT HORIZON (Saturday, Mar 25)

Local Rocks

Jenna Dunlap • singer-songwriter • Keith Sanchez & the Moon Thieves • folk

I read a recent review that said Jenna Dunlap's debut recording was “sweet,” with “wistful vocals.” Nothing could be further from the truth. Dunlap—who was recorded by Cinder Cone Media's wizard of an engineer Howard Wulkan for her first studio outing, Out of My Head—is dynamic and thoughtful, with a rumbling, tumbling vocal nuance and muscular musical style that is equal parts Sheryl Crow and Regina Spektor, mixed in with the sometimes plaintive but always hopeful observations of youth transitioning into adulthood. Her voice resonates and she has a great finger-picking style too, knowingly finding chords and arrangements that complement her intense and intelligent vocal treatments. Jenna Dunlap will be having a free CD release party for Out of My Head on Saturday, March 25, so you can hear all of that for yourself and thereby help discourage the use of meaningless musical phrases like "sweet" and "wistful" while supporting the awesome thing—called local music—itself. Keith Sanchez & the Moon Theives will provide folk-appropriate support.
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