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 Jan 6 - 12, 2005 

The Year in Music

Weekly Alibi's Guide to the Best Ear Candy of 2004

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At the end of each year, when I'm inspired to relax for a moment and take a look back, I always come back to the same realization: I have very little, if anything, to bitch about. I love music, I love to write, I love to spew my opinions all over the place and I happen to hold the position of music editor at the second largest, and arguably most hip entertainment and culture newspaper in the city I was born and raised in, and am irrevocably attached to ... score! And one of the many perks this job provides is being able to backtrack through 12 months of music—some of it fantastic, some of it excruciatingly bad—in an effort to compile an annual list of the CDs that have most positively affected my life over the past year. It's one of the most difficult parts of the job considering the sheer number of new releases I wade through each calendar year, but it's also one of the most rewarding tasks I'll ever undertake.

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The Year in Music Uncensored

A Look Back at Some Fantastic Releases That Didn't Quite Make the Final Cut

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This little “websclusive” feature was assembled as a reminder of just how much great music came out in 2004, and hopefully offers at least a few more national and local releases to add to your wish list.

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EVENT HORIZON ()

Why Not?

Why? • indie rock, alt.hip-hop, alt.rock, pop, folk • Go Dark • experimental

By August March
If you want a reminder—and not from Radiohead—that hip-hop is everywhere, even in the indie rock that millennials are sorta into (but only after they listen to every goddamn thing they can find by Kendrick Lamar) then trip, trip, trip on down to Sister on Monday, Feb. 19 at 8pm for a recital of sorts by Cincinnati alt-rappers cum indie rock stars, WHY? Founded by a dude named Yoni in the distant and unremembered aughts, WHY? has gained traction among rockish young audiences with their pop-nuanced mash-up of rocanrol and hip-hop. They got all kinda crazy rhythms, jams and flows going on betwixt rock references and may do some drugs; their latest effort is called Moh Lhean, after all. Additionally, the critics at Allmusic have judged their music as “quirky” which oughta count for something, amirite? They do have some pretty righteous tuneage, including works like “George Washington,” “White English” and “Into the Shadows of My Embrace.” Seriously, this one's worth the price of admission and if you're into skinny jeans and man buns, then damn, get out there, girl! The cover is $15 to $18, 21+.
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