with Between the Buried & Me, Cattle Decapitation and Fear Before the March of Flames
By Michael Henningsen
Tuesday, Nov. 23; Launchpad (all ages, 7 p.m.): Darkest Hour are the band Metallica might have become if they hadn't gone all egotistical, drug-addicted pussy on us. Then again, “might” leaves a lot of room for speculation.
Saturday, Nov. 20; Outpost Performance Space (all ages, 8 p.m.): If your idea of sitar music is George Harrison plinking away at the instrument while seated in the Lotus position during the recording of Revolver, you need a new idea. Cool and exotic as it may have sounded to those who were alive and listening intently to popular music back in 1966, the sitar—a lute-like instrument with seven playing strings and up to 13 that resonate sympathetically—dates back at least 700 years, and the music created on it within East Indian culture dates to ancient times and has a richness and history that neither Harrison nor Sir George Martin could ever hope to recreate.
Don ye now your gay apparel, because the holiday season is upon us and you're going to have to listen to at least some holiday-themed music over the next six weeks whether you want to, like it, or not. So we figure you might as well spend your time listening to the good and avoiding the bad. That's why, for the past 11 years, we've gone to the trouble of listening to the most recently released batch of holiday albums and painstakingly compiling our thoughts on them. A little holiday music is good to have around just in case you decide to throw a little party or gathering, or a bunch of creepy relatives show up for an unannounced yuletide visit. And some of this stuff really ain't that bad!
The summer heat is draining. The news is depressing. Listening to the radio is usually draining and depressing. Step away from it all and rejuvenate yourself this Sunday, June 25, at Sister with a wacky, energetic performance from Quintron and Miss Pussycat, who promise an unparalleled experience complete with outrageous costumes, complex puppet shows, explosions and “Swamp-Tech” dance music imbued with the psychedelic spirit of New Orleans…
I have always been astounded by the potential of sound; for millennia, sounds have been pieced together in inventive ways, entrancing audiences and shaping emotion through music. Music to me is a thing of magic, constantly transforming into something new in the hands of those with the ability to harness that magic. Albuquerque native Bryce Hample, better known as the mastermind behind the surreal vibrations of Reighnbeau, is truly one of those wizards, an electro-maestro with a brilliant capability for intricately layering sounds where one would least expect, but where they truly belong. This Thursday, June 29, Reighnbeau will be transforming Sister into a dreamlike world of glinting shoegaze and celestial ambience, adorned by Hample’s remarkable capabilities for visual art and mesmerizing performance even as he concocts the magic of music before our eyes. Featuring opening performances from Sazoram and Austin Morrell, the cosmic stage will be set at 9pm. Be sure to get your tickets at the presale price of $5 before they go up at the door.